Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    Robin Robertson has written a book of remarkable cohesion and range that calls on his knowledge of folklore and myth to fuse the old ways with the new. From raw, exposed poems about the end of childhood to erotically charged lyrics about the end of desire, from a brilliant retelling of the metamorphosis and death of Actaeon to the final freeing of the waters in "Holding Proteus," these are close examinations of nature--of the bright epiphanies of passion and loss.At times sombre, at times exultant, Robertson's poems are always firmly rooted in the world we see, the life we experience: original, precise, and startlingly clear.

    It's wonderful and so much fun.' Dame Judi Dench __________A little poetry really can save your life . . .Poetry is officially good for you.Not only does it enhance literacy in the young, but learning poetry by heart is the one truly pleasurable thing you can do to improve memory, boost brain power, extend your vocabulary and beat cognitive decline as time goes by.In Dancing by the Light of the Moon, Gyles Brandreth shares over 250 poems to read, relish and recite, as well as his advice on how to learn poetry by heart, and the benefits of doing so.Whether you are nine, nineteen or ninety, the poems and advice in this book provide the most enjoyable, moving and inspiring way to ensure a lifetime of dancing by the light of the moon - one joyous poem at a time . . .'To instil a love of literature, a copy of Dancing by the Light of the Moon ought to find its way into every home in the land' Daily Mail, Book of the WeekPoets include: A. A. MilneBenjamin Zephaniah Carol Ann DuffyCelia JohnsonD. H. LawrenceE. E. CummingsEdgar Allen PoeEmily DickinsonGeorge the PoetHollie McNish John Cooper ClarkeJohn KeatsJohn MiltonKate TempestLeonard Cohen Lewis CarrollMaya AngelouMonty PythonOscar WildeRoald Dahl Robert BrowningRobert BurnsRobert Louis StevensonSimon ArmitageSpike MilliganSylvia PlathT. S. EliotWalt Whitman Wendy Cope William ShakespeareWilliam Wordsworth And many more . . . DANCING BY THE LIGHT OF THE MOON IS AN OFFICIAL PARTNER OF NATIONAL POETRY DAY

    

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    Shakespeare sympathizes with the hunted hare. Marianne Moore tries to catch a jelly-fish. Virgil and Emily Dickinson contemplate Bees. Kipling lulls a baby seal to sleep. From East to West, from ancient times to modern, from Mei Yu Ch'en on swarming mosquitoes to William Cullen Bryant's solitary waterfowl and Rainer Maria Rilke's enchanted gazelle, from Auden on cats and dogs to E.E. Cummings's verse in the shape of a grasshopper to James Merrill's vision of the octopus, here--selected by John Hollander--are 136 poems that provide exhilarating access to literature's glorious lyric zoo.

    Jones,   Walter Kirn,  Sheila Kohler,   Maxine Kumin,  Natalie Kusz,  Anne Lamott,   Gordon Lish,  Ralph Lombreglia, Merrill Markoe,  Pearson Marx,  Erin McGraw,  Heather McHugh,   Arthur Miller,  George Minot,  Susan Minot,   Honor Moore, Mary Morris,  Alicia Muñoz,  Elise Paschen,  Padgett Powell,  Wyatt Prunty,  Lawrence Raab,  Mark Richard,   John Rybicki, Jeanne Schinto,  Bob Shacochis,  Jim Shepard,   Karen Shepard,  Lee Smith,  Ben Sonnenberg,  Kate Clark Spencer,  Gerald Stern,Terese Svoboda,  William Tester,  Abigail Thomas,  Lily Tuck,  Sidney Wade,  Kathryn Walker,  William Wegman

    He is also, along with Robert Frost, Robert Lowell, and Robert Penn Warren, the only author to receive two Pulitzer prizes for his poetry. Featured in this anthology of his writings is a generous selection of his verse, anchored by his two Pulitzer Prize-winning poems, John Brown's Body and Western Star. Hailed by the New York Times as "an American Iliad," John Brown's Body (1929) is an epic chronicle of the Civil War, from the raid on Harper's Ferry to General Lee's surrender at Appomattox. Through a versatile array of masterly short stories, Benét explored such subjects as American society, history, politics, and the supernatural. Among the two dozen stories selected for this volume are the haunting title story and the wrenching A Death in the Country. A final section representing Benét's nonfiction collects several of his penetrating essays on writing and education, including Most Unforgettable Character I've Known. Sensitively selected and thoughtfully arranged, this vibrant anthology will reintroduce readers to an American master.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.