Twenty-five years ago, The Major emerged a hero from the bombing of the Pegasus Hotel in downtown Dallas when he was photographed leading a handful of survivors out of the collapsing building. The iconic picture transformed him into a beloved national icon, in constant demand for speeches and interviews--until he suddenly dropped out of the public eye, shunning all members of the media. However, Kerra is willing to use any means necessary to get to The Major--even if she has to wrangle an introduction from his estranged son, former ATF agent John Trapper. Still seething over his break with both the ATF and his father, John Trapper wants no association with the hotel bombing or his hero father, and spurns the meddling reporters determined to drag them back into the limelight. Yet Kerra's sheer audacity and tantalizing hints that there's more to the story rouse Trapper's interest despite himself. And when her interview of a lifetime goes catastrophically awry--with unknown assailants targeting not only The Major, but also Kerra--Trapper realizes he needs her under wraps if he's going to track down the gunmen before they strike again . . . as well as discover, finally, who was responsible for the Pegasus bombing. Kerra is wary of a man so charming one moment and dangerous the next, and she knows Trapper is withholding evidence collected during his ATF investigation into the bombing. But having no one else to trust and enemies lurking closer than they know, Kerra and Trapper join forces and risk their very lives to expose a sinuous network of lies and conspiracy running deep through Texas--and uncover who would want a national hero dead.

    Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci's enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    Bruno -- as he is affectionately nicknamed -- may be the town's only municipal policeman, but in the hearts and minds of its denizens, he is chief of police.Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life -- living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention: the man was found with a swastika carved into his chest.Because of the case's potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man's past, Bruno's suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history -- World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of la belle France is not exempt from that period's sinister legacy.

    . . As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence s fiance his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father s untimely demise, Prudence is convinced Charles s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South and a former Pinkerton agent. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence s wellbeing . . . Filled with richly colorful characters, fascinating historical details, and thrilling moments of suspense, What the Dead Leave Behind is an exquisitely crafted mystery for the ages.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Death Trap, A. A. Milne's Red House Mystery, Anthony Berkeley Cox's Malice Aforethought, James M. Cain's Double Indemnity, John D. Macdonald's The Drowner, and Donna Tartt's A Secret History.But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. The killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife.To protect himself, Mal begins looking into possible suspects . . . and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake. Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    As girls, they invented Mirrorland, a dark, imaginary place under the pantry stairs full of pirates, witches, and clowns. These days Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband Ross.But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which has scarcely changed in twenty years. The grand old house is still full of shadowy corners, and at every turn Cat finds herself stumbling on long-held secrets and terrifying ghosts from the past. Because someone—El?—has left Cat clues in almost every room: a treasure hunt that leads right back to Mirrorland, where she knows the truth lies crouched and waiting...A twisty, dark, and brilliantly crafted thriller about love and betrayal, redemption and revenge, Mirrorland is a propulsive, page-turning debut about the power of imagination and the price of freedom.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    Checking jacket copy for howlers, wondering how to break it to her star novelist that her latest effort is utterly unpublishable, lunch scheduled with gossipy author Kit Lowell, whose new book will dish the juicy dirt on a recent fashion industry scandal. Little does she know the trouble Kit's book will cause-before it even goes to print. When police Inspector Field turns up at the venerable offices of Timmins & Ross, asking questions about a package addressed to Sam, she knows something is wrong. Now Sam's nine-to-five life is turned upside down as she finds herself propelled into a criminal investigation. Someone doesn't want Kit's manuscript published and unless Sam can put the pieces together in time, they'll do anything to stop it.With this deliciously funny debut novel, acclaimed author Judith Flanders introduces readers to an enormously enjoyable, too-clever-for-her-own-good new amateur sleuth, as well Sam's Goth assistant, her effortlessly glamorous mother, and the handsome Inspector Field. A tremendously entertaining read, this page-turning novel from a bright new crime fiction talent is impossible to put down.

    Lucy can't believe it, but in a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and—if the plague doesn't kill the suspect first—public executions draw a large crowd of spectators, Lucy knows she may never find out what really happened. Unless, that is, she can uncover the truth herself.Determined to do just that, Lucy finds herself venturing out of her expected station and into raucous printers' shops, secretive gypsy camps, the foul streets of London, and even the bowels of Newgate prison on a trail that might lead her straight into the arms of the killer.In her debut novel Murder at Rosamund's Gate, Susanna Calkins seamlessly blends historical detail, romance, and mystery in a moving and highly entertaining tale.

    So when sixteen year old Lizzie Bennet hears about a scandalous society murder, she sees an opportunity to prove herself as a solicitor by solving the case and ensuring justice is served.Except the man accused of the crime already has a lawyer on his side: Mr. Fitzwilliam Darcy, the stern young heir to the prestigious Pemberley Associates law firm. Lizzie is determined to solve the murder before Darcy can so that she can show the world that a woman can be just as good as a man. (The fact that Darcy is an infuriating snob doesn’t help.) But there’s still a killer on the loose, and as the case gets more complicated, Lizzie and Darcy may have to start working together to avoid becoming the next victims themselves.Running Time => 8hrs. and 30mins.©2021 Tirzah Price (P)2021 HarperCollins Publishers

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.