But moving beyond theory, Him We Proclaim provides examples of how this method applies to all Old and New Testament genres, from history and law to psalm and prophecy to doctrine and exhortation.

    But rather than abandoning the traditional view completely, John Feinberg seeks a reconstructed model -- one that reflects the ongoing advances in human understanding of God's revelation while recognizing the unchanging nature of God and His Word. Feinberg begins by exploring the contemporary concepts of God, particularly the openness and process views, and then studies God's being, nature, and acts -- all to articulate a mediating understanding of God not just as the King, but the King who cares!

    Many churches have adopted this mind-set in their practice of membership and discipline-if they have not done away with such structures entirely. "Yet God's love and God's gospel are different than what the world expects," writes Jonathan Leeman. They're centered in his character, which draws a clear boundary between what is holy and what is not. It's this line that the local church should represent in its member practices, because the careful exercise of such authority "is God's means for guarding the gospel, marking off a people, and thereby defining his love for the world."So how should churches receive and dismiss members? How should Christians view their submission to the church? Are there dangers in such submission? The Church and the Surprising Offense of God's Love responds with biblical, theological, and practical guidance-from both corporate and individual perspectives. It's a resource that will help pastors and their congregations upend worldly conceptions and recover a biblical understanding and practice of church authority.

    College Writing Skills With Reading features John Langan's clear writing style and his wide range of writing assignments and activities that effectively reinforce the four essentials of good writing: unity, support, coherence, and sentence skills. This alternate version provides 25 entertaining and informative essays by professional writers.

    It covers topics such as plurals and literary technique, distinctions among like words (homonyms and synonyms), and the use of foreign terms.This book is intended for general; students and teachers of English; anyone wanting guidance on the correct use of English.

    It suggests ways to understand the Bible's various literary genres: theological history, law, poetry, prophecy, parables, epistles, and apocalyptic. And it demonstrates how to apply Scripture to worship, witness, and guidance. This new edition discusses trends and movements influencing biblical interpretation during the last ten years. The first edition was published by Victor Books in 1994.

    1. Psalm 1-57 v. 2. Psalm 58-110 v. 3. Psalm 111-150Charles Haddon Spurgeon, the "Prince of Preachers," composed and polished The Treasury of David over the span of nearly half his ministry. This incomparable commentary and omnibus on the Psalms has been prized by Christians ever since. Spurgeon's own commentary on every verse of the Psalms is extremely insightful, and by itself it would have been rich enough for posterity. But there's much more in The Treasury of David. You'll find a wealth of illuminating extracts and quotes from hundreds of commentators--contemporaries of Spurgeon as well as the great Puritan expositors of the seventeenth and eighteenth centuries. Preachers and teachers will appreciate the homiletical hints on almost every verse, concise sermon outlines, and provocative seed thoughts. Useful bibliographies and an index of authors offer more practical help. Whether you're teaching on the Psalms, studying them for personal devotions, or simply intrigued by the writings of Spurgeon, you'll enjoy this splendid classic.

    Modern critical biblical scholarship often points out how the church's teachings about Jesus have become encrusted with tradition so that it is hard to see what the core documents--the New Testament--really say about him. Now, with the insight of 200 years of modern critical scholarship and assuming an audience that includes both the well-churched and the non-churched, how should the church present the story and identity of the central personality of their faith, Jesus of Nazareth? Many people will be surprised at the story they hear.