Her clothes and accessories have remained perennially chic, and her legendary fashion house continues to exert a powerful sway over today's designers. Jérôme Gautier tells the story of Chanel's iconic style through hundreds of images, many taken by the leading lights of fashion photography, including Richard Avedon, Gilles Bensimon, Patrick Demarchelier, Horst P. Horst, Annie Leibovitz, Man Ray, Helmut Newton, Irving Penn, and Ellen von Unwerth. This innovative volume pairs classic and contemporary photographs, placing fashion plates from Chanel's time alongside those by the house's designer-in-chief, Karl Lagerfeld. For instance, Cecil Beaton's portrait of Chanel appears alongside Lagerfeld's image of Cate Blanchett emulating her, and a classic plate by Henry Clarke flanks an arresting shot by Juergen Teller. Through these dazzling photographs, Chanel: The Vocabulary of Style identifies key elements that have defined Chanel's style for generations, such as jersey and tweed, formerly considered menswear fabrics, and the little black dress, which transformed a hue previously reserved for mourning into a statement of elegance. Pearls were her staple, and she often embellished outfits with her signature camellia. Eleven chapters compare the original forms of these enduring trademarks with their later expressions over the years and to the present day, letting the vocabulary of Chanel's style speak for itself.

    In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.

    The Chronicle of Western Fashion records the astonishing variety of ways in which the human form can be adorned - from the relative simplicity of the classical world, to the elaborate social distinctions implicit in the clothing of the Middle Ages, through the exotic richness of the Renaissance, on to the changing conventions of the eighteenth and nineteenth centuries and the vibrant diversity of twentieth-century fashion. John Peacock's meticulous color drawings are based on a lifetime of extensive research. Organized chronologically, the drawings are accompanied by detailed descriptions of each figure, including the individual items of dress shown and the fabric, cut, pattern, and color that have been used in each instance. The vast range of clothing reveals not only national characteristics but also social divisions: young and old, rich and poor, countryfolk and town dwellers, clergy and tradesmen, royalty and commoners. A fully illustrated glossary explains technical terms and features a wide range of hats, hair decorations, gloves, and other accessories.The Chronicle of Western Fashion is the indispensable reference work on its subject. No student, amateur, or professional designer, costume or fashion enthusiast, collector or social historian will want to be without it.

    From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

    Showing that the silhouette of women's dress has been in a state of continuous change, allied to economic and architectural evolution as well as changing ideas of sexual attractiveness, she itemizes three cycles in the last 400 years in which women's silhouette was blown up to the utmost limit, by artificial means, and then collapsed again to a long straight line. At these points and extremes were invariably considered absurdities and the corsets and hoops were discarded by their users, so that in actuality very few specimens from the earlier periods at least have come down to us.

    The camera will never be invented that could capture or encompass all that he actually sees, Truman Capote once said of Cecil Beaton. Though known for his portraits, Beaton was as incisive a writer as he was a photographer. First published in 1954, The Glass of Fashion is a classic an invaluable primer on the history and highlights of fashion from a man who was a chronicler of taste, and an intimate compendium of the people who inspired his legendary eye. Across eighteen chapters, complemented by more than 150 of his own line drawings, Beaton writes with great wit about the influence of luminaries such as Chanel, Balenciaga, and Dior, as well as relatively unknown muses like his Aunt Jessie, who gave him his first glimpse of the grown-up world of fashion. Out of print for decades but recognized and sought after as a touchstone text, The Glass of Fashion will be irresistible to a new generation of fashion enthusiasts and a seminal book in any Beaton library. It is both a treasury and a treasure."

    There are more than 400 line drawings and 121 patterns.

    A definitive study featuring each epoch and region, clearly discussed so that the novice can enjoy this volume as well as the scholar. A must for any student of the arts or anyone interested in how fashion has evolved.

    An account of the year Clara Parkes spent transforming a 676-pound bale of fleece into saleable yarn, and the people and vanishing industry she discovered along the way.

    Fashioning Fashion takes you through fashion and time with the sumptuous variety of an extraordinary collection. I promise, it cannot fail to inspire you." -From the preface by John GallianoThe creation of eighteenth and nineteenth century fashion moved at a much slower tempo than the lightning-speed pace of contemporary fashion, so great attention was paid to the smallest detail. Fashioning Fashion: European Dress in Detail, 1700-1915 celebrates these and brilliantly examines the transformation of the fashionable silhouette over this span of more than two centuries. Lavish photographs and illustrative text provide historical context, showing how technical inventions, political events, and global trade often profoundly affected style. It is little wonder that many of today's top haute couture designers often look to fashion of the past to find inspiration in the present. The intriguing and stunning examples of historic dress in this opulent volume are as captivating today as they were centuries ago. Fashioning Fashion showcases nearly two hundred highlights from the Los Angeles County Museum of Art's new European collection of rare pieces of historic fashion and accessories for men, women, and children. LACMA recently acquired this singular collection, which numbers more than 1,000 objects and represents a total of fifty years of acquisitions by prominent historic dress dealers and collectors Martin Kamer of England and Wolfgang Ruf of Switzerland. The pieces were chosen for their roles in the story of fashion's aesthetic and technical development from the Age of Enlightenment to World War I. This in-depth look at the details of these luxurious textiles, exacting tailoring techniques, and lush trimmings is the first presentation of this remarkable collection.

    Her collaborations with artists such as Man Ray, Salvador Dalí, Jean Cocteau and Alberto Giacometti elevated the field of women's clothing design into the realm of art.Her story is one of pluck, determination and talent with scandal as spice. As the daughter of minor Italian nobility whose disastrous first marriage to a Theosophist caused near penury, she transformed herself into a designer of great imagination and, along with Coco Chanel, her greatest rival, she was one of the few female figures in the field at that time

    Tradition and suits, certainly. But sex and suits? Anne Hollander's compulsively readable history of the evolution of modern fashion is a marvelous investigation into the language of clothes. Venturing playfully backward and forward through the history of costumes and art, Hollander reveals how fashion thrives on the brink of subversion, in subtle or brash confrontation with the masculine and feminine conventions in any age. There is more to suits than meets the eye, insists Hollander, and she proceeds to show how sex and gender definition override class as the driving forces behind fashion. By seeing through clothes, Hollander helps us read our own sartorial desires and reminds us that in our highly visual world, appearance is always significant--clothes do make the man.

    Style Deficit Disorder is the first book to explore this remixed, fast-forward fashion hotbed, profiling its most daring and influential designers, labels, stylists, and shops (including Comme des Garons, Hysteric Glamour, Super Lovers, A Bathing Ape, and Laforet). Featuring nearly 200 photos, essays by key Japanese fashion editors, and commentary by Edison Chen, Patricia Field, John Galliano, Shawn Stussy, Shu Uemura and others, this is a must-have, insider's look at an international fashion and pop culture epicenter, past, present, and future.

    Incorporating sources from history, literature, magazines, and cinema, as well as her own witty anecdotes, Smith has created an engaging, informative guide to modern style.

    It espouses a grown-up style and attitude with a masculine-feminine aesthetic, where culture, history, beauty, intelligence, feminism, quality, and taste are celebrated. Women who embody the look include Katharine Hepburn, Andree Putman, Lauren Hutton, Janelle Monae, Phoebe Philo, Ines de la Fressange, Tilda Swinton, Stella Tennant, and Jenna Lyons.This visually inspiring book explores the look, history, and essence of gentlewoman style. It features profiles of women who typify the style, alongside beautifully photographed and curated imagery and how-to-get-the-look information.