The acclaimed author of By Reason of Insanity, The Anvil Chorus, and Go Down Dead offers "a relentlessly chilling and stark novel" (The Kansas City Star) and "a fresh, vital look at organized criminals that is so authentic, it's scary" (The Boston Globe).

    In the crowded train car she meets happy newlyweds Patrice Hazzard, also expecting, and Hugh. They are on their way to visit Hugh’s parents, whom Patrice is meeting for the first time. After Patrice hands Helen her wedding band so she can wash her hands in the rest room, the train crashes, killing the Hazzards, but Helen survives. When she regains consciousness in the hospital, she discovers she has been mistaken for Patrice. Patrice’s wealthy in-laws send for Helen, and she decides for the sake of her son to go along with the misunderstanding. They welcome her into the fold and her “brother-in-law” Bill even shows signs of romantic interest. But when her husband tracks her down and threatens her with blackmail, her dream turns into a nightmare.

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    The paranoid outlook of the book's main character, Horridge, is a grim commentary on a bleak Liverpool suburb and Thatcher-era England. Millipede Press is proud to present this masterpiece of paranoia literature in a brand new edition, with the corrected text by Campbell and the compelling photographs of J.K. Potter.Ramsey Campbell is Britain's most respected living horror writer. He has been given more awards than any other writer in the field, including the Grand Master Award of the World Horror Convention and the Lifetime Achievement Award of the Horror Writers Asssociation, as well as numerous World Fantasy Awards.

    The Beast Within is a classic horror tale guaranteed to haunt your dreams.Prepare to meet the beast within. A lonely wife cheats. A brutal husband gets revenge. A not-so-innocent stranger hears a cellar door scrape shut—and begins 20 years of indescribable horror, chained in total darkness, feeding on live rats and human flesh, becoming himself the nightmare creature that lurks within us all...

    Often compared to Dashiell Hammett, David Dodge's urbane writing style stands the test of time. His novels still show the hallmarks of being fresh, fast-paced and witty. Whit Whitney is the last person you’d want to meet.  The taxman is no one’s best friend.  But in 1940’s San Francisco, there’s a price to pay for murder, romance, and heavy drinking, and the taxman turned detective is coming to collect. Hilarious and twisty, Dodge’s first novel is among his best, and makes for a terrific introduction to one of last century’s greatest talents in mystery.

    For his centennial, The Library of America inaugurates its Macdonald edition with four classic novels from the 1950s, all featuring his incomparable protagonist, private investigator Lew Archer.Set against the background of a glittering yet darkly enigmatic Southern California, Macdonald’s books are both unsurpassed entertainments and emotionally powerful evocations of an outwardly prosperous, inwardly turbulent America. Macdonald mastered the hard-boiled detective form early on and brought to it a prose style of extraordinary beauty. The four novels collected in this volume reveal him broadening the genre into an intensely personal means of expression, transforming the tragedies and dislocations of his own life into haunting fiction. “My interest,” he wrote to his publisher, “is the exploration of lives.”In The Way Some People Die, Lew Archer embarks on a missing persons case that starts at a house in Santa Monica “within earshot of the coast highway and rifleshot of the sea,” and takes him on a violent and twisted journey through Los Angeles high and low. The Barbarous Coast exposes a world of hidden crime and corruption in the movie business, as Archer intrudes on the well-protected secrets of a studio head. A gripping and tightly knit drama of madness and self-destruction, The Doomsters signaled a breakthrough in the Archer novels with its exploration of “an alternating current of guilt” within a family, a theme to which Macdonald would often return. The Galton Case, one of the standout masterpieces of the detective form, is a mythically charged and deeply personal book that traces the calamitous consequences of a young man’s claim to be the lost heir to a fortune. For Macdonald The Galton Case marked a turning point in his career, the realization of his quest to create fiction from “some of the more complicated facts of my experience.”As a special feature, this volume includes five important statements—among them the famous essay “Writing The Galton Case”—in which Macdonald reveals the autobiographical background of his books and his understanding of his own contribution to the evolving genre of detective fiction.

    She was annoyed when her husband was summoned to attend a top secret, high level conference in Whitehall. Her irritation would have turned to fear if she had known the real reason for that summons. But soon they all knew. Tony Heath and Dr. Heath and General Kirk of British Secret Intelligence - they knew what it was the nameless thing that was destroying humanity through the female of the species. But where did it come from and how long had they got to find the antidote? The answer was simple. 'As long as it takes the wind to blow from the East.'

    But what if, instead of having been founded 50 books ago, Hard Case Crime had been founded 50 years ago, by a rascal out to make a quick buck off the popularity of pulp fiction? Such a fellow might make a few enemies – especially after publishing a supposed non-fiction account of a heist at a Mob-run nightclub, actually penned by an 18-year-old showgirl. With both the cops and the crooks after them, our heroes are about to learn that reading and writing pulp novels is a lot more fun than living them...

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    Nicholas Hood likes to paint imaginary murder scenes. His paintings fail to inspire, a browsing detective tells him, because Hood has obviously never witnessed a real murder. Enter Andre Bellisle, an exquisitely accoutred, pockmarked dwarf who helpfully directs Hood to places where deaths occur. As Bellisle predicts, Hood's paintings of these deaths take New York by storm. Of course there's a price to be paid for Bellisle's information--but not the traditional one. To learn what that is, the reader is swept along on a superbly rendered descent into modern-day hell. Blunt is a TV writer whose literary debut is sensational. Paperback rights to Avon.Copyright 1989 Reed Business Information, Inc.

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    Dustin loves to drink. Dustin loves his women. Dustin loves loyalty. He might even love his adopted nephew Jeremy. And, he sometimes gets a little too enthusiastic in his job doing collections for local bookies--so, sometimes, he loves to hurt people. Told in the first person, Uncle Dust is a fascinating noir look inside the mind of a hard, yet very complicated criminal.Rob Pierce has been nominated for a Derringer Award for short crime fiction, and has had his stories published in Flash Fiction Offensive, Pulp Modern, Plots With Guns, Revolt Daily, Near To The Knuckle, and Shotgun Honey. The editor of Swill Magazine, he lives in Oakland, California, with his wife and two children. He is equally comfortable taking romantic walks on the beach or dumping the body elsewhere. "I was imprisoned for bank robbery, where I read plenty of novels with a bank robber as the protagonist. Only a few writers entertained me with killer dialogue. I even contacted Elmore Leonard when I was paroled, told him crime writer to crime writer that he understood criminal dialogue real swell. Here's the thing: Had I read "Uncle Dust" while I was incarcerated I would've got out and contacted Rob Pierce before Elmore. The story and dialogue in "Uncle Dust" captured so much of that world and circumstance in all its squalid glory. Made me wish I'd done time with tough guy Dustin. I thoroughly enjoyed our criminal hero's mind as he observed the world, and himself, through a cynical thief's lens. And I think you will too."– Joe Loya, author of the critically-acclaimed memoir, The Man Who Outgrew His Prison Cell: Confessions of A Bank Robber.