In passages that are arousing, thoughtful, and funny, he details a scene of unrivaled sexual hedonism. First and foremost an erotic record, Wild Animals I Have Known is also the diary of a bookish, terrified, exuberantly promiscuous, and laughably romantic gay man’s exploits during the heyday of San Francisco’s gay bohemia. “[Bentley’s] writing is direct, intelligent, savagely funny, and very, very erotic.” — Kevin Dax, author of D.O.C. Lust Letters

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.

    Here are the highpoints (and some low points) that chart any good relationship: from the first blush of romance; to meeting the in-laws; to forgetting your pants at your own wedding; to figuring out in those first years that "life as a couple is all about discovering just how many things you can approach differently without actually killing each other"; and finally, of sharing that first great love, a child. Poignant and smart, these notes from a same-sex marriage will strike a chord with anyone who has ever known just how outrageous, challenging, and maddeningly wonderful the ties of love can be, no matter what configuration your family.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    The meteoric rise and sudden, dramatic fall of a young gay male porn star.

    why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions -- What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections--all told in the sharp, wildly funny, and relatable voice that has endeared Abbi to critics and fans alike--readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.

    The family is powerful for the same reasons it is vulnerable. There are deadlines for nurturing and restoring relationships, and, with its intricate makeup, it takes the entire family to save itself. THE CHINABERRY TREE is a rare memoir of a family at war with itself. It lays bare the erosion of the author's family of origin in the absence of divorce and any criminal or heinous behavior. Perception is the pivotal force in the family. This innovative memoir offers a slideshow viewing of the interwoven dynamics that fueled the author's original family life: harmony, humor, separation, sorrow, discord, despair, surrender and death. The youngest of four children, the author presents each and every family member, including herself, from the unusual viewpoint of an insider with no agenda, an insider spreading out pieces of a puzzle with no intention of finding the missing ones. Making no pretense of telling the whole story, she revisits her life within the family. The author began writing THE CHINABERRY TREE long before her family's fate had run its course. In the end, the author discovers that the undying family bond she counted on was a deep-rooted myth she cultivated amidst all the evidence to the contrary. In ruins, the family finally loses its power over her and the grief the author thought she would carry to her grave is put to rest.

    He tended to the faces of every A-list star and did the makeup for countless music videos, magazine shoots and fashion shows. However, few would have predicted his incredible rise given the heartwrenching difficulties of his childhood. But at a young age, he discovered his talent for applying makeup and dreamed of leaving his small Southern town to make it in the fashion world of New York. He did just that and within eight months he was working for Vogue magazine. During his amazing career, Kevyn kept detailed diaries of every assignment he received and filled each entry with polaroids, names and places. A BEAUTIFUL LIFE showcases the most exciting of these pages and brings the behind-the-scenes world of fashion, celebrity and music to life for the reader. And of course it contains a 'greatest hits' of Kevyn's favourite celebrity makeup tips, some revealed for the first time ever. Kevyn was so beloved by his fans and his famous friends because of the message behind his makeup: self-respect and tolerance. For Kevyn, leading A BEAUTIFUL LIFE was first and foremost about inner beauty and this book builds on that le

    Enter James Beard, authority on cooking and eating, his larger-than-life presence and collection of whimsical bow ties synonymous with the nation’s food for decades, even after his death in 1985.In the first biography of Beard in twenty-five years, acclaimed writer John Birdsall argues that Beard’s struggles as a closeted gay man directly influenced his creation of an American cuisine. Starting in the 1920s, Beard escaped loneliness and banishment by traveling abroad to places where people ate for pleasure, not utility, and found acceptance at home by crafting an American ethos of food likewise built on passion and delight. Informed by never-before-tapped correspondence and lush with details of a golden age of home cooking, The Man Who Ate Too Much is a commanding portrait of a towering figure who still represents the best in food.

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    Extraordinary." —Marlon James"Staccato prose and peripatetic storytelling combine the cadences of the Bible with an urgency reminiscent of James Baldwin in this powerfully emotional memoir." —BookPageThe testament of a boy and a generation who came of age as the world came apart—a generation searching for a new way to live.Casey Gerald comes to our fractured times as a uniquely visionary witness whose life has spanned seemingly unbridgeable divides. His story begins at the end of the world: Dallas, New Year's Eve 1999, when he gathers with the congregation of his grandfather's black evangelical church to see which of them will be carried off. His beautiful, fragile mother disappears frequently and mysteriously; for a brief idyll, he and his sister live like Boxcar Children on her disability checks. When Casey—following in the footsteps of his father, a gridiron legend who literally broke his back for the team—is recruited to play football at Yale, he enters a world he's never dreamed of, the anteroom to secret societies and success on Wall Street, in Washington, and beyond. But even as he attains the inner sanctums of power, Casey sees how the world crushes those who live at its margins. He sees how the elite perpetuate the salvation stories that keep others from rising. And he sees, most painfully, how his own ascension is part of the scheme.There Will Be No Miracles Here has the arc of a classic rags-to-riches tale, but it stands the American Dream narrative on its head. If to live as we are is destroying us, it asks, what would it mean to truly live? Intense, incantatory, shot through with sly humor and quiet fury, There Will Be No Miracles Here inspires us to question--even shatter--and reimagine our most cherished myths.

    In The Asylum, an unabashedly hilarious memoir-in-essays, Doonan, the creative ambassador for Barneys New York, tells the real-life stories of glamorous madness and stylish insanity. Doonan has seen it all: from dealing with models unable to work for fear of ghosts, to deep-sea fishing with a couturier pal and his jailbird companion, to watching Anna Wintour remain perfectly calm while the ceiling fell—literally—in the middle of Fashion Week. The outlandish family Doonan knew as a child has given way to alarmingly similar lunatic peers in the fashion world: style insiders see patterns and trends in everything; they suffer from outsize personality disorders and delusions of grandeur; and, of course, they have a predilection for theatrical makeup and artfully destroyed clothing. No one is more suited to the asylum than the truly die-hard fashionista—after all, eccentricity and extremism are the foundations of great style. Hailed as “a must-read for fashionistas and non-fashionistas alike,” (Michael Kors) and “raucous and revelatory” (Booklist), Doonan’s critically acclaimed collection gives us the scoop on the kooky, cutthroat—but always fabulous—fashion world, and proves the author to be one of the sharpest humorists writing today.

    Born in the post-war East End of London, young Michael's life is changed when he is spotted in a school play, cast in Lionel Bart's Oliver! and is transported to the glittering West End. Acting on stage and screen into adulthood, he finds his most defining role as Colin in Eastenders, making television history as one half of the first gay kiss ever broadcast on a British soap. But it is a chance encounter in a Butlins resort that leads Michael to the great love of his life: Paul Cottingham, who would become his husband and partner of 31 years. We follow Michael's second act, as with Ian McKellen he founds and chairs Stonewall, fighting tirelessly for civil liberties all over the world before entering the world of politics. His adventures and misadventures lead him and Paul as far and wide as high tea in LA with David Hockney to flirting with Joan Collins to flying the rainbow flag over the Albert Hall with Elton John. But Michael's greatest triumphs are seasoned with bitter loss - and he continues his ceaseless fight bearing a profound grief. One of Them contains as many multitudes as its author: glorious nostalgia, wicked showbiz gossip, a stirring history of a civil rights movement, a sorrowfully clear-eyed exposition of Britain's standing in Europe, and an unforgettable love story. Told with warmth, wit and humanity, it is an account of a life lived both left-of-field and firmly embedded in the heart of all that makes Britain liberal and good.

    Now she's a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of Red State America, and of queer people who stay in so-called "flyover country" rather than moving to the liberal coasts. In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: "Something gay every day." Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

    It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn. But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace. Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.