She also produced a number of captivating stories for youngsters. One of the best, A Dog of Flanders,. First published in 1872, A Dog of Flanders tells the moving story of Nello, a gentle boy with aspirations of becoming a painter, and Patrasche — his devoted Belgian work dog. The two, along with Nello's grandfather, live in a little village near Antwerp where Nello's idol, the artist Rubens, once worked. Nello and Patrasche suffer countless hardships — poverty, hunger, cruelty, and rejection. But they persevere in the face of adversity, up to their tragic, bittersweet end.Rich in the sentiment of its Romantic tradition, yet convincing in its portrayal of both human and animal nature, this touching classic has tugged at the heartstrings of readers and listeners alike for generations. It remains one of the nineteenth century's most imaginative and arresting works of fiction for children.

    Unlike her six beautiful sisters, she has brown hair and freckles, and would rather have adventures than play the harp, embroider tapestries . . . or become a Queen. When her royal parents try to marry her off, Amy runs away and, because she's so ordinary, easily becomes the fourteenth assistant kitchen maid at a neighboring palace. And there . . . much to everyone's surprise . . . she meets a prince just as ordinary (and special) as she is!"This delightful fairy tale is sure to please young romantics . . . Neither Kaye's princess nor her book should be considered ordinary." (School Library Journal)

    Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away.This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil.But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication.. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…?

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    K. Rowling, that will be treasured for years to come.

    A revisionist storyteller provides his mad, hilarious versions of children's favorite tales in this collection that includes "Little Red Running Shorts", "The Princess and the Bowling Ball", "Cinderumpelstilskin", and others.

    1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.

    In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

    Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)

    The owls, hen, larks, and their nests in his beard, are among the fey fauna and peculiar persons inhabiting the uniquely inspired nonsense rhymes and drawings of Lear (20th child of a London stockbroker), whose Book of Nonsense, first published in 1846, stands alone as the ultimate and most loved expression in English of freewheeling, benign, and unconstricted merriment.

    When Snow-flower, from her nook in the kitchen, said, "Chair of my grandmother, take me to the highest banquet hall," "instantly the chair marched in a grave and courtly fashion out of the kitchen, up the grand staircase, and into the highest hall." There it told the following stories to the king and queen, the fair lords and ladies, the many fairies, and notable people from other lands: The Christmas Cuckoo, The Lords of the White and Gray Castles, The Greedy Shepherd, The Story of Fairyfoot, The Story of Childe Charity, Sour and Civil, and The Story of Merrymind. Numerous black and white illustrations by noted artist Katharine Pyle complement the text. Suitable for ages 7 and up.

    Just as fairy-tale magic can transform a loved one into a swan, the contributors to this book have transformed traditional fairy tales and legends into stories that are completely original, yet still tantalizingly familiar.The stories include a Rapunzel whose most confining prison is her loneliness; a contemporary rendering of the Green Man myth; two different versions of Red Riding Hood; a tale that grew out of a Celtic folk song; Sleeping Beauty's experience of her enchantment; two works inspired by the Arabian Nights; and more.FAIRY TALES TOLD BYBruce CovilleGregory FrostNeil GaimanNina Kiriki HoffmanKathe KojaTanith LeeLois MetzgerChristopher RoweWill ShetterlyMidori SnyderKatherine VazJane YolenPat York