Helen, at age twelve, is not prepared to deal with her famous beauty: to have the face that will launch a thousand ships, kill fifty thousand men, and cause the fall of the world's greatest city. But when she is kidnapped by Theseus of Athens, she begins her journey into womanhood and finds passion strong enough to start the Trojan War. Cassandra has the gift, or curse, to predict the future. When she forsees the ruin of her family and city that Helen's arrival in Troy will cause, she is outraged. Yet she cannot help being drawn to Helen. As the war rages around them, Helen, the woman who started the conflict, and Cassandra, the one who foresaw it, develop a deep friendship. And through their eyes we see the Trojan War in a fascinating new way.

    She's been keeping secrets her whole life. Two, actually. First, that she ages five times slower than average people, so that while she looks eighteen years old, she's well over eighty. Second, that her blood has a mysterious power to heal. For Elyse, these things don't make her special. They make life dangerous. After the death of her parents, she's been careful to keep her secret as closely guarded as possible. Now, only one other person in the world knows about her age and ability. Or so she thinks. Elyse is not the only one keeping secrets. There are others like her all over the world, descendants of the very people the Greeks considered gods. She is one of them, and they have been waiting for her for a long time. Some are waiting for her to put an end to centuries of traditions that have oppressed their people under the guise of safeguarding them. Others are determined to keep her from doing just that. But for Elyse, the game is just beginning-and she's not entirely willing to play by their rules.

    Similarly neither can one day, or a brief space of time, make a man blessed and happy’In the Nicomachean Ethics, Aristotle sets out to examine the nature of happiness. He argues that happiness consists in ‘activity of the soul in accordance with virtue’, for example with moral virtues, such as courage, generosity and justice, and intellectual virtues, such as knowledge, wisdom and insight. The Ethics also discusses the nature of practical reasoning, the value and the objects of pleasure, the different forms of friendship, and the relationship between individual virtue, society and the State. Aristotle’s work has had a profound and lasting influence on all subsequent Western thought about ethical matters.J. A. K. Thomson’s translation has been revised by Hugh Tredennick, and is accompanied by a new introduction by Jonathan Barnes. This edition also includes an updated list for further reading and a new chronology of Aristotle’s life and works.Previously published as Ethics

    The Macedonian Empire is on the verge of civil war following the sudden death of Alexander the Great. As a boy Andrikos watched as Alexander's army marched through his homeland of Greek Ionia after defeating the Persians at the Granicus River. Soon he will be embroiled in their world - and forced to flee his old life. Thrust into the army, Andrikos struggles to cope with the brutal training, as Alexander's surviving generals seek to divide and conquer the spoils of Olympus. But Andrikos is not destined to be a nameless soldier. By chance he is chosen for a clandestine mission - and is immersed in a world of intrigue, violence and brotherhood. The path that lies ahead of Andrikos requires him to shed his immaturity and take on the responsibilities and emotions of a man beyond his years. ‘The Spoils of Olympus: By the Sword’ is a historical epic which follows the advancements of one soldier from boy to man during a time of increasing political and military unrest for Greece and Macedonia. Christian Kachel lives in Washington D.C. ‘Spoils of Olympus: By the Sword’ is his first novel.

    Written in the fifth century BC, this play concerns the predicament of the outcast hero, Philoctetes, whom the Greeks marooned on the island of Lemnos and forgot about until the closing stages of the Siege of Troy. Abandoned because of a wounded foot, Philoctetes nevertheless possesses an invincible bow without which the Greeks cannot win the Trojan War. They are forced to return to Lemnos and seek out Philoctetes' support in a drama that explores the conflict between personal integrity and political expediency.Heaney's version of Philoctetes is a fast-paced, brilliant work ideally suited to the stage. Heaney holds on to the majesty of the Greek original, but manages to give his verse the flavor of Irish speech and context.

    Proud women fought with harlots for his embraces. Men followed him blindly where he led. But Ariston was himself slave to an imperious destiny, driven relentlessly toward a gate few men would dare to face...This is the story of a man who rises from a boyhood in the perfumed brothels of Greece to become one of the greatest warrior heroes of the ancient world.

    This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth.Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!Written in 1889, Mark 'A Connecticut Yankee in King Arthur's Court' is one of literature's first genre mash-ups and one of the first works to feature time travel. It is one of the best known Twain stories, and also one of his most unique. Twain uses the work to launch a social commentary on contemporary society, a thinly veiled critique of the contemporary times despite the Old World setting.While the dark pessimism that would fully blossom in Twain's later works can be discerned in 'A Connecticut Yankee in King Arthur's Court, ' the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling.

    In every one, dark forces threatened Greece; terrible evil was poised to reenter the world. The future held only one hope: a half-caste Spartan boy, Parmenion. So Tamis made it her mission to see that Parmenion would before the deadliest warrior in the world -- no matter what the cost.Raised to manhood in Sparta, bullied and forced to fight for his life every day, Parmenion had no notion of the unseen dimensions of magic and mystery that shaped his fate. He grew in strength and cunning. His military genius earned him the title Strategos in Sparta. His triumphs for the city of Thebes made him a hero. And finally his fate led him to the service of Philip of Macedon.As Tamis had foreseen, Parmenion's destiny was tied to the Dark God, to Philip, and to the yet-unborn Alexander. All too soon the future was upon them. Parmenion stood poised to defeat evil -- or to open the gate for the Dark God to reenter the world.

    Our team has experience producing thousands of ebooks since 2011 for discerning authors and readers alike. We know what readers expect from their ebook purchases. We avoid distracting formatting inconsistencies and annoying glitches too often found in ebooks.We adhere to the highest standards in producing our ebooks—regardless of the sale price. (Low or value pricing should never be an excuse for second-rate work!)We want readers of our ebooks to get lost in the story just as easily as readers of print books. Our promise is a pleasant reading experience.10% of all Digital Papyrus profits are donated to charity every month.

    Women must rely on their inner strength and cunning to survive the wars men wage for gold and glory.Clytemnestra of Mycenae struggles for control of her life after Agamemnon ruthlessly rips it apart. Leda of Sparta survives a brutal assault by Zeus, shouldering a terrible secret in silence. Penelope raises Ithaka’s sole heir alone, praying for Odysseus’ swift return. Thetis, the sea nymph, despairs of her son’s destiny and resorts to forbidden magic to save him. Hecuba of Troy mourns the loss of her second son to a dark prophesy. And Shavash of Pedasus prepares her daughter to marry the greatest warrior who ever lived.In a world where love leads to war and duty leads to destruction, the iron hearts of heroines will conquer all.Sing, Muse, sing their song of sacrifice...Replaces Song of Princes as the first book in the Homeric Chronicles.

    Disguising herself as a eunuch she flees Ephesus for Alexandria, then the center of learning. There she apprentices to a Jewish doctor but eventually becomes drawn into Church politics and is forced once again to flee. She serves as an army doctor at a Roman outpost in Thrace until, kidnapped by barbarian Visigoths, she finds her destiny to heal and also to be a woman and a wife.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.