With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    Can two lovers from different centuries find a way to live together? Do they choose the past or the future, or is there a place in between? Hilly Creighton never expected to find a man when she peered into a cave near Tombstone, Arizona. Clint Woodrow had no idea how he was pulled forward in time from 1881, and he has been trying to get back home ever since. He doesn’t realize that the cave is the answer—the cave and Hilly. As the fates throw Hilly and Clint back to Tombstone’s wild and untamed early days, Hilly fights to survive, and Clint struggles to protect her against the harshness of life in the desert. Coming 2014: Book Two of the Lost in the Old West series

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    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    'The facts of life took on a fiercer aspect and, while he faced that aspect uncowed, he faced it with all the latent cunning of his nature aroused.'The biting cold and the aching silence of the far North become an unforgettable backdrop for Jack London's vivid, rousing, superbly realistic wilderness adventure stories featuring the author's unique knowledge of the Yukon and the behavior of humans and animals facing nature at its cruelest.The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.Contents of this edition: - The Call of the Wild- To Build a Fire- Bâtard- Love of Life

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    A witty and urbane bachelor of the Gilded Age embarks on a high-risk scheme to marry into a fortune; a young writer soon to make his mark turns himself to his craft with harrowing social consequences; an aristocratic British officer during the American Revolution carries on a courtship that leads to murder; and, in Newport's earliest days, a tragically orphaned Quaker girl imagines a way forward for herself and the slave girl she has inherited.In The Maze at Windermere Gregory Blake Smith weaves these intersecting worlds into a brilliant tapestry, charting a voyage across the ages into the maze of the human heart.

    Against his mother's advice and wishes, he quits, and leaves home to become a professional baseball player

    See why readers rave about the writing, the plot twists, and the characters. NELL LILLINGTON is a spoiled, headstrong 16-year-old when she finds herself pregnant after letting a flirtation with handsome Cousin Jack get out of hand. More willing to bear the consequences of an illegitimate pregnancy than marry, she refuses to name the father and agrees to give birth in a Poor Farm and give the baby up for adoption. At the Poor Farm she meets Tess O’Dugan, a woman the world calls an imbecile but who soon becomes the sister Nell never had. MARTIN RUTHERFORD, Nell’s childhood friend, only learns of baby Sarah when Nell seeks to escape from the Poor Farm—with the child. His own aversion to marriage stems from his dark, unhappy childhood, and despite his attachment to Nell he makes no objection to her plan to move to Kansas, away from prying eyes, with Tess and Sarah. Martin, now free of family ties, has his own plans—he wishes to build a grand department store in Chicago and become one of that growing city’s merchant princes. But Nell and Martin’s plans are steered off course by the secrets and lies of other people, and their paths to happiness are strewn with murder. Nell’s story will take you from the Illinois prairie, to frontier Kansas, and back to a Chicago teeming with opportunistic new Americans and ruthless hardmen.

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

    Over the course of eight stories, we are introduced to a host of young people on the cusp of discovery and loss. As he evokes the various states of agony and pleasure--humiliation, rebellion, camaraderie, and desire--Benioff displays a profound understanding of the transformative power of a single moment and how sadness can be illuminated by a humorous flip side. When the Nines Roll Over confirms the promise of a gifted writer emerging as a storytelling force.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    

    Was it Chet Bennett, her own guardian's son? Could it be Don Holt, the fascinating visitor? Or was it Jim Trevor, the ambitious young lawyer, who had completely stolen her heart away?

    And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."