Here are the rules: 1. You must only read each new entry on your birthday, there is one for every year until you are thirty. 2. This is a private manual between you and me. 3. No peeping at the next entry unless it's your birthday! When Lois Bates is handed the manual, she can barely bring herself to read it as the pain of losing her dad is still so raw. Yet soon his advice is guiding her through every stage of her life - from first love and relationships to her career. The manual can never be a substitute for having her dad back, but through his words Lois learns to start living again, and discovers that happiness is waiting around the corner...

    Until the day that Tabitha Foster and Elodie Shaw walk in. Tabitha has just about everything she wants: money, friends, popularity, a hot boyfriend who worships her...and clearly a yen for stealing. So does Elodie, who, despite her goodie-two-shoes attitude pretty much has "klepto" written across her forehead in indelible marker. But both of them are nothing compared to Moe, a bad girl with an even worse reputation.Tabitha, Elodie, and Moe: a beauty queen, a wallflower, and a burnout-a more unlikely trio high school has rarely seen. And yet, when Tabitha challenges them to a steal-off, so begins a strange alliance linked by the thrill of stealing and the reasons that spawn it.Hollywood screenwriter Kirsten Smith tells this story from multiple perspectives with humor and warmth as three very different girls who are supposed to be learning the steps to recovery end up learning the rules of friendship.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    With a visceral bite or a surreal edge, each electrically charged story in Circling the Drain presents women trying to understand the nature of loss--of leaving or being left--and discovering that in the throes of feverish conflict, things are rarely what they seem. By turns dark and lyrical, ferocious and playful, these stories are precise, startling, and undeniably original. Reading them is a cathartic, mesmerizing literary experience.

    Thoughtful, introspective and studious Flo couldn't be more different to ambitious, extroverted and sexually curious Renée. But Renée and Flo are united by loneliness and their dysfunctional families, and an intense bond is formed. Although there are obstacles to their friendship (namely Flo's jealous ex-best friend and Renée's growing infatuation with Flo's brother), fifteen is an age where anything can happen, where life stretches out before you, and when every betrayal feels like the end of the world. For Renée and Flo it is the time of their lives.With graphic content and some scenes of a sexual nature, PAPER AEROPLANES is a gritty, poignant, often laugh-out-loud funny and powerful novel. It is an unforgettable snapshot of small-town adolescence and the heart-stopping power of female friendship.

    That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls—a location fans of Strout will recognize from her critically acclaimed novel, The Burgess Boys—only increases the tension. And just when it appears things can't get any worse, Amy's sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.A Reader's Guide is included in the paperback edition of this powerful first novel by the author who brought Olive Kitteridge to millions of readers.

    But she doesn't dare reveal her true identity to the authorities. Instead, she plans her immediate escape, and her perilous flight begins.Kendall, the best public defender in Prosper, South Carolina, has stumbled upon a chilling town secret, turning her marriage to one of Prosper's most powerful men into a living hell. Now Kendall is a terrified mother trying to save her child's life, a reluctant witness who knows too much about an insidious evil . . . and a woman surrounded by forces that will stop at nothing to protect what is "theirs."

    . . by far Shaw's best work . . . it's all fascinating". Don't forget to stock up on this six-million-copy bestseller.

    The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.The high divide --Drummond & son --Screenwriter --Up north --The scheme of things --The dead fish museum --Blessing --The bone game

    Her routine and colourless existence is disrupted one winter evening when she happens upon the aftermath of a car crash and hears the last words of the driver, Alys Kyte. When Alys's family makes contact in an attempt to find closure, Frances is given a tantalising glimpse of a very different world: one of privilege and possibility. The relationships she builds with the Kytes will have an impact on her own life, both professionally and personally, as Frances dares to wonder whether she might now become a player in her own right.

    His carefully constructed routine includes tracking his most common waking time (7:38 a.m.), refusing to start his therapy sessions even a minute before the appointed hour (10:00 a.m.), and watching one episode of the 1960s cop show Dragnet each night (10:00 p.m.).But when a single mother and her nine-year-old son move in across the street, Edward’s timetable comes undone. Over the course of a momentous 600 hours, he opens up to his new neighbors and confronts old grievances with his estranged parents. Exposed to both the joys and heartaches of friendship, Edward must ultimately decide whether to embrace the world outside his door or retreat to his solitary ways.Heartfelt and hilarious, this moving novel will appeal to fans of Daniel Keyes’s classic Flowers for Algernon and to any reader who loves an underdog.

    Rock Springs is a masterpiece of taut narration, cleanly chiseled prose, and empathy so generous that it feels like a kind of grace.

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further-and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.

    There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.