As a young man in the early 1980s, he left his family’s upscale North Shore Chicago neighborhood for the West Bank city of Hebron, where he joined a group of settlers who were committed to reconstituting the Jewish state within its biblical borders. He carried a gun and, on one occasion, used it. He still doesn’t know if his bullets found their mark.Now, Hirschfield has renounced all such rigid delineations of people into categories of totally right and totally wrong, entirely good and entirely evil. He seeks to build bridges among people of different faiths—and those with no faith at all. He is devoted to teaching inclusiveness, celebrating diversity, and delivering a message of acceptance—not as feel-good pabulum but as forceful and indispensable antidotes to the blind passions and willful ignorance that threaten us all.Grounded in biblical scholarship and interwoven with personal stories, You Don’t Have to Be Wrong for Me to Be Right provides a pragmatic path to peace, understanding, and hope that appeals to the common wisdom of all religions. Pointing the way through the continuum of conflict, Hirschfield addresses:• the ways faith has many faces• how justice can coexist with forgiveness and mercy• how unity does not necessitate uniformity• the ways we can learn to disagree without disconnectingThough conflict is an inevitable part of life—a function of being connected to one another—Hirschfield is a voice of peace and reconciliation, showing us that conflict is also an opportunity to learn and grow and often to grow closer.

    Chronicling the vintage years of Wilberforce's life, as he discovers a new world of friendship, adventure and fine wine, this is a haunting story of obsession and addiction, of loyalty and betrayal.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    But when an accident destroys the crop, Clarisse Cambon knows exactly who to blame - her daughter-in-law Jane.It's the latest incident in a decades-long feud whose origin both women have concealed from Luc, who struggles to keep his wife and mother on speaking terms.But when tragedy strikes and Jane is forced to take charge of the ailing vineyard she uncovers proof that Luc has been keeping secrets of his own. Worse still, Clarisse is the only one who knows the truth . . .

    A lonely child, he found solace in Old Joe's simple wisdom and folk charms. The magic was lost, however, when Joe disappeared without warning one fall. Years later, Jay's life is stalled with regret and ennui. His bestselling novel, Jackapple Joe, was published ten years earlier and he has written nothing since. Impulsively, he decides to leave his urban life in London and, sight unseen, purchases a farmhouse in the remote French village of Lansquenet. There, in that strange and yet strangely familiar place, Jay hopes to re-create the magic of those golden childhood summers. And while the spirit of Joe is calling to him, it is actually a similarly haunted, reclusive woman who will ultimately help Jay find himself again.

    When seventeen-year-old Sara Thibault's father is killed in a mudslide, her mother sells their vineyard to a rival family, whose eldest son marries Sara's sister, Lydia. But a violent tragedy compels Sara and her sister to flee to New York, forcing Sara to put aside her dream to follow in her father's footsteps as a master winemaker.Meanwhile, Philippe Lemieux has arrived in California with the ambition of owning the largest vineyard in Napa by 1900. When he receives word of his brother's death in France, he resolves to bring the killer to justice. Sara has traveled to California in hopes of making her own way in the winemaking world. When she encounters Philippe in a Napa vineyard, they are instantly drawn to one another, but Sara knows he is the one man who could return her family's vineyard to her, or send her straight to the guillotine.A riveting, romantic tale of betrayal, retribution, love and redemption, Kristen Harnisch's debut novel immerses readers in the rich vineyard culture of both the Old and New Worlds, the burgeoning cities of turn-of-the-century America and a spirited heroine's fight to determine her destiny.

    McGreevey of New Jersey made history when he stepped before microphones, declared "My truth is that I am a gay American," and announced his resignation. The story made international headlines—but what led to that moment was a human and political drama more complex and fascinating than anyone knew. Now, in this extraordinarily candid memoir, McGreevey shares his story of a life of ambition, moral compromise, and redemption.From childhood, McGreevey lived a kind of idealized American life. The son of working-class Irish Catholic parents, named for an uncle who died at Iwo Jima, he strove to exceed expectations in everything he did, meeting each new challenge as though his "future rode on every move." As a young man he was tempted by the priesthood, yet it was another calling—politics—that he found irresistible. Plunging early into the dangerous waters of New Jersey politics, he won three elections by the age of thirty-six, and soon thereafter nearly toppled the state's popular governor, Christie Todd Whitman, in a photo-finish election. Four years later, he won the governorship by a landslide.Throughout his adult life, however, Jim McGreevey had been forced to suppress a fundamental truth about himself: that he was gay. He knew at once that the only clear path to his dreams was to live a straight life, and so he split in two, accepting the traditional role of family man while denying his deepest emotions. And he discovered, to his surprise, that becoming a political player demanded ethical shortcuts that became as corrosive as living in the closet. In the cutthroat culture of political bosses, backroom deals, and the insidious practice known as "pay-to-play," he writes, "political compromises came easy to me because I'd learned how to keep a part of myself innocent of them." His policy triumphs as governor were tempered by scandal, as the transgressions of his staff came back to haunt him. Yet only when a former lover threatened to expose him did he finally confront his divided soul, and find the authentic self that had always eluded him.More than a coming-out memoir, The Confession is the story of one man's quest to repair the rift between his public and private selves, at a time in our culture when the personal and political have become tangled like frayed electric cables. Teeming with larger-than-life characters, written with honesty, grace, and rare insight into what it means to negotiate the minefields of American public life, it may be among the most honest political memoirs ever written.

    She craved good food as her father, 450 pounds at his heaviest, pursued endless fad diets, from Atkins to Pritikin to all sorts of freeze-dried, saccharin-laced concoctions, and insisted the family do the same—even though no one else was overweight. Dawn’s mother, on the other hand, could barely be bothered to eat a can of tuna over the sink. She was too busy ferrying her other daughter to acting auditions and scolding Dawn for cleaning the house (“Whom are you trying to impress?”).It was chaotic and lonely, but Dawn had someone she could turn to: her grandmother Beauty. Those days spent with Beauty, learning to cook, breathing in the scents of fresh dill or sharing the comfort of a warm pot of chicken soup, made it all bearable. Even after Dawn’s father took a prestigious ad job in New York City and moved the family away, Beauty would send a card from Chicago every week—with a recipe, a shopping list, and a twenty-dollar bill. She continued to cultivate Dawn’s love of wholesome food, and ultimately taught her how to make her own way in the world—one recipe at a time.In My Fat Dad, Dawn reflects on her colorful family and culinary-centric upbringing, and how food shaped her connection to her family, her Jewish heritage, and herself. Humorous and compassionate, this memoir is an ode to the incomparable satisfaction that comes with feeding the ones you love.

    "The Christmas Carol" was the result. "The Chimes" is a topical satire set on New Year's Eve.

    After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on them. The four delight in getting to know the French capital during this iconic period, whilst also playing with the possibilities that time travel allows.But, ultimately, they need to work out how to get back to 2017. And the key lies in a legendary story and the vineyards of Chateau Saint-Antoine...

    But things are about to change at Villa Giambelli.Family matriarch Tereza has announced a surprise merger with the MacMillan family's winery. As a savvy businesswoman, Sophia knows she must be ready for anything - but she isn't prepared for Tyler MacMillan. They've been ordered to work closely together to ensure the merger goes through smoothly. But as they toil together, both in and out of the fields, Sophia finds herself increasingly torn between professional rivalry and a powerful attraction. And when the business and the family are threatened by disturbing acts of sabotage, Sophia realises her quest isn't just for dominance, but survival...

    Instead she was an under-appreciated freelance journalist and waitress in New York City, frustrated at always being broke and completely miserable in love. When she tastes her first pétillant-naturel (pét-nat for short), a type of natural wine made with no additives or chemicals, it sets her on a journey of self-discovery, both deeply personal and professional, that leads her to Paris, Italy, Spain, Georgia, and finally deep into the wilds of south Australia and which forces her, in the face of her "Wildman," to ask herself the hard question: can she really handle the unconventional life she claims she truly wants?Have you ever been sidetracked by something that turned into a career path? Did you ever think you were looking for a certain kind of romantic partner, but fell in love with someone wild, passionate and with a completely different life? For Signer, the discovery of natural wine became an introduction to a larger ethos and philosophy that she had long craved: one rooted in egalitarianism, diversity, organics, environmental concerns, and ancient traditions. In You Had Me at Pét-Nat, as Signer begins to truly understand these revolutionary wine producers upending the industry, their deep commitment to making their wine with integrity and with as little intervention as possible, she is smacked with the realization that unless she faces, head-on, her own issues with commitment, she will not be able to live a life that is as freewheeling, unpredictable, and singular as the wine she loves.

    Now, just in time for the thirtieth anniversary of their internationally acclaimed Ithaca restaurant, The Moosewood Collective presents their first-ever collection of menus for memorable occasions, with vegetarian specialties for every season.Holidays and celebratory gatherings can present a challenge for vegetarian cooks who want to serve festive meals that will satisfy all of their guests. The Moosewood Collective has met this challenge brilliantly, with more than thirty-five ingenious menus that can transform even casual get-togethers into a party. Covering a diverse array of holidays and occasions both traditional and spur-of-the-moment, Moosewood Restaurant Celebrates provides the perfect excuse to get to-gether with friends and family more often. You’ll find inspiring food ideas for all these and more:• Traditional holidays, such as Thanksgiving, Ramadan, Kwanza, Passover, Diwali, and Christmas • Family gatherings, from a casual Rainy Day Picnic on the Porch to an outdoor Labor Day Get-Together to a fully orchestrated Wedding or Commitment Celebration• Just-for-fun events, perfect any time of year, including a Tapas Party, a Birthday Breakfast in Bed, and a Sports Night SupperThere is even an additional section on versatile party nibbles and celebration cakes to choose from, plus a chapter of delectable foods you can make to give (or mail) as gifts. Filled with practical advice on preparing holiday feasts with the minimum amount of fuss, and incorporating the rich flavors and ethnic influences that the Collective is renowned for, Moosewood Restaurant Celebrates is an indispensable assortment of lively vegetarian menus spanning a dazzling array of cultures and occasions.

    Eight years earlier, she discovered the bountiful splendor of love--with the powerful and wealthy Chase Tessier. It was a love that seemed perfect, until she left him cold. Now, Cassandra needs him, and Chase is still there--to help her if he can and to love her if she will permit it.

    But someone’s about to pop their cork…After losing her job as a photojournalist, Penny Lively is trying to get her life back in focus. Inheriting the family winery from her late aunt may be the fresh start she needs. Thankfully she’s got her niece Hayley and her handsome winery manager Connor to help. But the person in need of more urgent assistance is Antonia Martinelli, the owner of the neighboring winery, who has her own barrel full of problems. Someone’s spoiling her wine, and with the upcoming Autumn Festival, she needs Penny’s nose for clues to sniff out the culprit.But Penny’s search for answers sours after the body of a staff member is found in a grape crusher. Since Hayley was the last to see him alive, she’s the prime suspect in the case. Now Penny must hurry to find the real killer before Hayley withers on the vine…