She has created a foundation to help prevent crimes against children and is a frequent public speaker. In 2012, she married Matthew Gilmour, whom she met doing mission work in Paris for her church, in a fairy tale wedding that made the cover of People magazine.

    Six months later, she was dead. Jeff and Jill Cahill seemed to have it all. Two kids, a dog, a nice house of the picket fence variety. But their relationship wasn't as happy as it seemed. Jeff and Jill had been having serious financial problems and were headed towards divorce, legally separated but living in the same house until Jill could afford to move out. But on April 21, 1996 Jeff and Jill had a torrid argument while their kids were upstairs sleeping. In the aftermath, Jeff claimed that his wife had started stabbing him with a kitchen knife - and that was the reason for his taking a Louisville slugger straight to her head. She lay in a coma for nearly six months, and just as she started to show signs of coming out of it.... she received a visitor.On October 27th of that same year, staffers at the University Hospital in Syracuse New York, noticed a strange-looking guy lurking in the hallway wearing a wig and outdoor boots. When Jill's nurse went to check on her patient, she found her gasping for air, with bruises around her mouth, and white powder (later to be determined as cyanide) flecked across her chest.

    prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.

    At the end of the nineteenth century, serial murderer Joseph Vacher, known and feared as "The Killer of Little Shepherds," terrorized the French countryside. He eluded authorities for years--until he ran up against prosecutor Emile Fourquet and Dr. Alexandre Lacassagne, the era's most renowned criminologist. The two men--intelligent and bold--typified the Belle Epoque, a period of immense scientific achievement and fascination with science's promise to reveal the secrets of the human condition. With high drama and stunning detail, Douglas Starr revisits Vacher's infamous crime wave, interweaving the story of how Lacassagne and his colleagues were developing forensic science as we know it. We see one of the earliest uses of criminal profiling, as Fourquet painstakingly collects eyewitness accounts and constructs a map of Vacher's crimes. We follow the tense and exciting events leading to the murderer's arrest. And we witness the twists and turns of the trial, celebrated in its day. In an attempt to disprove Vacher's defense by reason of insanity, Fourquet recruits Lacassagne, who in the previous decades had revolutionized criminal science by refining the use of blood-spatter evidence, systematizing the autopsy, and doing groundbreaking research in psychology. Lacassagne's efforts lead to a gripping courtroom denouement. "The Killer of Little Shepherds" is an important contribution to the history of criminal justice, impressively researched and thrillingly told.

     From the files and pen of world renowned true crime writer Alan Hynd (1903 - 1974) comes the final installment of deliciously dark true murder cases of the first half of the 20th Century. These stories, the third of these three short collections, are unified by a single theme: they all involve physicians. And not for the autopsy, but as perpetrators or accused perpetrators. You may never see your family care giver again in the same light. Told in the characteristic wry, anecdotal reportorial style that made Alan Hynd famous in his day (two wartime best sellers in 1943, contributions to The Reader's Digest, Colliers, Coronet, The Saturday Evening Post, True, Liberty, The American Mercury and almost every true detective magazine in print) these tales will have you cringing one minute, laughing the next, and gasping in shock a moment later. Truly, no one could make up classics like these. We meet here the notorious Dr. Cream, a twitchy-eyed psychotic with a yen for prostitutes, a Philadelphia chiropractor whose girlfriend lost her head, and Marcel Petiot, whose patients payed their own way out of this world. Then as a bonus, get to know (from a safe distance) "Lethal Louise," the black widow of California, and Adolf Luetgert of Chicago, whose sausage-making plant was put to extracurricular uses. This is not for the faint of heart. True crime is always farther out there than fiction.

    But before the suit could be settled, Avery was arrested again--this time for the brutal murder of Teresa Halbach--and, through the office of a special prosecutor, convicted once more.When the saga exploded onto the public consciousness with the airing of Making a Murderer, Michael Griesbach, a prosecutor and member of Wisconsin's Innocence Project who had been instrumental in Avery's 2003 exoneration, was targeted on social media, threatened--and plagued by doubt. Now, in this suspenseful, thorough narrative, he recounts his own re-examination of the evidence in light of the whirlwind of controversy stirred up by the blockbuster true-crime series.As Griesbach carefully reviews allegations of tampering and planted evidence, the confession by Avery's developmentally disabled nephew, Brendan Dassey, and statements by Avery's former girlfriend Jodi Stachowski, previously sealed documents deemed inadmissible at trial by Judge Patrick L. Willis--and a little-known, plausible alternate suspect--Griesbach shows how the filmmakers' agenda, the accused man's dramatic backstory, and sensational media coverage have clouded the truth about Steven Avery.Now as Avery's defense counsel files an appeal and prepares to do battle in the courtroom once more, Griesbach fights to set the record straight, determined that evidence should be followed where it leads and justice should be served--for as surely as our legal system should not send an innocent man to prison, neither should it let a guilty man walk free. Includes 16 pages of photos

    Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a blacksheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates a murder tale "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin. Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged.

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    One of his high school classmates, Danny Corwin, was a vicious serial killer who had raped and mutilated six women, murdering three of them. Yet the town had denied all early signs of the radical evil that was growing within Corwin. What had led the local media to ignore his early rapes? Why had the local Presbyterian Church tried to shield him from prison? Why had local law enforcement been unable to solve and prosecute his murders as they continued? Burrough is widely admired as a master storyteller, and this chilling tale raises important questions of whether serial killers can be recognized before they kill or rehabilitated after they do. It is also a story of Texas politics and power that led the good citizens of the town of Temple to enable a demon who was their worst nightmare. This title contains mature themes, including physical and sexual violence, that some listeners may find unsettling.

    He moves to Arizona with only student credit cards and becomes a stock-market millionaire. After throwing Ecstasy parties for thousands of ravers, Shaun bumps heads with Sammy the Bull Gravano, an Italian Mafia mass murderer, who puts a hit out on him.The dream turns into a nightmare when a SWAT team smashes Shaun’s door down. Inside Arizona’s deadliest jail, Shaun struggles to survive against an unpredictable backdrop of gang violence and sickening human-rights violations. Over time and bolstered by the love and support of his fiancée and family, he uses incarceration for learning and introspection.With a tiny pencil sharpened on a cell door, Shaun documents the conditions: dead rats in the food, cockroaches crawling in his ears at night, murders and riots… Smuggled out of maximum-security and posted online, his writing shines the international media spotlight on the plight of the prisoners in Sheriff Joe Arpaio’s jail. Join best-selling author Shaun Attwood on a harrowing voyage into the darkest recesses of human existence in Hard Time, the second book from the English Shaun trilogy.

     Edmund Emil Kemper III achieved notoriety as a serial killer when he took the lives of 10 people between August 27, 1964, and April 21, 1973. His victims included his adoptive grandparents, six co-eds from the University of Santa Cruz, his mother, and his mother's friend. This book explored the life of Kemper from his abusive childhood to his sentencing in November 1973. The horror of Kemper's actions go beyond the killing of his victims; it was what he did with his victims' bodies after killing them. Necrophilia, cannibalism, and dismemberment were all part his routine in his attempts to satiate his morbid desires. Just as terrifying as his dark fantasies were his ability to appear and function as an average person, allowing him to avoid raising suspicion in those he interacted with, including law enforcement. Contrary to the myth that serial killers kill indiscriminately, Kemper’s killing spree may have been rooted in the hatred that he felt for his mother. In an interview after his capture, he admitted that he was intentionally developing his killing skills with each co-ed that he killed. He was training for the ultimate murder, which was the killing of his mother. From beginning to end, the book provides insights to why Kemper became a serial killer as well his mindset behind the killings.

    Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl.Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition--which includes a new introduction, an afterword, and photographs--revives this classic, riveting tale about the men who work on the dark side of the American experience.

    For David Berg, this is truer than for most, and once you read the story of his family, you will understand why he held it privately for so long and why the betrayals between parent and child can be the most wrenching of all. In 1968 David Berg’s brother, Alan, was murdered by Charles Harrelson, a notorious hit man and father of actor Woody Harrelson. Alan was only thirty-one when he disappeared; six months later his remains were found in a ditch in Texas. Run, Brother, Run is Berg’s story of the murder. But it is also his account of the psychic destruction of the Berg family by the author’s father, who allowed a grievous blunder at the age of twenty-three to define his life. The event changed the fate of a clan and fell most heavily on Alan, the firstborn son, who tried to both redeem and escape his father yet could not.This achingly painful family history is also a portrait of an iconic American place, playing out in the shady bars of Houston, in small-town law offices and courtrooms, and in remote ranch lands where bad things happen—a true-crime murder drama, all perfectly calibrated. Writing with cold-eyed grief and a wild, lacerating humor, Berg tells us first about the striving Jewish family that created Alan Berg and set him on a course for self-destruction and then about the gross miscarriage of justice that followed. As with the best and most powerfully written memoirs, the author has kept this horrific story to himself for a long time. A scrappy and pugnacious narrator, Berg takes his account into the darkest human behaviors: the epic battles between father and son, marital destruction, reckless gambling, crooked legal practices, extortion, and, of course, cold-blooded murder. Run, Brother, Run is a raw, furious, bawdy, and scathing testimonial about love, hate, and pain— and utterly unforgettable.

    The ideal child, the one her immigrant parents saw, was studying to become a pharmacist at the University of Toronto. But there was a dark, deceptive side to the angelic young woman.In reality, Jennifer spent her days in the arms of her high school sweetheart, Daniel. In an attempt to lead the life she dreamed of, she would do almost anything: lie about her whereabouts, forge school documents, and invent fake jobs and a fictitious apartment. For many years she led this double life. But when her father discovered her web of lies, his ultimatum was severe. And so, too, was her revenge: a plan that culminated in cold-blooded murder. And it almost worked, except for one bad shot.The story of Jennifer Pan is one of all-consuming love and devious betrayal that led to a cold-hearted plan hatched by a group of youths who thought they could pull off the perfect crime.

    The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship; after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody--not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan--seemed to care about anything but her welfare thievery.Growing up in the Jim Crow South, Taylor was made an outcast because of her color. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism and an expose of the "welfare queen" myth, one that fueled political debates that reverberate to this day. The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name.