Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair—one rollicking, the other depressive; one Gothic, the other pre-Romantic—from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

    Lemmer is a freelance Invisible. The tiny and beautiful Emma le Roux, a brand consultant from Cape Town, wants to hire him. He needs the money, so he listens to her story. Lemmer’s First General Law is: Don’t get involved. But he has never failed as a body guard and he’s also grown a little too fond of Emma. He uncovers simmering racial and political tensions, greed, corruption, and a network of eco-terrorists. He follows the leads until he finds what he’s after: The people who attacked Emma. Getting to them will be extremely dangerous, and exposing them could have international political implications. If he fails, both he and Emma will end up dead. But Lemmer is sick and tired of being invisible. He goes after them, against all odds.

    After eleven years in the remote Mahlangeni region they are transferred, first to Crocodile Bridge and then to Pretorius Kop. Fully at peace in the wild and lonely landscapes of the North, Kobie fears she will never adapt to the relatively people-populated southern area. It takes time, but eventually she is able to acknowlege that the move has shown her "other Edens" and has given her a store of the new and precious memories. Foremost among these memories is the unique experience of raising Leo, an abandoned lion cub. It is a facinating and emotional encounter with the king of the beasts, which brings her and her family equal measures of joy and sorrow.

    The murder weapon was then hidden on Antjie Krog 's stoep. In Begging to Be Black, Krog begins by exploring her position in this controversial case. From there the book ranges widely in scope, both in time reaching back to the days of Basotho king Moshoeshoe and in space as we follow Krog 's experiences as a research fellow in Berlin, far from the Africa that produced her. Begging to Be Black forms the third part of a trilogy that Antjie Krog (unknowingly) began with Country of My Skull and continued with A Change of Tongue. Mixing memoir and history, philosophy and poetry, the book is stylistically experimental and personally courageous. Begging to Be Black is a welcome addition to Krog 's own oeuvre and to South African literary non-fiction.

    Clementine is a ten-year–old Rwandan girl, who witnesses the murder of her family as genocide devastates her beautiful country. She flees and these two disparate lives that seem destined to run parallel eventually collide offering both a kind of salvation they never imagined possible.

    The Boers have turned out to be more resilient than expected, so the British have sent a call to arms to their colonies — and an a great number of men from the Canadian prairies answer the call and join the Canadian Mounted Rifles: a unit in which they can use their own beloved horses. They assume their horses will be able to handle the desert terrain of the Great Karoo as readily as the plains of their homeland. Frank Adams, a cowboy from Pincher Creek, joins the Rifles, along with other young men from the ranches and towns nearby — a mix of cowboys and mounted policeman, who, for whatever reason, feel a desire to fight for the Empire in this far-off war.Against a landscape of extremes, Frank forms intense bonds with Ovide Smith, a French cowboy who proves to be a reluctant soldier, and Jefferson Davis, the nephew of a prominent Blood Indian chief, who is determined to prove himself in a “white man’s war.” As the young Canadians engage in battle with an entrenched and wily enemy, they are forced to realize the bounds of their own loyalty and courage, and confront the arrogance and indifference of those who have led them into conflict. For Frank, disillusionment comes quickly, and his allegiance to those from the Distict of Alberta, soon displaces any sense of patriotism to Canada or Britain, or belief that he’s fighting for a just cause.The events of the novel follow the trajectory of the war. The British strategy of burning Boer farms, destroying herds, and moving Boer families into camps weakens the Boer rebels, but they refuse to give up. The thousands of Boer women and children who die in the camp make the war ever more unpopular among liberals in Britain. (In fact, this conflict marked the first use of the term “concentration camp” in war.) Seeing the ramifications of such short-sighted military decisions, and how they affect what happens to Frank and the other Canadians, is crucial to depicting the reality of the Boer War. By focusing on the experiences of a small group of men from southern Alberta, Fred Stenson brings the reality of what it would have been like to be a soldier in this brutal war to vivid life. The Great Karoo is a deeply satisfying novel, marked by the complexities of its plot, the subtleties of its relationships, and the scale of its terrain. Exhilarating and gruesome by turns, it explores with passion and insight the lasting warmth of friendship and the legacy of devastation occasioned by war.

    The book that earned Mark Twain his first recognition as a serious writer... Discover the magic of life on the Mississippi. At once a romantic history of a mighty river, an autobiographical account of Mark Twain's early steamboat days, and a storehouse of humorous anecdotes and sketches, Life on the Mississippi is the raw material from which Twain wrote his finest novel: Adventures of Huckleberry Finn . "The Lincoln of our literature." (William Dean Howells)

    Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    It's the one day of the year when everyone has a shot at finding true love—even a rapacious, over-sexed turtle god. It's a celebration of hobos and heartbreak, Lionel Richie impersonators and banana-brandy-flavored rice wine. It's The Festival of Earthly Delights.Boyd Darrow is a young American living in Puchai, a tiny Southeast Asian country that tourist brochures refer to as "The Kingdom of Winks." In a series of letters written to a mysterious recipient, Boyd tells of the delights, humiliations and brain-bending misadventures he experiences while adjusting to life in the small college town of Mai Mor. He and his somewhat less-than-faithful girlfriend, Ulla, were hoping to start their lives over in Puchai, but Puchai has an agenda all its own.Ulla's been hired to organize the talent show at the town's annual "Festival of Taang," but she seems more interested in the possibilities of cultural exchange with a local revolutionary. Meanwhile, Boyd grapples with a culture in which baby owls are considered a delicacy, turtles are worshipped as deities, and a wink can have one of 379 possible meanings (including "You're fired," "There's something in my eye," and "I want to kiss your lips!"). He's also falling for his boss's daughter, a half-Puchanese girl with a black eye and a troubling past. Lines are crossed, secrets are revealed, and, as Boyd's life inevitably spins out of control, the Festival draws closer with each day...Hilarious and wise and fiercely original, The Festival of Earthly Delights is a no-holds-barred celebration of love, cultural differences, and one man's reluctant embrace of the sensual pleasures of this world, in all their awkward, enigmatic glory.ADVANCE PRAISE"If Puchai were a real country, I'd be a citizen by now, or at least an illegal alien. What a glorious novel!" —Gary Shteyngart, author of Super Sad True Love Story"Matt Dojny's novel is a true delight. I can't think of any writer since Kingsley Amis who's been able to write high-minded comedy that packs such a punch. I've never enjoyed a comic novel more." —John Wray, author of Lowboy"Matt Dojny's narrator Boyd Darrow is as poetically drawn as J.D. Salinger's Holden Caulfield, and as intimately hilarious as C.D. Payne's Nick Twisp. Dojny has created an entire country filled with characters that are so fresh and endearing, you'll find yourself wishing Puchai were a real place. I love this book." —Kristen Schaal (Flight of the Conchords, The Daily Show)"Comic novels can be whimsical, or clever, or delightful, or witty, or canny, or powerful. Rarely are they all of those things. Matt Dojny's large-hearted, bright-minded novel has drawings and letters and love and loss, and now you do, too." —Ben Greenman, author of What He's Poised to Do and Superbad

    A horde of beasts known only as the scourge has ravaged the land, leaving only the village of Terreas to survive. Hemmed in on all sides by the scourge, the denizens of Terreas eke out a lonely existence, trying to survive in a land that is all but dead. Jasen Rabinn is a teenage boy trapped in Terreas but with a mind rooted outside the boundaries of his village. He longs for adventure, and when the mysterious Baraghosa – a sorcerer of a sort not native to Luukessia – comes to Terreas, a chain of events is set in motion that will carry Jasen beyond his simple town. To adventure. To danger. To his destiny.

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    When her mother decides to take her and her sister away from life as they know it and move to Morocco, a five-year-old English school girl embarks on an adventure-filled romp through northern Africa.

    Thomas Edgar, a passionate collector of butterflies, is offered the chance of a lifetime: to travel to the Amazon as part of a scientific expedition. Hoping to find the mythical butterfly that will make his name and immortalise that of his wife, Sophie—for if he finds it, he will call it the "Papilio Sophia"—he eagerly accepts the invitation, and embarks on a journey that will take him to a whole new world.On his return, Sophie greets her husband at the railway station, and is appalled by the change in him: he is thin, obviously sick, and apparently so traumatised by what he witnessed while he was away, he has been rendered mute. As Thomas struggles to find the words to describe what he's seen, it's unclear whether or not Sophie—and their marriage—will be able to withstand what he has to tell her, for the story that unfolds, the story behind Thomas's silence, is one of great brutality. Like the butterflies Thomas is so obsessed by, the butterflies that he catches and kills, it's a story of men who have been dazzled by surface splendour and wealth, and consequently refuse to acknowledge its underlying cruelty. But when that cruelty ends in murder, the question for Thomas—and Sophie—is whether or not he should be the one to speak out.Written in rich, sensuous prose, and taking the reader from the demure gentility of Edwardian England to the decadence of Brazil's rubber boom, The Sound of Butterflies is a compelling and noteworthy debut.

    When his master's eccentric brother chooses him to be his manservant, Wash is terrified of the cruelties he is certain await him. But Christopher Wilde, or "Titch," is a naturalist, explorer, scientist, inventor, and abolitionist. He initiates Wash into a world where a flying machine can carry a man across the sky; where two people, separated by an impossible divide, might begin to see each other as human; and where a boy born in chains can embrace a life of dignity and meaning. But when a man is killed and a bounty is placed on Wash's head, Titch abandons everything to save him. What follows is their flight along the eastern coast of America, and, finally, to a remote outpost in the Arctic, where Wash, left on his own, must invent another new life, one which will propel him further across the globe. From the sultry cane fields of the Caribbean to the frozen Far North, Washington Black tells a story of friendship and betrayal, love and redemption, of a world destroyed and made whole again--and asks the question, what is true freedom?