Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    We'll keep your secrets if you keep ours. Natalie Collins hasn't heard from her sister in more than half a year.The last time they spoke, Kit was slogging from mundane workdays to obligatory happy hours to crying in the shower about their dead mother. She told Natalie she was sure there was something more out there.And then she found Wisewood.On a private island off the coast of Maine, Wisewood's guests commit to six-month stays. During this time, they're prohibited from contact with the rest of the world--no Internet, no phones, no exceptions. But the rules are for a good reason: to keep guests focused on achieving true fearlessness so they can become their Maximized Selves. Natalie thinks it's a bad idea, but Kit has had enough of her sister's cynicism and voluntarily disappears off the grid.Six months later Natalie receives a menacing e-mail from a Wisewood account threatening to reveal the secret she's been keeping from Kit. Panicked, Natalie hurries north to come clean to her sister and bring her home. But she's about to learn that Wisewood won't let either of them go without a fight.

    The first-person narrative follows the adventures and misadventures of a mysterious individual: an artist, fl�neur, composer of operas, and incorrigible rake, who wanders the districts of Paris seducing girls, drinking wine, and looking for that new idea with which to complete his 'hero's tale.' Rooftop Soliloquy is remarkable for the ease and pleasurable pace of the story. The reader is led on a joyful path that wanders from the urban picaresque tale, to the pastoral courtly or chivalric romance, to the Homeric-style epic. More information at www.parisquest.com.

    College life isn’t what Emily expected.She expected to spend freshman year strolling through the ivy-covered campus with new friends, finally feeling like she belonged. Instead, she walks the campus alone, still not having found her place or her people so far away from home. But then the Kingdom finds her. The Kingdom, an exclusive on-campus group, offers everything Emily expected of college and more: acceptance, friends, a potential boyfriend, and a chance to spend the summer in Italy on a mission trip. But the trip is not what she thought it would be. Emily and the others are stripped of their passports and money. They’re cut off from their families back home. The Kingdom’s practices become increasingly manipulative and dangerous. And someone ends up dead.At times unsettling and always riveting, Those Who Prey looks at the allure of cult life, while questioning just how far we’re willing to go to find where we belong.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    Despite her six-year-old sister, Charlie, insisting a masked figure is hiding in her closet, and the rumors at school, Stephanie isn’t convinced her father’s latest renovation project–a crumbling Victorian mansion–houses the soul of a monster. So when the very charming (and paranormal obsessed) Lucas Cheney takes an interest in both Stephanie and her notorious home, the supernatural and romantic activity escalates to an all-time high. And that doesn’t even take into account the dashing, British-accented eighteen-year-old boy, Erik, who’s taken up residence in Stephanie’s nightly dreams. A boy who may have something to do with the man in the mask, and the strange occurrences taking place at Moldavia.

    There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears. . . . Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced. . . .

    With these tumultuous events as inspiration, Jane’s breathtaking first novel adapts her story for a truly epic romance that captures the hope and the heartbreak that have made the television drama so beloved. Snow Falling is a sweeping historical romance set in 1902 Miami—a time of railroad tycoons, hotel booms, and exciting expansion for the Magic City. Working at the lavish Regal Sol hotel and newly engaged to Pinkerton Detective Martin Cadden, Josephine Galena Valencia has big dreams for her future. Then, a figure from her past reemerges to change her life forever: the hotel’s dapper owner, railroad tycoon Rake Solvino. The captivating robber baron sets her heart aflame once more, leading to a champagne-fueled night together. But when their indiscretion results in an unexpected complication, Josephine struggles to decide whether her heart truly belongs with heroic Martin or dashing Rake. Meanwhile, in an effort to capture an elusive crime lord terrorizing the city, Detective Cadden scours the back alleys of the Magic City, tracking the nefarious villain to the Regal Sol and discovering a surprising connection to the Solvino family. However, just when it looks like Josephine’s true heart’s desire is clear, danger strikes. Will her dreams for the future dissolve like so much falling snow or might Josephine finally get the happy ever after she’s been dreaming of for so long?

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Known as a recluse, she avoids all public appearances. There’s a reason: she’s living under an assumed identity, having outrun a tragic past. But when a hungry journalist starts chasing her story, she’s confronted with whom she once was: Iris Chapel.Connecticut, 1950: Iris Chapel is the second youngest of six sisters, all heiresses to a firearms fortune. They’ve grown up cloistered in a palatial Victorian house, mostly neglected by their distant father and troubled mother, who believes that their house is haunted by the victims of Chapel weapons. The girls long to escape, and for most of them, the only way out is marriage. But not long after the first Chapel sister walks down the aisle, she dies of mysterious causes, a tragedy that repeats with the second, leaving the rest to navigate the wreckage, to heart-wrenching consequences. Ultimately, Iris flees the devastation of her family, and so begins the story of Sylvia Wren. But can she outrun the family curse forever?

    It’s less great when you turn up to find him dead on the floor, and an armored giant dressed like a freaking ancient warrior standing over his body though.Ares, the God of War, has lost his power and the only way for him to get it back? Me. Apparently, I’m a goddess. One with the power of war. I mean, it does explain a lot.To my relief, Joshua, my shrink and only friend, isn’t really dead. He’s been kidnapped and taken to Olympus—the world where I’m supposed to belong. I vow to do whatever it takes to find him. But Ares has other plans for me. He wants my power, and the easiest way for him to get it is to kill me.When Hades suggests a compromise, I’m forced to work side-by-side with a giant, murderous warrior god. One with far too many secrets. Ares might be the brute everyone thinks he is, but I’m no angel. He awakens a power within me that I’ve failed to control my whole life.And I soon discover that Joshua isn’t the only one that needs saving.This is the complete collection of The Ares Trials, including The Warrior God, The Savage God and The Golden God. It is intended for adults and is packed with magic, mythology and enemies-to-lovers soulmate romance!

    The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

    The other half belongs to a man who disappeared without a trace twenty-seven years ago—her father.Leaving London behind to settle the inheritance from her mother’s estate, Ailsa returns to her childhood home, nestled amongst the craggy peaks of the Scottish Highlands, joined by the half-sister who’s almost a stranger to her.Ailsa can’t escape the claustrophobic feeling that the house itself is watching her—as if her past hungers to consume her. She also can’t ignore how the neighbourhood animals refuse to set one foot within the gates of the garden.When the first nighttime intruder shows up, Ailsa fears that the manor’s careless rugged beauty could cost her everything.

    She was never seen again.In the present day, Maudie is struggling to come to terms with the death of her wealthy father, her increasingly fragile mental health and a marriage that’s under strain. Slowly, she becomes aware that there is someone following her: a blonde woman in a long black coat with an intense gaze. As the woman begins to infiltrate her life, Maudie realises no one else appears to be able to see her. Is Maudie losing her mind? Is the woman a figment of her imagination or does she actually exist? Have the sins of the past caught up with Maudie’s present... or is there something even more sinister going on?Lost Girls is the new novel from the author of The House on Fever Street: a dark and convoluted tale which proves that nothing can be taken for granted and no-one is as they seem