In the Iraq of a decade earlier, aspiring pianist Nasim falls from favour with Saddam Hussein and his psychopathic son Uday, triggering a perilous search for safety. In Melbourne as the millennium turns, Robbie, faced with her father’s dementia and the family silences that may never find voice, tests boundaries. And in the present day, Gerry seeks to escape his father Toohey’s tyranny and heal its wounds.These characters' worlds intertwine across time and place, in a brilliant story of fear and sacrifice, trauma and survival, and what people will do to outrun the shadows. Crossing the frontiers of war, protest and cultural reconciliation, Act of Grace is a meditation on inheritance: the damage that one generation bestows upon the next, and the potential for transformation.This is a searing, powerful and utterly original work by an exceptional Australian writer. It will leave you changed.

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    From one of Australia's most loved novelists. He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families. Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.

    The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator: a lonely man. Some of them (like With the Beatles, Cream and On a Stone Pillow ) are nostalgic looks back at youth. Others are set in adulthood--Charlie Parker Plays Bossa Nova, Carnaval, Confessions of a Shinagawa Monkey and the stunning title story. Occasionally, a narrator who may or may not be Haruki himself is present, as in The Yakult Swallows Poetry Collection. Is it memoir or fiction? The reader decides. The stories all touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.'

    Her eldest daughter, Sarah, is successful in her own right as a wife, mother and part owner of a gourmet food empire. But it’s not enough to impress her mother. Always in the shadow cast by the golden glow of her younger brother, Sarah feels compelled to meet Margaret’s every demand to earn her love. Does it give security? After a poverty-stricken childhood, Anita has claimed the social status she’s worked so hard to achieve by marrying Cameron Jamieson. Although they have a comfortable life, she’s never able to fully relax, fearing everything could change in a heartbeat.Or does it mean freedom? Ellie, the youngest, has lived a nomadic and — according to her siblings — a selfish life, leaving them to care for their ageing mother. For her, freedom means staying far away from the strings attached to her inheritance, but she needs to consider her young son’s future as well.As their mother’s health deteriorates, will long-held secrets and childhood rivalries smash this family into pieces? An addictive and page-turning story of the relationships between siblings and of deceit, betrayal and revenge.

    Nic is a forty-five-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice. She'd put her theory to the test, if only the pen buckets weren't currently blocked in by the crates of Happy Meal toys and the towers of Vegemite jars, take-away containers and cat food tins.Nic's closest relationship is with her niece Lena. The two of them meet for lunch every Sunday to gossip about the rest of the family and bitch about work (they're both checkout chicks: Lena just for now, Nic until they prise her staff discount card from her cold, dead hands).One Sunday, Nic fails to turn up to lunch and when Lena calls she gets a disconnection message. Arriving at the house she hasn't visited in years ('Too far for you to come, hon. Let's meet in the middle.') she finds her aunt unconscious under an avalanche of stuff.Lena is devastated that her beloved aunt has been living in such squalor all this time. While Nic is in hospital, she gets to work cleaning things up for her. Her first impulse is to call in the bulldozers and start searching Gumtree for a roomy caravan. But with the help of her reluctantly recruited brother, Will, she gets the job done.This heroic effort is not appreciated by the plastered up, crutch-wielding Nic. She returns to an empty, alien place unrecognisable as her home and the unbearable pity of her family who have no idea what they've destroyed. How can she live in this place without safety and peace? And how can she ever forgive the niece who has betrayed her?

    Their story of survival is remarkable, as they adapt to the life of the tiger, learning to hunt and to communicate without the use of human language. When they are discovered and returned to civilization, neither can adapt to being fully human after their extraordinary experience. Totally believable, their story will both shock and captivate readers as it explores the animal instincts that lie beneath our civilized veneer.

    She meets an Australian musician, Mishka, and from the moment she first hears him play his music grips her; they quickly become lovers. Then one day Leela is picked up off the street and taken to an interrogation center somewhere outside the city. There has been an explosion in the subway; terrorism is suspected. The interrogator—an old childhood friend—now reveals to her that Mishka may not be all he seems. In this compelling reimagining of the Orpheus story, Leela travels into an underworld of kidnapping, torture, and despair in search of her lover. Janette Turner Hospital, whose works are "richly imbued with a highly lyrical and luminous quality" (San Diego Union-Tribune) again shows her genius, interweaving a literary thriller with a story of passion and the triumph of decency in confusing and dangerous times.

    Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    A Yourtopia Bespoke Terraria employee becomes paranoid about the mounting coincidences in her life. Four girls gather to celebrate their underwear in ‘Happy Smiling Underwear Girls Party’, a hilarious take-down of saccharine advertisements.With her trademark wit and slicing social commentary, Elizabeth Tan’s short stories are as funny as they are insightful. This collection cements her role as one of Australia’s most inventive writers.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.