In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    With this brilliantly inventive collection, Ali Smith joins the campaign to save our public libraries and celebrate their true place in our culture and history.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    With exquisite grace and eloquence, Tóibín writes of men and women bound by convention, by unspoken emotions, by the stronghold of the past. Many are trapped in lives they would not choose again, if they ever chose at all. A man buries his mother and converts his grief to desire in one night. A famous singer captivates an audience, yet cannot beguile her own estranged son. And in "A Long Winter," Colm Tóibín's finest piece of fiction to date, a young man searches for his mother in the snow-covered mountains where she has sought escape from the husband who controls and confines her. Winner of numerous awards for his fifth novel, iThe Master/i -- including the Los Angeles Times Book Prize and the International IMPAC Dublin Literary Award -- Tóibín brings to this stunning first collection an acute understanding of human frailty and longing. These are haunting, profoundly moving stories by a writer who is himself a master.

    Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    Brave New Worlds brings together the best dystopian fiction of the last 30 years, demonstrating the diversity that flourishes in this compelling subgenre. This landmark tome contains stories by Ursula K. Le Guin, Cory Doctorow, M. Rickert, Paolo Bacigalupi, Orson Scott Card, Neil Gaiman, Ray Bradbury, and many others.Table of ContentsIntroduction / John Joseph Adams --Lottery / Shirley Jackson --Red card / S.L. Gilbow --Ten with a flag / Joseph Paul Haines --Ones who walk away from Omelas / Ursula K. Le. Guin --Evidence of love in a case of abandonment / M. Rickert --The Funeral / Kate Wilhelm --O happy day! / Geoff Ryman --Pervert / Charles Coleman Finlay --From homogeneous to honey / Neil Gaiman & Bryan Talbot --Billennium / J.G. Ballard --Amaryllis / Carrie Vaughn --Pop squad / Paolo Bacigalupi --Auspicious eggs / James Morrow --Peter Skilling / Alex Irvine --The Pedestrian / Ray Bradbury --Things that make me weak and strange get engineered away / Cory Doctorow --Pearl diver / Caitlin R. Kiernan --Dead space for the unexpected / Geoff Ryman --"Repent harlequin!", said the Ticktockman / Harlan Ellison --Is this your day to join the revolution? / Genevieve Valentine --Independence day / Sarah Langan --Lunatics / Kim Stanley Robinson --Sacrament / Matt Williamson --Minority report / Philip K. Dick --Just do it / Heather Lindsley --Harrison Bergeron / Kurt Vonnegut Jr. --Caught in the organ draft / Robert Silverberg --Geriatric ward / Orson Scott Card --Arties aren't stupid / Jeremiah Tolbert --Jordan's waterhammer / Joe Mastroianni --Of a sweet slow dance in the wake of temporary dogs / Adam-Troy Castro --Resistance / Tobias S. Buckell --Civilization / Vylar Kaftan.

    The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.Birdsong / Chimamanda Ngozi Adichie --The warm fuzzies / Chris Adrian --Second Lives / Daniel Alarcón --The train of their departure / David Bezmozgis --The Erlking / Sarah Shun-lien Bynum --The pilot / Joshua Ferris --Here we aren't, so quickly / Jonathan Safran Foer --An arranged marriage / Nell Freudenberger --The entire northern side was covered with fire / Rivka Galchen --The young painters / Nicole Krauss --The science of flight / Yiyun Li --An honest exit / Dinaw Mengestu --What you do out here, when you're alone / Philipp Meyer --Twins / C.E. Morgan --Blue water djinn / Téa Obreht --Dayward / ZZ Packer --The dredgeman's revelation / Karen Russell --The kid / Salvatore Scibona --Lenny hearts Eunice / Gary Shteyngart --The landlord / Wells Tower

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.