Set in the desolate outback landscape of Australia's north-west, the novel tracks the last days of a worn-out Anglican missionary. Fleeing his mission after an agonising confrontation, he immerses himself in the wilderness, searching for the islands of death and mystery.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    In writing that is inventive, bold, and generous, Axiomatic introduces an unforgettable voice.

    With its wildness and originality, The Agonist is an exhilarating collection. Exploring the languages of anatomy, etymology and incantation, these poems spark conversations about fracture and repair, energy, love and danger.

    Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.

    Choices were made without thinking. Young lives came together and would never be the same again. Years on, as Ursula confronts decisions that are not so easy to make, revelations collide with memories of Candelo - and some breathtaking secrets come to light.

    But Lily can't understand why her Dad doesn't like the Rileys. Why doesn't he want them to go over there? Why is he being so horrible and mean? Does something big have to happen to change his mind?

    With unprecedented access to club officials, players and coaches, author Konrad Marshall takes the reader inside the rooms at the key moments the campaign, chronicling the Tigers' journey towards premiership contention. This is not just a book of wins and losses, it's the story of a professional football club and how it operates at every level: from the fitness staff, to the coaching panel, the players, and the Board. Football has changed enormously since Richmond's last flag, in 1980, and Marshall explains in great detail the enormous amount of work and thought that goes into every decision made-on and off the field. Whether the Tigers make it to the last Saturday in September or not, their story is rich and explosive. A Season with Richmond is full of unparalleled access to all the key moments, including frank and occasionally emotional interviews with all the key figures. A Season with Richmond is a compulsory read for all football fans.

    and unicycles by the founders of the LOVE YOUR SISTER charity, Connie and Samuel Johnson, that will inspire and they hope get people talking about boobs! Born a year apart, Connie and Samuel Johnson have always been close. Faced with the devastating news that they would soon be separated forever, they made a decision.After already surviving cancer twice in her young life, at 33 Connie was diagnosed with breast cancer. But this time it was a whole different ball game. This time she was told she will die, leaving behind her two sons. As a young mum faced with her own death, Connie wanted to make it all less meaningless, and she knew just the way to do it - send her brother, Sam, on a one-wheeled odyssey around Australia.The aims: to break the world record for the longest distance travelled on a unicycle. To raise $1 million for the Garvan Research Foundation. And, most importantly, to remind women to be breast aware and stop others having to say goodbye to those they love.Their message is simple: 'Don't fall into the booby trap.' Samuel has travelled through every state and ridden more than 150,000 kilometres to raise awareness and raise research dollars.But Connie had a secret fourth aim: to fix Samuel. And it worked. Sam cleared his diary, cleaned himself up and tenaciously kept his promise to his dying sister.For them the job isn't over. They are determined to raise more money for research. Connie vows to fight until her dying day and Sam says the fight will go on long after that.These two remarkable Australians share their tale, from childhood through to the finish line and beyond in this truly unique story. Part memoir, part travel diary, part conversation, LOVE YOUR SISTER is an inspiring and unforgettable story that shows just how far one man will go for his sister.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    There weren’t many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding.In this engaging and thought-provoking memoir, Miranda shares the path she took to create a moving film about reconnection to family and culture. And, like all good storytellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces.MIRANDA TAPSELL was born in Darwin and her people are the Larrakia. She grew up in Kakadu National Park and began performing at the age of seven. At 16, she won the Bell Shakespeare Company regional performance scholarship. She has her own podcast on BuzzFeed, Pretty for an Aboriginal, with Nakkiah Lui, which rocks the traditional perceptions of Indigenous Australia and challenges rigid mindsets of what women of colour can and cannot do. Top End Girl is her literary debut.

    They leave the city, fleeing a past and a future that fill then with fear. On the coast they discover a natural world that is both destructive and rejuvenating. Events sweep them up and they must confront what they have tried to put behind them.Veritgo is an enthralling short novel by one of Australia's leading writers.

    As gang fought gang, the streets echoed with the sound of violence and ran with blood. Razor chronicles in compelling detail the nether world ruled by fabled vice queens Tilly Devine and Kate Leigh, and financed by the spoils of illegal drugs and alcohol, prostitution, gambling and extortion. Gangsters such as Guido Calletti, Big Jim Devine and Frank 'the Little Gunman' Green killed, robbed and slashed with impunity. Facing them were the police - some corrupt, some honest, and a few as tough and feared as the razor gangs they fought. Razor is the fascinating true story of the people who lived and died in this world of violence and vice. Razor brings a city's dark past back to life, and ensures that you will never look at inner Sydney in quite the same way again.

    Since the death of his father, Moniek Prochownik, four years earlier, Toni has been at a creative standstill - until Marina Golding, the wife of his former teacher and mentor, Robert Schwartz, contacts him, and everything changes. Toni finds in Marina the perfect companion of his life in art and his creative energies are re-awakened.But Toni's newfound inspiration and artistic energy come at the direct expense of his relationship with his wife and daughter. The more dependent for his art he becomes on Marina, the more potentially destructive become the tensions between himself and his wife, Teresa. Toni's dilemma is how to reconcile the transgressive nature of his imaginative life with the daily life of his family, who he loves. Robert Schwartz's dying father, Theo, warns him not to confuse art with life. But by what means is he to achieve such clear-sightedness?Immensely satisfying, Prochownik's Dream is a work of great subtlety, strength and intellect. Its examination of the artist at work is complex and completely absorbing. But at its heart, very simply, it is a book about love.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell