And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Kinsella meant little or nothing to readers of Canadian fiction. Dance Me Outside, a collection of stories about the Indian reserve near Hobbema in southern Alberta, changed all that. Then came Scars and now Born Indian, a new collection of stories about such old friends as Silas Ermineskin, Frank Fence-post and Mad Etta. Comedy is rare in Canadian writing and Kinsella is treasured above all for his sense of humour. He also knows how to tell a story, which makes him a delightful companion in any season.

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    This work features ten stories from the 'Tales of a Thousand and One Nights' including the well-known ones of 'Aladdin and the Lamp', 'Ali Baba and the forty thieves', and 'Sinbad the Sailor'.

    While investigating a suspicious yard sale, M discovers a red chesterfield sitting in a ditch. Looking closer, M finds a running shoe-and a severed foot. Now M is involved in a murder investigation. Meanwhile, older brother K's work for a new political party begins to seem suspicious, while younger brother J navigates the complicated world of young-adulthood, and boss Rhonda demands more and more attention, M must navigate a world of Russian gangsters and neglected wives, biker gangs and suspicious coincidences. On top of everything else, M is determined to track down the owner of that red chesterfield and make sure they get a ticket. The Red Chesterfield is a delightful, unusual novel that upends the tropes and traditions of crime fiction while asking how far one person is willing to go to solve a crime, be it murder or the abandonment of a piece of furniture.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.