Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.

    Most comprehensive histories devote a few chapters to the early history of India and an increasing number of pages to the more recent period, giving an impression that early history is mere background and that Indian civilization finds its fulfillment in the nation-state. Thomas R. Trautmann believes that the deep past lives on and is a valuable resource for understanding the present day and for creating a viable future. The result is a book that is short enough to read in a few sittings, but comprehensive in coverage--5,000 years of India in brief.

    But she will have none of that. Shivalika has her life mapped out. She does not believe in love at all and is only focused on her career the reason for which is a secret she has nursed since she was a teenager.But when billionaire Vikramarya Kumar aka VK aka “the most eligible bachelor in the country” enters her company as the new boss, sparks fly and she finds all her beliefs getting shattered, one by one.Shivalika’s secret has already created havoc once in her life. Will she be able to overcome it to find her happily-ever-after with VK or will the pain of it destroy every chance of finding true love and healing?If You Let Me Go is a standalone sweet romance novel in the First Love Billionaire Romance series.

    For endless miles he walks through a landscape as desolate as his heart. Until two ancient women who have waited for rain for four hundred years lead him to the Village of Weavers where a prophecy will be fulfilled. A single drop of rain will impregnate the tiger-widow and her son will slay the spirit-tiger. The traveller will help the woman bring up the boy. He will witness miracles and tragedy and come close to finding a home again. And he will learn that love and life are eternal.In her new novel, Easterine Kire, winner of the Hindu Prize, combines lyrical storytelling with the magic and wisdom of Naga legends to produce an unforgettable, life-affirming fable.

    The participants in the controversy which raged during June–July this year forgot that as many four previous governors of the RBI have had their terms cut short. The recent debate has to be seen in this context. This volume focuses on all the governors of the RBI since 1935 and describes how almost all of them had problems with the government. It is inherent in the tasks they are charged with. It also shows how, after 1957, when Jawaharlal Nehru accepted the resignation of Benegal Rama Rau after the latter’s quarrel with the finance minister, T. T. Krishnamachari, the RBI virtually became a department of the finance ministry. Its claims to independence have been revived only after 2002, when financial sector reform changed the structure of a large part of the financial economy. The book ends with advice to future governors about what they should remember: they are the servants of the sovereign, not independent Wu-li masters. They have to manage the government, not fight it. Theirs, as a former governor sensibly pointed out, is a circumscribed independence, the perimeters of which are defined by the government.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.