At the age of 36, Caroline Knapp, author of the acclaimed bestseller Drinking: A Love Story, found herself confronted with a monumental task: redefining her world.She had faced the loss of both her parents, given up a twenty-year relationship with alcohol, and, as she writes, "I was wandering around in a haze of uncertainty, blinking up at the biggest questions: Who am I without parents and without alcohol? How to form attachments, and where to find comfort, in the face of such daunting vulnerability?" An answer materialized in the most unlikely form: that of a dog. Eighteen months to the day after she quit drinking, Knapp stumbled upon an eight-week-old puppy at a local animal shelter, took her home, and named her Lucille. Now two years old, Lucille has become a central force in Knapp's life: "In her," she writes, "I have found solace, joy, a bridge to the world."Caroline Knapp has been celebrated as much for her fresh insight into emotional and psychological issues as she has been for her gifts as a writer. In Pack of Two, she brings the same perception and talent to bear on the rich, complicated terrain of human-animal relationships. In addition to mining her own experience with Lucille, Knapp speaks to a wide variety of dog people--from animal behaviorists and psychologists to other owners whose dogs have deeply affected their lives--about this emotionally complex, sometimes daunting, often profoundly healing alliance. Throughout, she explores the shift in canine roles from working partners to intimate companions and looks, too, at how this new kinship, this wordless bond, becomes a template for what we most desire ourselves.

    How was it that the most eligible bachelor in the world fell in love with this unknown American woman, who was not generally considered beautiful? What was the nature of their relationship? Was she responsible for the Abdication? Many questions remain unanswered. Why did her birth go unrecorded? What were the qualities which so infatuated the Prince of Wales? Why did she never have children? Michael Bloch, who spent ten years as Maitre Blum's assistant is the ideal person to provide this biographical reassessment. In it he dispels much of the mystery that has surrounded her, and paints a vivid portrait of a courageous, glamorous and unusual individual - perhaps in some ways not a woman at all.

    Charlotte Mendelson is perhaps unusually passionate about it. For despite her superficially normal existence, despite the fact that she has only six square metres of grotty urban soil and a few pots, she has a secret life. She is an extreme gardener, an obsessive, an addict. And like all addicts, she wants to spread the joy. Her garden may look like a nasty drunk old man's mini-allotment, chaotic, virtually flowerless, with weird recycling and nowhere to sit. When honoured friends are shown it, they tend to laugh. However, it is actually a tiny jungle, a minuscule farm, a wildly uneconomical experiment in intensive edible cultivation, on which she grows a taste of perhaps a hundred kinds of delicious fruits and odd vegetables. It is a source of infinite happiness and deep peace. It looks completely bonkers. Arguably, it's the most expensive, time-consuming, undecorative and self-indulgent way to grow a salad ever invented, but when tired or sad or cross it never fails to delight.

    "Bold and unhesitating".--Times Literary Supplement (London). 16 pages of photos.

    From building a high stone wall in the garden to learning that every kitchen deserves a good kitchen couch, Browning reminds us that making a home is more than just a materialistic endeavor -- it is a way for us to comfort and reinvent ourselves, to "have the final word about what goes where...what feels comfortable, what is life enhancing...and gives us strength to go out and embrace the world.

    It describes more than 100 food plants and gives specific information on the growth habits, culture, harvest, and storage of each.

    Her new autobiography holds nothing back.     In it she will talk about:   • Her controversial marriage to stripper Kieran;    • Their very public split after he slept with one of her oldest friends;    • Her difficult pregnancy and the fear she felt giving birth to her fifth child prematurely;    • The continued joy and challenges of looking after her severely disabled son, Harvey;    • Her public battle with Peter Andre, and the truth behind his allegations;    • Why she forgave her third husband Kieran Hayler, and the truth behind his affair with Jane Pountney; And much, much more.

    Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.' Deborah Levy

    But, as Leanda de Lisle’s gripping new history reveals, they are a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’s lap—and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past—those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary’s reign, Elizabeth’s fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline.Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family’s determined and flamboyant ambition.

    All of her proceeds from this book will be donated to the Give2Asia/Happy Hearts Fund helping to rebuild the areas hardest hit.

    First, there is her maternal grandparents home in Fulham, "The Grange," where her grandfather, the celebrated Pre-Raphaelite painter Sir Edward Burne-Jones, set the cultivated tone enjoyed by family and friends alike (such as William Morris). Second is her parents' home in Kensington Square in which the young Angela was surrounded by a bright world of neighbors and acquaintances. At the heart of Thirkell's reminiscences was the Burne-Jones's seaside retreat- North End House in Rottingdean- where Thirkell's grandmother was the presiding genius and her cousin, Rudyard Kipling, lived across the green.

    is proud to reissue Lady from Savannah in response to widespread demands for a biography of our Founder, Juliette Gordon Low. In truth, however, this is much more than the story of one woman and the organization she started. It is first of all a chronicle of two great American families - the Kinzies who were founders of Chicago and the Gordons whose name is magic to this day in Savannah, Georgia - that in 1860 produced the gallant, willful, exasperating, generous, and wholly lovable Juliette (known as Daisy) Gordon. The narrative of Daisy's marriage to Willy Low also offers insider's view of Edwardian high society in England. The Girl Scouts are most particularly proud that this woman from a background of wealth and privilege was able to envision a youth movement "for the girls of all America," which serves a membership of ever-increasing diversity as the diversity of our country grows.