'They said that twenty-five percent of the population would catch the flu. Between seventy and eighty percent of them would die. He had been directly exposed to it, and the odds weren't good.' A CITY IN QUARANTINE London, the epicenter of a global pandemic, is a city in lockdown. Violence and civil disorder simmer. Martial law has been imposed. No-one is safe from the deadly virus that has already claimed thousands of victims. Health and emergency services are overwhelmed. A MURDERED CHILD At a building site for a temporary hospital, construction workers find a bag containing the rendered bones of a murdered child. A remorseless killer has been unleashed on the city; his mission is to take all measures necessary to prevent the bones from being identified. A POWERFUL CONSPIRACY D.I. Jack MacNeil, counting down the hours on his final day with the Met, is sent to investigate. His career is in ruins, his marriage over and his own family touched by the virus. Sinister forces are tracking his every move, prepared to kill again to conceal the truth. Which will stop him first - the virus or the killers?

    Reprint. TV tie-in.

    You don’t expect to die.Two years ago, Fran’s sister Jenna disappeared on a wellness retreat in Gozo that went terribly wrong.Tom Wade, the now infamous man behind Soul Shrink Retreats, has just been released from prison after serving his sentence for the deaths of two people. But he has never let on what happened to the third victim: Jenna.Determined to find out the truth, Fran books herself onto his upcoming retreat – the first since his release – and finds herself face to face with the man who might hold the key to her sister’s disappearance. The only question is, will she escape the retreat alive? Or does someone out there want Jenna’s secrets to stay hidden?The master of suspense is back. Prepare yourself for the latest heart-in-mouth rollercoaster ride from the Sunday Times bestseller.

    It seemed like their dream home: tons of space, the perfect location, and a friendly owner who wanted a young couple to have it.So when they made a grisly discovery in the attic, Jack and Syd chose to ignore it. That was a mistake.Because someone has just been murdered. Right outside their back door.And now the police are watching them...

    Will a phone call from Rome save his fate or seal it?CLIFF BOOTH – Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. . . .SHARON TATE – She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills.CHARLES MANSON – The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.HOLLYWOOD 1969 – YOU SHOULDA BEEN THERE

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    But years have passed, and Sheen needs answers to the questions he has surrounding his brother’s death. He is on loan from the Met to the PSNI under the belief he will be helping set up a new Historical Offences Team in Northern Ireland. On arrival to Ireland, plans change and he finds himself partnered with newly promoted DC Aoife McCusker to work on her first appointed murder investigation. John Fryer, an IRA veteran, has recently escaped from a mental asylum. Sheen thinks Fryer was involved in the killing of his brother, and is now after him. His escape throws him into the path of deranged and dangerous Christopher Moore, and the two begin to work together to execute chaos. As the investigation begins to unravel, Fryer and Moore’s relationship is compromised. But will Sheen be able to put his personal agenda aside? And will McCusker keep her career long enough to crack the case and prove herself as a detective? Set in contemporary Belfast, Blood Will Be Born is the first book of a captivating crime thriller series that delves deep in to the dark and political past of Belfast.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Resident Eddie Parks’s contribution is nothing less than extraordinary: an “echo box” that can re-create never-recorded sounds using acoustic archeology.All Eddie wants is to hear his late mother’s voice. But what he’s created is inadvertently posing a threat to national security.To Harmony House’s shadowy government backers and radical extremists, the echo box is the ultimate intelligence asset—an end to the very concept of secrecy. Now for Eddie and the compassionate Dr. Skylar Drummond, the true nature of the institution is becoming chillingly clear.As ruthless competing enemies close in on Eddie and his miraculous machine, Skylar risks all to take him on the run. Because once that prize is won, Eddie Parks will no longer be considered a “special person” but a dangerous redundancy. An inconvenient echo that must be silenced.

    And telling the truth won't bring him back...When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world.Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other.Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right?The Cry is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

    She looks in the mirror and sees an unfamiliar, middle-aged face. And every morning, the man she has woken up with must explain that he is Ben, he is her husband, she is forty-seven years old, and a terrible accident two decades earlier decimated her ability to form new memories.Every day, Christine must begin again the reconstruction of her past. And the closer she gets to the truth, the more unbelievable it seems.

    Is your daughter involved, or is she next?Your daughter is in danger. But can you trust her?When Karen Finch’s seventeen-year-old daughter Sophie arrives home after a night out, drunk and accompanied by police officers, no one is smiling the morning after. But Sophie remembers nothing about how she got into such a state.Twelve hours later, Sophie’s friend Amy has still not returned home. Then the body of a young woman is found.Karen is sure that Sophie knows more than she is letting on. But Karen has her own demons to fight. She struggles to go beyond her own door without a panic attack.As she becomes convinced that Sophie is not only involved but also in danger, Karen must confront her own anxieties to stop whoever killed one young girl moving on to another – Sophie.A taut psychological thriller, perfect for fans of The Girl on the Train and I Let You Go.

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.