And when she finds a tiny part of a doll house outside her flat, it feels as if it’s a sign.But as more pieces begin to turn up, Corinne realises that they are far too familiar. Someone knows about the miniature rocking horse and the little doll with its red velvet dress. Someone has been inside her house…How does the stranger know so much about her life? How long have they been watching? And what are they waiting for…?

    Barker. "I'm going to offer you a choice." Controversial satellite radio talk show host, Jordan Briggs, has clawed her way to the top of the broadcast world. She doesn’t hold back, doesn’t spare feelings, and has no trouble sharing what's on her mind. Her rigorous pursuit of success has come at a price, though. Her marriage is in ruins, she hasn’t spoken to her mother in years, and she's distanced herself from all those close to her. If not for her young daughter, Charlotte, her personal life would be in complete shambles.When a subdued man calls into the show and asks to play a game, she sees it as nothing more than a way to kick-start the morning, breathe life into the beginnings of drive-time for her listeners. Against her producer's advice, she agrees, and unwittingly opens a door to the past.Live on the air with an audience of millions, what starts out as a game quickly turns deadly—events long thought buried resurface and Jordan Briggs is forced to reconcile with one simple fact—All decisions have consequences.

    Her job exposes Kristy to the worst of humanity and it's one that's beginning to take its toll.So when Kristy meets Lance Dobson, her son's martial arts instructor, she believes she finally found her happy ending. She was wrong.Kristy soon discovers that Lance is a monster. Forced to endure his verbal and physical abuse, Kristy is serving her own life sentence . . . unless she's willing to take matters into her hands. Perfectly poised to exploit the criminal justice system she knows so well, Kristy sets out to get rid of Lance - permanently.The Walls explores domestic violence, the morality of murder and how far one woman will go to protect her family.

    Preparations are in order. Friends and family are gathering in anticipation. Everything is going according to plan. Except that Annie herself has vanished. Did she have second thoughts?Or has something much worse happened to the bride-to-be?As the days pass, the list of suspects in her disappearance grows. Could it be the recently released man a young Annie misidentified as her mother’s killer? Could it be someone even closer to her?While her loved ones frantically try to track her down, they’re forced to grapple with their own secrets—secrets with the power to reframe entire relationships, leaving each to wonder how well they really knew Annie and how well they know themselves.

    TWO MARRIAGES. THREE VERSIONS OF THE TRUTH.Skye Starling is overjoyed when her boyfriend, Burke Michaels, proposes after a whirlwind courtship. Though Skye seems to have the world at her fingertips―she’s smart, beautiful, and from a well-off family―she’s also battled crippling OCD ever since her mother’s death when she was eleven, and her romantic relationships have suffered as a result.But now Burke―handsome, older, and more emotionally mature than any man she’s met before―says he wants her. Forever. Except, Burke isn’t who he claims to be. And interspersed letters to his therapist reveal the truth: he’s happily married, and using Skye for his own, deceptive ends.In a third perspective, set thirty years earlier, a scrappy seventeen-year-old named Heather is determined to end things with Burke, a local bad boy, and make a better life for herself in New York City. But can her adolescent love stay firmly in her past―or will he find his way into her future?On a collision course she doesn’t see coming, Skye throws herself into wedding planning, as Burke’s scheme grows ever more twisted. But of course, even the best laid plans can go astray. And just when you think you know where this story is going, you’ll discover that there’s more than one way to spin the truth.

    Homeless and desperate, she flees to an exclusive retreat in upstate New York famous for its outrageous revelries and glamorous artists. And notorious as the place where brilliant young artist Carey Logan - one of her idols - drowned in the lake. But when she arrives, the retreat is a ghost of its former self. No one shares their work. No parties light up the deck. No one speaks of Carey, though her death haunts the cabins and the black lake, lurking beneath the surface like a shipwreck. As the young painter works obsessively in Carey's former studio, uncovers strange secrets and starts to fall--hard and fast--for Carey's mysterious boyfriend, it's as if she's taking her place. But one thought shadows her every move: What really happened to Carey Logan?

    You just boarded a flight to New York.There are one hundred and forty-three other passengers onboard.What you don’t know is that thirty minutes before the flight your pilot’s family was kidnapped.For his family to live, everyone on your plane must die.The only way the family will survive is if the pilot follows his orders and crashes the plane.Enjoy the flight.

    It's a cruel mistake; her son left for college a year ago, and Kelly has never felt so alone. The receptionist quickly apologizes: there's another mother in town named Kelly Medina, and she must have gotten their numbers switched.But Kelly can't stop thinking about the woman who shares her name. Lives in her same town. Has a son she can still hold, and her whole life ahead of her. She can't help looking for her: at the grocery store, at the gym, on social media. When Kelly just happens to bump into the single mother outside that pediatrician's office, it's simple curiosity getting the better of her.Their unlikely friendship brings Kelly a renewed sense of purpose, taking care of this young woman and her adorable baby boy. But that friendship quickly turns to obsession, and when one Kelly disappears, well, the other one may know why.

    Manipulator. Con artist. Call it what you will—Bianca St. Ives is the best in the business. Growing up, Bianca St. Ives knew she was different from all her friends. Instead of playing hopscotch or combing her dolls' hair, she studied martial arts with sensei masters and dismantled explosives with special-ops retirees. Her father prepped her well to carry on the family business. Now a striking beauty with fierce skills, the prodigy has surpassed the master.She's known as the Guardian. Running a multinational firm with her father, she makes a living swindling con men out of money they stole—and she's damn good at it. She does things on her own terms. But her latest gig had a little hiccup—if you count two hundred million dollars and top secret government documents going missing as little. Her father also died on the mission. The thing is, the US government doesn't believe he's really dead. They'll stop at nothing to capture Richard St. Ives, a high-value target and someone who has been on most-wanted lists all over the world for over two decades, and they mean to use Bianca as bait. With only a fellow criminal for backup and her life on the line, it's up to Bianca to uncover the terrifying truth behind what really happened...and set it right, before it's too late.

    Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

    The second thing is that it matters.On her way to her nineteenth wedding anniversary celebration, Natalie Falcone leaves the struggling restaurant she owns with her brother-in-law Vince. She doesn’t speak to him on her way out; they haven’t spoken in months. Out on the sidewalk, she gets a phone call every mother dreads: It’s from a hospital emergency room in the town where her daughter, Arden, attends college. Arden’s been in a fire, along with Natalie’s niece, Rory—Vince’s daughter and Arden’s best friend.Natalie rushes to the hospital and learns that both Arden and Rory lie unconscious, and that another student has died in the blaze. The police suspect arson.As the investigation mounts, Natalie struggles to piece together the elusive details of Arden’s and Rory’s freshman year. Growing up, Rory was charming, popular, and charismatic, while Arden was artistic, perceptive, and reserved. They were different yet inseparable, more like sisters than cousins. But the case unearths a different portrait—of a complex friendship, a love triangle, a fight, and a girl who was struggling more than anyone realized. To discover what really happened that tragic night, Natalie’s and Vince’s families must confront the one truth that ultimately emerges: Nothing is ever exactly what it seems.

    J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge sixty miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.But Lena isn’t buying it.Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story doesn’t seem to add up. For one thing, he stopped Cambry for speeding a full hour before she supposedly leapt to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone.But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. I couldn’t live with it. Hopefully you can, Officer Raycevic.Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing, tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself...

    It’s taken Joan Lurie three years to write her article exposing a famous newspaper tycoon as a sexual predator. On the eve of its publication, she celebrates at a party thrown in her honor and is riding high…only to be brutally attacked as she is returning home late that night. Traumatized and suffering the effects of a concussion, she moves to a highly secure new apartment building in northern Manhattan called the Refuge. Safely sequestered away, she tries to begin writing a book that expands her much-lauded exposé.At the Refuge, Joan encounters a frail 96-year-old woman who has been living in the building since the 1940s when it was a Magdalen Laundry and Refuge for Fallen Women. When Lillian first arrived, she was hiding out from the infamous Murder, Inc mobsters. As Lillian relates her story about the long-ago incriminating incident she witnessed that forced her into hiding, Joan recalls certain details of her own investigation.The more Joan learns about Lillian and the fabled story of the Refuge, the more she realizes they may be linked to the book she is writing—and to her attacker that fateful night. As Joan starts to connect the clues and unravel decades worth of history, she must stay one step ahead of those who are desperate to make sure Joan never uncovers the final truth.

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.