Frank bolts up in bed. Except he’s not in bed. His head slams into what feels like ten-million tons of solid rock. He rolls right, then left, only to be foiled by more rock. Like a stone coffin. What is this place? How did he get here? Maybe the dream was real, and this is the nightmare. His heart slams with panic as he stares into the darkness. ...the plot twists were so frequent, and so dramatic... Something has happened. Something terrifying. But the harder he strains to recall the event, the deeper it retreats into the labyrinth of his mind. ...an excellent psychological thriller... A stalker in his dreams. Horror when he wakes. A passage. A password. A vanishing snake. What does any of it mean, if anything? ...one of the best horror stories I have read in a long time. No light. No water, no memory. And he's out of time. He must remember. If he wants to live. His amnesia is fading, but so is his hope. And perhaps his sanity.

    Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition--and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.

    Campbell Award for Best New Writer, Locus Awards for Best Novella and Best Critic, and numerous other awards. Twenty-four of his 30 books are still in print, in 10 languages. His short work has appeared in magazines around the planet, from Omni and Analog to Xhurnal Izobretatel i Rationalizator (Moscow), and in numerous anthologies. His most recent books are the novels Callahan's Key, and The Free Lunch.Contents:God Is an Iron (1979)In the Olden Days (1984)Local Champ (1979)Melancholy Elephants (1982)Not Fade Away (1982)Orphans of Eden (1996)Rubber Soul (1982)Soul Search (1979)Stardance (1977) with Jeanne RobinsonThe Magnificent Conspiracy (1977)

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    This collection of sixteen short stories and novellas, including four previously unpublished stories, will take you out of this world. Featuring... * Hello World * The Man Who Remembered Today * Mirror, Mirror * Butch & Sundance * Killer * Revolution * Lost Stars * Natural * Heil Hitler * The End * Don't Tell * Abraham * More to Learn * Suffer the Children * Deja Vu * The Darkness Between the Stars

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Ten years ago on Halloween night, grotesque creatures snatched her best friend Elliot and Sam narrowly escaped with her life. Now a decade on, the police investigation has ground to a halt and Elliot’s whereabouts remains a mystery. Traumatized by her ordeal, Sam finds it hard to make friends. She is mistrustful of authority and changed schools more times than she cares to remember. To her, the world is cruel and unforgiving. Then she meets the enigmatic Lee Weaver. With his gorgeous face and magnetic presence, he turns heads wherever he goes. Sam has never wanted anyone as much as she wants Lee, but there are things about the alluring stranger that don’t add up, leading Sam to ask unsettling questions about her past. Soon she discovers the boy of her dreams is keeping a terrible secret: one that threatens to destroy everything Sam holds dear . . .Super Dark is a seductive love story that will keep you guessing right until the final page ...

    Martin’s Introduction to Warriors:“People have been telling stories about warriors for as long as they have been telling stories. Since Homer first sang the wrath of Achilles and the ancient Sumerians set down their tales of Gilgamesh, warriors, soldiers, and fighters have fascinated us; they are a part of every culture, every literary tradition, every genre. All Quiet on the Western Front, From Here to Eternity, and The Red Badge of Courage have become part of our literary canon, taught in classrooms all around the country and the world.Our contributors make up an all-star lineup of award-winning and bestselling writers, representing a dozen different publishers and as many genres. We asked each of them for the same thing — a story about a warrior. Some chose to write in the genre they’re best known for. Some decided to try something different. You will find warriors of every shape, size, and color in these pages, warriors from every epoch of human history, from yesterday and today and tomorrow, and from worlds that never were. Some of the stories will make you sad, some will make you laugh, and many will keep you on the edge of your seat.” Every story in this volume appears hre for the first time. Included are a long novella from the world of Song of Ice and Fire by George R.R. Martin, a new tale of Lord John by Diana Gabaldon, an Emberverse story by S.M. Stirling, a Forever Peace sory by Joe Haldeman, and a long story of humanity at bay by David Weber. Also present are original tales by David Ball, Peter S. Beagle, Lawrence Block, Gardner Dozois, Robin Hobb, Cecelia Holland, Joe R. Lansdale, David Morrell, Naomi Novik, James Rollins, Steven Saylor, Robert Silverberg, Carrie Vaughn, Howard Waldrop, and Tad Williams.Many of these writers are bestsellers. All of them are storytellers of the highest quality. Together they make a volume of unforgettable reading.Contents:- Introduction: Stories from the Spinner Rack by George R.R. Martin- The King of Norway by Cecelia Holland- Forever Bound by Joe Haldeman- The Triumph by Robin Hobb- Clean Slate by Lawrence Block- And Ministers of Grace by Tad Williams- Soldierin' by Joe R. Lansdale- Dirae by Peter S. Beagle- The Custom of the Army by Diana Gabaldon- Seven Years from Home by Naomi Novik- The Eagle and the Rabbit by Steven Saylor- The Pit by James Rollins- Out of the Dark by David Weber- The Girls from Avenger by Carrie Vaughn- Ancient Ways by S.M. Stirling- Ninieslando by Howard Waldrop- Recidivist by Gardner Dozois- My Name is Legion by David Morrell- Defenders of the Frontier by Robert Silverberg- The Scroll by David Ball- The Mystery Knight: A Tale of the Seven Kingdoms by George R.R. Martin

    An island movie theater that takes more than the patrons' cash. A cross-country drive with an unexpected encounter. A family man hellbent on making great time, no matter the cost. Fourteen horror authors share terrifying and twisted tales of summer vacation gone wrong in Worst Laid Plans: an Anthology of Vacation Horror.This anthology includes stories by V. Castro, Hailey Piper, Patrick Lacey, Scott Cole, Laura Keating, Malcolm Mills, Jeremy Herbert, S. E. Howard, Chad Stroup, Kenzie Jennings, Waylon Jordan, Greg Sisco, Asher Ellis, and Mark Wheaton, as well as a special introduction by Sadie Hartmann.

    On a rainy April morning, she is reading auras at Spiritual Palms when Susan Burke walks in. A keen observer of human behavior, our unnamed narrator immediately diagnoses beautiful, rich Susan as an unhappy woman eager to give her lovely life a drama injection. However, when the "psychic" visits the eerie Victorian home that has been the source of Susan's terror and grief, she realizes she may not have to pretend to believe in ghosts anymore. Miles, Susan's teenage stepson, doesn't help matters with his disturbing manner and grisly imagination. The three are soon locked in a chilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it.“The Grownup,” originally appeared as “What Do You Do?” in George R. R. Martin’s Rogues anthology.