True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    But Meena is an Indian immigrant girl living in New York City’s Chinatown, while River is a Kentucky coal miner’s son. As Meena’s family studies for citizenship exams and River's town faces devastating mountaintop removal, this unlikely pair become pen pals, sharing thoughts and, as their camaraderie deepens, discovering common ground in their disparate experiences. With honesty and humor, Meena and River bridge the miles between them, creating a friendship that inspires bravery and defeats cultural misconceptions. Narrated in two voices, each voice distinctly articulated by a separate gifted author, this chronicle of two lives powerfully conveys the great value of being and having a friend and the joys of opening our lives to others who live beneath the same sun.

    He does not want to leave his elementary school, his friends, or his beloved grandfather, Siddi. He does not want to live in Ann Arbor, Michigan, where his parents will go to graduate school. His mother is desperate for him to pack his suitcase—but he refuses. Finally, she calls Siddi for help. But rather than pack, Aref and Siddi go on a series of adventures. They visit the camp of a thousand stars deep in the desert, they sleep on Siddi’s roof, they fish in the Gulf of Oman and dream about going to India, they travel to the nature reserve to watch the sea turtles. At each stop, Siddi finds a small stone that he later slips into Aref’s suitcase—mementos of home.

    But when the soldiers come to her sleepy Cuban town, everything begins to change. Freedoms are stripped away. Neighbors disappear. Her friends feel like strangers. And her family is being watched.As the revolution's impact becomes more oppressive, Lucía's parents make the heart-wrenching decision to send her and her little brother to the United States—on their own.Suddenly plunked down in Nebraska with well-meaning strangers, Lucía struggles to adapt to a new country, a new language, a new way of life. But what of her old life? Will she ever see her home or her parents again? And if she does, will she still be the same girl?The Red Umbrella is a moving story of country, culture, family, and the true meaning of home.

    So here's mine: My name is Fiona Loomis. I was born on August 11, 1977. I am recording this message on the morning of October 13, 1989. Today I am thirteen years old. Not a day older. Not a day younger."Fiona Loomis is Alice, back from Wonderland. She is Lucy, returned from Narnia. She is Coraline, home from the Other World. She is the girl we read about in storybooks, but here's the difference: She is real.Twelve-year-old Alistair Cleary is her neighbor in a town where everyone knows each other. One afternoon, Fiona shows up at Alistair's doorstep with a strange proposition. She wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into a clearly troubled mind. For Fiona tells Alistair a secret. In her basement there's a gateway and it leads to the magical world of Aquavania, the place where stories are born. In Aquavania, there's a creature called the Riverman and he's stealing the souls of children. Fiona's soul could be next.Alistair has a choice. He can believe her, or he can believe something else...something even more terrifying.

    And everything June loves about Dogwood Middle School unravels: librarian Ms. Bradshaw is suspended, an author appearance is canceled, the library is gutted, and all books on the premises must have administrative approval. But June can't give up books . . . and she realizes she doesn't have to when she spies a Little Free Library on her walk to school. As the rules become stricter at school and at home, June keeps turning the pages of the banned books that continue to appear in the little library. It's a delicious secret . . . and one she can't keep to herself. June starts a banned book library of her own in an abandoned locker at school. The risks grow alongside her library's popularity, and a movement begins at Dogwood Middle--a movement that, if exposed, could destroy her. But if it's powerful enough, maybe it can save Ms. Bradshaw and all that she represents: the freedom to read.Equal parts fun and empowering, this novel explores censorship, freedom of speech, and activism. For any kid who doesn’t believe one person can effect change…and for all the kids who already know they can!

    The good ones. The not-so-good ones. The boring ones, the mean ones, the ones who try too hard. The ones you’ll never remember, and the ones you want to forget. But Ms. Bixby is none of these. She’s the sort of teacher who makes you feel like the indignity of school is worthwhile. Who makes the idea of growing up less terrifying. Who you never want to disappoint. What Ms. Bixby is, is one of a kind.Topher, Brand, and Steve know this better than anyone. And so when Ms. Bixby unexpectedly announces that she is very sick and won’t be able to finish the school year, they come up with a plan. Through the three very different stories they tell, we begin to understand just what Ms. Bixby means to Topher, Brand, and Steve—and what they are willing to go to such great lengths to tell her.John David Anderson, the acclaimed author of Sidekicked, returns with a story of three kids, a very special teacher, and one day that none of them will ever forget.

    Unfortunately, she left no provision for their guardianship in her will. Her solicitor comes up with a preposterous plan: he will arrange for the children to join a group of schoolchildren who are being evacuated to a village in the country, where they will live with families for the duration of the war. He also hopes that whoever takes the children on might end up willing to adopt them and become their new family--providing, of course, that the children can agree on the choice.Moving from one family to another, the children suffer the cruel trickery of foster brothers, the cold realities of outdoor toilets, and the hollowness of empty tummies. They seek comfort in the village lending library, whose kind librarian, Nora Muller, seems an excellent candidate--except that she has a German husband whose whereabouts are currently unknown. Nevertheless, Nora's cottage is a place of bedtime stories and fireplaces, of vegetable gardens and hot, milky tea. Most important, it's a place where someone thinks they all three hung the moon. Which is really all you need in a mom, if you think about it.Fans of The War That Saved My Life and other World War II fiction will find an instant classic in A Place to Hang the Moon.

    Elise has always lived in the big house with her loving Uncle and Aunt, because Elise's parents died when she was too young to remember them.  There's always been a barn behind the house with eight locked doors on the second floor. When Elise and Franklin start middle school, things feel all wrong. Bullying. Not fitting in. Franklin suddenly seems babyish.  Then, soon after her 12th birthday, Elise receives a mysterious key left for her by her father. A key that unlocks one of the eight doors upstairs in the barn...

    When their underground transport arrives at the rendezvous point, chaos ensues, and Fadi is left dragging his younger sister Mariam through the crush of people. But Mariam accidentally lets go of his hand and becomes lost in the crowd, just as Fadi is snatched up into the truck. With Taliban soldiers closing in, the truck speeds away, leaving Mariam behind. Adjusting to life in the United States isn't easy for Fadi's family, and as the events of September 11th unfold the prospects of locating Mariam in a war torn Afghanistan seem slim. When a photography competition with a grand prize trip to India is announced, Fadi sees his chance to return to Afghanistan and find his sister. But can one photo really bring Mariam home? Based in part on Ms. Senzai's husband's own experience fleeing his home in Soviet-controlled Afghanistan in the 1970's, Shooting Kabul is a powerful story of hope, love, and perseverance.

    She's managed to make it to the fifth grade without anyone figuring out that she's not just an ordinary kid, and she wants to keep it that way. But then Nora gets fed up with the importance everyone attaches to test scores and grades, and she purposely brings home a terrible report card just to prove a point. Suddenly the attention she's successfully avoided all her life is focused on her, and her secret is out. And that's when things start to get really complicated....

    It's waiting for Candice Miller.When Candice finds the letter, she isn't sure she should read it. It's addressed to her grandmother, after all, who left Lambert in a cloud of shame. But the letter describes a young woman named Siobhan Washington. An injustice that happened decades ago. A mystery enfolding the letter-writer. And the fortune that awaits the person who solves the puzzle. Grandma tried and failed. But now Candice has another chance. So with the help of Brandon Jones, the quiet boy across the street, she begins to decipher the clues in the letter. The challenge will lead them deep into Lambert's history, full of ugly deeds, forgotten heroes, and one great love; and deeper into their own families, with their own unspoken secrets. Can they find the fortune and fulfill the letter's promise before the summer ends?

    . . but not for Gianna Z. With less than one week to collect twenty-five leaves for a science project, her spot at cross-country sectionals is in serious peril. Plus with a dad who runs a funeral parlor out of the basement, a grandma who keeps losing her teeth, and a rival trying to steal her spot on the team, Gee just wishes life could leave her alone to finish her project. But when Nonna disappears one afternoon, suddenly some things seem more important than projects and races.Gianna Z. will have readers rooting for her-and maybe even for science projects-from the very first page of this funny and poignant novel about family, friendship, and being true to yourself.

    Every day she endures taunts for the birthmark on her face—though her beloved Pauline, the only person who has ever cared for her, tells her it is a precious diamond. When Pauline is sent to work for another carnival, Bee is lost.Then a scruffy dog shows up, as unwanted as she, and Bee realizes that she must find a home for them both. She runs off to a house with gingerbread trim that reminds her of frosting. There two mysterious women, Mrs. Swift and Mrs. Potter, take her in. They clothe her, though their clothes are strangely out of date. They feed her, though there is nothing in their house to eat. They help her go to school, though they won't enter the building themselves. And, strangely, only Bee seems able to see them.Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world--if only she will let herself be a part of it.This tender novel beautifully captures the pain of isolation, the healing power of community, and the strength of the human spirit.