No one knows Bonaventure's silence is filled with resonance - a miraculous gift of rarified hearing that encompasses the Universe of Every Single Sound. Growing up in the big house on Christopher Street in Bayou Cymbaline, Bonaventure can hear flowers grow, a thousand shades of blue, and the miniature tempests that rage inside raindrops. He can also hear the gentle voice of his father, William Arrow, shot dead before Bonaventure was born by a mysterious stranger known only as the Wanderer.Bonaventure's remarkable gift of listening promises salvation to the souls who love him: his beautiful young mother, Dancy, haunted by the death of her husband; his Grand-mere Letice, plagued by grief and long-buried guilt she locks away in a chapel; and his father, William, whose roaming spirit must fix the wreckage of the past. With the help of Trinidad Prefontaine, a Creole housekeeper endowed with her own special gifts, Bonaventure will find the key to long-buried mysteries and soothe a chorus of family secrets clamoring to be healed.

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    'The Orchard Keeper' tells of John Wesley Rattner, a young boy, and Marion Sylder, an outlaw and bootlegger who, unbeknownst to either of them, has killed the boy's father.

    Orphaned while onboard ship from Ireland, seven-year-old Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master's illegitimate daughter, Lavinia becomes deeply bonded to her adopted family, though she is set apart from them by her white skin. Eventually, Lavinia is accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself perilously straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, dangerous truths are laid bare, and lives are put at risk.

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    Growing up in the small town of Boiling Springs, North Carolina, in the 70’s and 80’s, Linda believes that she is profoundly different from everyone else, including the members of her own family. “What I know about you, little girl, would break you in two” are the cruel, mysterious last words that Linda’s grandmother ever says to her.Now in her thirties, Linda looks back at her past when she navigated her way through life with the help of her great-uncle Harper, who loves her and loves to dance, and her best friend Kelly, with whom Linda exchanges almost daily letters. The truth about my family was that we disappointed one another. When I heard the word “disappoint,” I tasted toast, slightly burnt. For as long as she can remember, Linda has experienced a secret sense—she can “taste” words, which have the power to disrupt, dismay, or delight. She falls for names and what they evoke: Canned peaches. Dill. Orange sherbet. Parsnip (to her great regret). But with crushes comes awareness. As with all bodies, Linda’s is a mystery to her, in this and in other ways. Even as Linda makes her way north to Yale and New York City, she still does not know the truth about her past. Then, when a personal tragedy compels Linda to return to Boiling Springs, she gets to know a mother she never knew and uncovers a startling story of a life, a family. Revelation is when God tells us the truth. Confession is when we tell it to him.This astonishing novel questions many assumptions—about what it means to be a family and to be a friend, to be foreign and to be familiar, to be connected and to be disconnected—from others and from the past, our bodies, our histories, and ourselves.

    The silver and china is still dented and cracked from Yankee invaders. And the houses have names...and memories. Nora Bondurant is running away--from her husband's death, from his secrets, and from the ghosts that dog her every step. When she receives a telegram informing her that she has an inheritance, Nora suddenly has somewhere to run to: a house named Avoca in Natchez, Mississippi. Now, she's learning that the lure of Natchez runs deep, and that, along with Avoca, she's inherited a mystery. Nora's aunt Amalia Bondurant was killed in a murder/suicide, and the locals are saying nothing more--except in hushed, honeyed tones. As Nora becomes more and more enmeshed in the community and in her family's history, she learns surprising things about the life and death of her aunt: kinship isn't always what it seems, loyalty can be as fierce as blood relations, and every day we are given new mercies to heal the pain of loss and love.

    On a late autumn day, near a little town called Franklin, 10,000 men will soon lie dead or dying in a battle that will change many lives for ever. None will be more changed than Carrie McGavock, who finds her home taken over by the Confederate army and turned into a field hospital. Taking charge, she finds the courage to face up to the horrors around her and, in doing so, finds a cause.Out on the battlefield, a tired young Southern soldier drops his guns and charges forward into Yankee territory, holding only the flag of his company's colours. He survives and is brought to the hospital. Carrie recognizes something in him - a willingness to die - and decides on that day, in her house, she will not let him.In the pain-filled days and weeks that follow, both find a form of mutual healing that neither thinks possible.In this extraordinary debut novel based on a true story, Robert Hicks has written an epic novel of love and heroism set against the madness of the American Civil War.

    They are women whose lives begin in slavery, who weather the Civil War, and who grapple with contradictions of emancipation, Jim Crow, and the pre-Civil Rights South. As she peels back layers of racial and cultural attitudes, Tademy paints a remarkable picture of rural Louisiana and the resilient spirit of one unforgettable family.There is Elisabeth, who bears both a proud legacy and the yoke of bondage... her youngest daughter, Suzette, who is the first to discover the promise-and heartbreak-of freedom... Suzette's strong-willed daughter Philomene, who uses a determination born of tragedy to reunite her family and gain unheard-of economic independence... and Emily, Philomene's spirited daughter, who fights to secure her children's just due and preserve their dignity and future.Meticulously researched and beautifully written, Cane River presents a slice of American history never before seen in such piercing and personal detail.

    In “Vacuum,” three young brothers make trouble when they call on the seedy neighborhood doctor to cheer up their underappreciated mother. Originally published in The New Yorker, “Visitation” follows a down-and-out, divorced father as he spends a weekend with his son at a California motel. A husband shoots himself in the foot in “The Terrible Argument,” letting down not only his wife but his dog as well. In the masterful title novella, a freshly married, disastrously mismatched, and expectant young couple are visited by an unusual pair of inmates from a nearby insane asylum, who just might be—or might as well be—aliens from another planet.Brad Watson writes with such an all-seeing, six-dimensional view of human hopes and inadequacies that his talent must come from another planet. With wry humor and otherworldly grace, he reminds us how alien we humans really are—to each other and to ourselves.

    Even before the Great Depression struck, Jeeter Lester and his family were desperately poor sharecroppers. But when hard times begin to affect the families that once helped support them, the Lesters slip completely into the abyss. Rather than hold on to each other for support, Jeeter, his wife Ada, and their twelve children are overcome by the fractured and violent society around them. Banned and burned when first released in 1932, Tobacco Road is a brutal examination of poverty’s dehumanizing influence by one of America’s great masters of political fiction.

    Left behind is a mysterious list of seven outrageous tasks that Raleigh must perform in order to rescue his father and his inheritance. And so Raleigh and fat Mingo Sheffield (his irrepressibly loyal friend) set off on an uproarious contemporary treasure hunt through a landscape of unforgettable characters, falling into adventures worthy of Tom Jones and Huck Finn. A moving parable of human love and redemption, Handling Sin is Michael Malone's comic masterpiece.

    Crapalachia is a portrait of these formative years, coming-of-age in rural West Virginia.Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

    Since Wade signed away his legal rights, the only way he can get his daughters back is to steal them away in the night.Brady Weller, the girls' court-appointed guardian, begins looking for Wade, and he quickly turns up unsettling information linking Wade to a recent armored car heist, one with a whopping $14.5 million missing. But Brady Weller isn't the only one hunting the desperate father. Robert Pruitt, a shady and mercurial man nursing a years-old vendetta, is also determined to find Wade and claim his due.Narrated by a trio of alternating voices, This Dark Road to Mercy is a story about the indelible power of family and the primal desire to outrun a past that refuses to let go.