This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

    But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.“THE BOOK OF WILL…unequivocally announces Gunderson as a playwright with whom to be reckoned. It is, quite frankly, one of the best plays I have ever seen. It will bring tears of both laughter and sorrow to all but the most jaded audience member’s eyes. It is, in a word, a triumph.” —Boulder Weekly (CO). “[Gunderson] has peopled the stage with lively, historically based characters…She paints a vivid portrait of the times in language sometimes formal, sometimes poetic and often…contemporary…She also gives a real feel for theater life and what it means to be an actor; you sense this is a work of both scholarship and love. …[THE BOOK OF WILL] serves as homage to those who sacrificed to make the first folio happen and to Shakespeare’s magnificent words.” —Westword (Denver, CO).

    Recommended for all collections." - Choice

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    It follows an interesting life of a princess, Rotshidzwa, who doesn’t believe in love but is given an ultimatum to get married to a prince in order to access her father’s estate. The princess was wild and needed a tame, hence her father left a condition on his will – a condition which she did not want fulfil. Forced by her kind of lifestyle, she agreed to fake a marriage in the hope of receiving her portion of the estate and getting divorced afterwards. The prince agreed to enter into a fake marriage, provided that he gets a share of the money. Things did not go to plan as she was expected to prove the legitimacy of her marriage. In the process of proving the legitimacy of the marriage, she ends up falling in love with the prince and complicating his relationship with his partner named Adelaide. Their relationship ended up into a complicate love triangle.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    From the moment he saw Jasmine he wanted nothing more than to be with her in every way that he could, but will it be that easy to win her love? A Boss Chic takes you on a journey with Jasmine you’ll see why she’s first place with her mouthpiece and even quicker on her toes. Will love conquer all or will this be another fail attempt at hood love? Will Jared still remain the same understanding, loving, and caring man that Jasmine first met?

    Shelley Calhoun was a single mother of three children and a hair stylist. Harry left two lottery tickets and an invitation to church as a tip for Shelley. A short time later, Shelley was fired—again.Darcy Tatum was a server at Daisy's Diner, but today she was distracted and worried, so Harry prayed that God would bless the young woman. When he finished his meal, he left the last few lottery tickets on the table as a tip.Daisy Pearl Benson, the owner of Daisy's Diner, had seen The Lottery Tickets left under a glass on the old man’s table. That tip should have been hers—after all he’d left without paying for his meal. But when she confronted Darcy Tatum, the tickets had disappeared. Lottery tickets—little slips of hope or more troubles for three women?

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.

    ~ African Proverb Time waits for no man…or woman. Life moves on, old things fade away to make way for new beginnings. From Black Diamonds, to Uncut Diamonds…to Heirs. A new generation is forming, designed to be more advanced, more dangerous and more intriguing than their predecessors. In this prequel, The Diamond family is transitioning to usher in a new regime. The Diamonds are back, and the family is growing in unexpected ways...

    It makes the blood rush."Olivier-award winning actor Adrian Lester plays Ira Alridge in the world premiere of Lolita Chakrabarti's new play, Red Velvet, which launches Indhu Rubasingham's reign as the Tricycle Theatre's new Artistic Director. The play is set in the Theatre Royal, Covent Garden, in 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor, Ira Aldridge, has been asked to take over the role. But, as the public riot in the streets, how will the cast, critics and audience react to the revolution taking place in the theatre?Written by the 2012 Most Promising Playwright (Evening Standard Awards) Lolita Chakrabarti, Red Velvet uses imagined experiences based on the often-forgotten, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.