In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    P. Lovecraft was the eerily prescient genius who first electrified readers in Weird Tales magazine. His tales changed the face of horror forever and inspired the bloodcurdling offerings of a new generation. These brilliant dark visionaries forge grisly trails through previously uncharted realms of mortal terror.  THE PLAIN OF SOUND by Ramsey Campbell: In the beginning they could find no source for the throbbing vibrations; in the end they could find no escape. THE HORROR ON THE BEACH by Alan Dean Foster: Along the coast of Santa Barbara, the mighty Pacific Ocean can no longer contain—or conceal—an ancient, insatiable evil stirring in its depths.THE KISS OF BUGG-SHASH by Brian Lumley: It mattered not how innocent the students’ motives seemed; the demon had been summoned, and the price had to be paid—every last red drop of it.THE FISHERS FROM OUTSIDE by Lin Carter: A man obsessed with unlocking the secrets of a race older than time would not be disappointed—doomed perhaps, devoured possibly, but definitely not disappointed.  AND TWENTY-ONE MORE TALES OF FEAR . . .  THE STONE ON THE ISLAND by Ramsey Campbell THE STATEMENT OF ONE JOHN GIBSON by Brian Lumley DEMONIACAL by David Sutton THE SLITHERER FROM THE SLIME by H. P. Lowcraft THE DOOM OF YAKTHOOB by Lin Carter THE KEEPER OF THE FLAME by Gary Myers DEAD GIVEAWAY by J. Vernon Shea THOSE WHO WAIT by James Wade THE KEEPER OF DARK POINT by John Glasby THE BLACK MIRROR by John Glasby I’VE COME TO TALK WITH YOU AGAIN by Karl Edward Wagner THE HOWLER IN THE DARK by Richard L. Tierney THE WHISPERERS by Richard A. Lupoff LIGHTS! CAMERA! SHUB-NIGGURATH! by Richard A. Lupoff SAUCERS FROM YADDITH by Robert M. Price VASTARIEN by Thomas Ligotti THE MADNESS OUT OF SPACE by Peter H. Cannon ALIAH WARDEN by Roger Johnson THE LAST SUPPER by Donald R. Burleson THE CHURCH AT GARLOCK’S BEND by David Kaufman THE SPHERES BEYOND SOUND (THRENODY) by Mark Rainey

    P. Lovecraft’s accursed New England hills, this collection features some of the most legendary landscapes of the cosmic horror genre. The collection includes the following twelve stories:   Edgar Allan Poe, "MS. Found in a Bottle" Bram Stoker, "The Squaw" Ambrose Bierce, "Moxon's Master" Ambrose Bierce, "The Damned Thing" Ambrose Bierce, "An Inhabitant of Carcosa" R. W. Chambers, "The Repairer of Reputations" M. P. Shiel, "The House of Sounds" Arthur Machen, "The White People" Algernon Blackwood, "The Willows" Henry James, "The Jolly Corner" Walter de la Mare, "Seaton's Aunt" H. P. Lovecraft, "The Colour Out of Space"“The true weird tale has something more than a secret murder, bloody bones, or a sheeted form clanking chains. An atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; a hint of that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.”—H. P. Lovecraft

    It has had a passionate following for years. On its twentieth anniversary, Subterranean Press will release this novel as part of its Signature Series, in a volume that also contains stories that were inspired by, or drawn from, the novel while Lansdale waited for it to sell. The novel and stories have influenced numerous writers over the years, and are now gathered for the first time (with a new, never-before-published tale) in this unique tribute volume celebrating one of the most influential and award-winning writers of the last two decades. The God of the Razor will be designed as a companion volume to the Lansdale tribute anthology, Lords of the Razor, featuring a full color cover by TimothyTruman, and twenty full page black-and-white illustrations for the short stories and novel by Glenn Chadborne.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    It is a collection of short prose narratives that offer a blend of pataphysical humor and surreal nightmare: secret societies so secret that one cannot know if one is a member or not, music-hall acts that walk a tightrope from humor to horror, childhood memories of a man never born, and correspondence from countries that are more states of mind than geographical locales. Lying somewhere between Kafka's parables and the prose poems of Henri Michaux, Ferry's tales read like pages from the journal of a stranger in a familiar land. Though extracts have appeared regularly in Surrealist anthologies over the decades, "The Conductor" has never been fully translated into English until now. This edition includes four stories not included in the original French edition and is illustrated throughout with collages by Claude Ballare.Jean Ferry (1906-1974) made his living as a screenwriter for such filmmakers as Luis Bunuel and Louis Malle, cowriting such classics as Henri-Georges Clouzot's "Le Quai des orfevres" and script-doctoring Marcel Carne's "Les Enfants du paradis." He was the first serious scholar and exegete of the work of Raymond Roussel (on whom he published three books) and a member of the College de 'Pataphysique.

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

    Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title. The Cathedral of Mist offers the sort of ethereal narratives that might have come from the pen of a sorrowful, distinctly Belgian Italo Calvino. It is accompanied by two meditative essays on reading and writing that fall in the tradition of Marcel Proust and Julien Gracq. Paul Willems (1912-97) published his first novel, Everything Here Is Real, in 1941. Three more novels and, toward the end of his life, two collections of short stories bracketed his career as a playwright.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions, and scientifically grounded superpowers — a place where the absurd and the mundane are not merely bedfellows, but interbreed. At the core of Adam Marek’s much-anticipated second short story collection is a single, unifying theme: a parent’s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, that only the fantastically illogical can steel us against what ordinary life threatens. Bonus BackLit materials will include an interview and a list of Marek’s recommended books.