But her quest for perfection is derailed when her boyfriend leaks a private picture of her to the entire school—a picture only he was supposed to see. Making matters worse, her parents are getting divorced and now her perfect family is falling apart. For the first time, Vivi feels like a complete and utter failure.Then she gets a job working at the community pool, where she meets a new group of friends who know nothing about her past. That includes Evan, a gorgeous guy who makes her want to do something she never thought she’d do again: trust. For the first time in her life, Vivi realizes she can finally be whoever she wants. But who is that? While she tries to figure it out, she learns something they never covered in her AP courses: that it’s okay to be less than perfect, because it’s our imperfections that make us who we are.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    But that’s my mistake. I can’t help. You can’t fix people like you can solve a math problem.Math genius. Freak of nature. Loner.Eva Walker has literally one friend—if you don’t count her quadruplet three-year-old-siblings—and it’s not even because she’s a math nerd. No, Eva is a loner out of necessity, because everyone and everything around her is an emotional minefield. All she has to do is touch someone, or their shirt, or their cell phone, and she can read all their secrets, their insecurities, their fears.Sure, Eva’s “gift” comes in handy when she’s tutoring math and she can learn where people are struggling just by touching their calculators. For the most part, though, it’s safer to keep her hands to herself. Until she meets six-foot-three, cute-without-trying Zenn Bennett, who makes that nearly impossible.Zenn’s jacket gives Eva such a dark and violent vision that you’d think not touching him would be easy. But sometimes you have to take a risk…

    E. Endsley. They’re the books that brought her and her best friend Jenna together after Amelia’s father left and her family imploded. So when Amelia and Jenna get the opportunity to attend a book festival with Endsley in attendance, Amelia is ecstatic. It’s the perfect way to start off their last summer before college.In a heartbeat, everything goes horribly wrong. When Jenna gets a chance to meet the author and Amelia doesn’t, the two have a blowout fight like they’ve never experienced. And before Amelia has a chance to mend things, Jenna is killed in a freak car accident. Grief-stricken, and without her best friend to guide her, Amelia questions everything she had planned for the future.When a mysterious, rare edition of the Orman Chronicles arrives, Amelia is convinced that it somehow came from Jenna. Tracking the book to an obscure but enchanting bookstore in Michigan, Amelia is shocked to find herself face-to-face with the enigmatic and handsome N. E. Endsley himself, the reason for Amelia’s and Jenna’s fight and perhaps the clue to what Jenna wanted to tell her all along.

    Ain’t playing with a full deck. Whacked-out wiring. Missing marbles.” Irreverent, foulmouthed seventeen-year-old Cricket is the oldest ward in a Catholic boys’ home in Maine—and his life sucks. With prospects for the future that range from professional fighter to professional drug dealer, he seems doomed to a life of “criminal rapscallinity.” In fact, things look so bleak that Cricket can’t help but wonder if his best option is one final cliff dive into the great unknown. But then Wynona Bidaban steps into his world, and Cricket slowly realizes that maybe, just maybe, life doesn’t totally suck.

    And she’s escaped to the one place nobody will ever find her.But the isolated cottage isn’t empty. Her refuge is home to a troubled stranger, Tom, there for reasons of his own.In the intimacy of the abandoned cottage, and the remote wilderness of the island, the electrifying connection between them is impossible to ignore. Both running from their histories and shielding dark secrets, their pasts catch up with them and collide in an unimaginable way.Deep emotions and powerful chemistry face a painful battle with the tangle of lies, and scars of the past. When the truth emerges, hearts will be shattered.

    Parker didn’t.But now that Charlie is officially in remission, life couldn’t be going better for Parker. She’s landed a prestigious summer internship at the hospital and is headed to Harvard in the fall to study pediatric oncology—which is why the anxiety she’s felt since her Harvard acceptance is so unsettling. And it doesn’t help that her relationship with Charlie has been on the rocks since his diagnosis.Enter Finn, a boy who’s been leaving strange graffiti messages all over town. Parker can’t stop thinking about those messages, or about Finn, who makes her feel free for the first time: free to doubt, free to make mistakes, and free to confront the truth that Parker has been hiding from for a long time.That she keeps trying to save Charlie, when the person who really needs saving is herself.

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    In town she's the rich one--the great-great-granddaughter of the mill's founder. At school she's hot Maddie Ward's younger sister. And at home, she's the good one, her stoner older brother Joey's babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey's drug habit was.Four months later, Emmy's junior year is starting, Joey is home from rehab, and the entire town of Mill Haven is still reeling from the accident. Everyone's telling Emmy who she is, but so much has changed, how can she be the same person? Or was she ever that person at all?Mill Haven wants everyone to live one story, but Emmy's beginning to see that people are more than they appear. Her brother, who might not be cured, the popular guy who lives next door, and most of all, many ghostie addicts who haunt the edges of the town. People spend so much time telling her who she is--it might be time to decide for herself.Inspired by the American classic Our Town, You'd Be Home Now is Kathleen Glasgow's glorious modern story of a town and the secret lives people live there. And the story of a girl, figuring out life in all its pain and beauty and struggle and joy.

    Superstar Clay Coolidge is most definitely going to end up one of those things. But unfortunately for Clay, if he can’t convince Annie to join his summer tour, his music label is going to drop him. That’s what happens when your bad boy image turns into bad boy reality. Annie has been avoiding the spotlight after her parents’ tragic death, except on her skyrocketing YouTube channel. Clay’s label wants to land Annie, and Clay has to make it happen. Swayed by Clay’s undeniable charm and good looks, Annie and her band agree to join the tour. From the start fans want them to be more than just tour mates, and Annie and Clay can’t help but wonder if the fans are right. But if there’s one part of fame Annie wants nothing to do with, it’s a high-profile relationship. She had a front row seat to her parents’ volatile marriage and isn’t interested in repeating history. If only she could convince her heart that Clay, with his painful past and head over heels inducing tenor, isn’t worth the risk.

    30H, for example. Fifteen-year-old Greer Walsh hasn't been fazed by basic algebra since fifth grade, but for the last year, 30H has felt like an unsolvable equation - one that's made her world a very small, very lonely place. 30H is her bra size - or it was the last time anyone checked. She stopped letting people get that close to her with a tape measure a while ago.Ever since everything changed the summer before ninth grade, Greer has felt out of control. She can't control her first impressions, the whispers that follow, or the stares that linger after. The best she can do is put on her faithful XXL sweatshirt and let her posture - and her expectations for other people - slump.But people - strangers and friends - seem strangely determined to remind her that life is not supposed to be this way. Despite carefully avoiding physical contact and anything tighter than a puffy coat, Greer finds an unexpected community on the volleyball squad, the team that hugs between every point and wears a uniform "so tight it can squeeze out tears." And then there's Jackson Oates, newly arrived at her school and maybe actually more interested in her banter than her breasts.Laura Zimmermann's debut is both laugh-out-loud funny and beautifully blunt, vulnerable and witty, heartbreaking and hopeful. And it will invite listeners to look carefully at a girl who just wants to be seen for all she is.

    Even worse, his father’s failed suicide attempt leaves Rob and his mother responsible for his care. Everyone thinks of Maegan as a typical overachiever, but she has a secret of her own after the pressure got to her last year. And when her sister comes home from college pregnant, keeping it from her parents might be more than she can handle.When Rob and Maegan are paired together for a calculus project, they’re both reluctant to let anyone through the walls they’ve built. But when Maegan learns of Rob’s plan to fix the damage caused by his father, it could ruin more than their fragile new friendship...This captivating, heartfelt novel asks the question: Is it okay to do something wrong for the right reasons?This is a previously published edition of ISBN 9781681198095. An alternative cover edition for this ISBN can be found here.

    It’s late 2016 when Ariel discovers that her mother Mona’s animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes—but that it’s also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six long years, knows she has to return to her childhood home—especially since her own past may have played a role in the attack on the sanctuary. Ariel expects tension, maybe even fury, but she doesn’t anticipate that her first love, a ranch hand named Gideon, will still be working at the Bright Side. Back in Lawrence, Ariel’s charming but hapless fiancé, Dex, grows paranoid about her sudden departure. After uncovering Mona’s address, he sets out to confront Ariel, but instead finds her grappling with the life she’s abandoned. Amid the reparations with her mother, it’s clear that Ariel is questioning the meaning of her life in Lawrence, and whether she belongs with Dex or with someone else, somewhere else. Acclaimed writer Pam Houston says that “Mandelbaum is wise beyond her years and twice as talented,” and The Bright Side Sanctuary for Animals poignantly explores the unique love and tension between mothers and daughters, and humans and animals alike. Perceptive and funny, moving and eloquent, and ultimately buoyant, Mandelbaum offers a panoramic view of family and forgiveness, and of the meaning of home. Her debut reminds us that love provides refuge, and underscores our similarities as human beings, no matter how alone or far apart we may feel.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    On his first day, tensions are clearly on the rise as a picked-upon upperclassmen finally snaps, unleashing a violent attack on both the students who tormented him for so long, and the corrupt, petty faculty that let it happen. But within this desperate place, Peter befriends fellow freshmen Noah Stein, a volatile classmate whose face bears the scars of a hard-fighting past, and the beautiful but lonely Lorelei Paskal —so eager to become popular, she makes only enemies.To even stand a chance at surviving their freshmen year, the trio must join forces as they navigate a bullying culture dominated by administrators like the once popular Ms. Bromine, their embittered guidance counselor, and Father Mercedes, the parish priest who plans to scapegoat the students as he makes off with church finances. A coming-of-age tale reversed, Brutal Youth follows these students as they discover that instead of growing older and wiser, going bad may be the only way to survive.