The ad is for Dream Woods, New England’s answer to Disney World. It closed decades ago, but now that it’s back in business, Vince is eager to take his whole family, hoping the magic he remembers will save his failing marriage. His wife, Audra, isn’t so sure. She’s heard the rumors of why the place closed. Murder. Sacrifice. Torture. But those are just urban legends. Surely there’s nothing evil about a family tourist attraction. The Carters are about to discover that the park’s employees aren’t concerned with their guests’ enjoyment. They’re interested in something else. Something much more sinister. Welcome to Scream Woods!

    From the tortured mind of Edgar Allan Poe, these three tales, "The Black Cat," "The Fall of the House of Usher," and "The Cask of Amontillado," speak to the hidden places inside us all.Capturing the mist and shadows rising from the stories are illustrations by prominent artist Gary Kelley. Angular and dark, his work heightens the Gothic terror that is Poe's trademark and creates windows into Poe's world.

    Sylvia would take long walks in the country; Pam would have tea ready by the fire for when she returned. Nice fantasies...The house had that kind of effect on people. It felt cosy, lived-in, though it had been empty for many years. Oddly, there was rubbish everywhere, but there was no other sign of a squatter's brief inhabitation.And though the windows were unbroken. the doors securely locked, Pam could never entirely rid herself of the thought that she and her sister might not be alone in the house...One of 13 terrifying tales of terror...

    The year is 1364, and the brothers Grossbart have embarked on a naïve quest for fortune. Descended from a long line of graverobbers, they are determined to follow their family's footsteps to the fabled crypts of Gyptland. To get there, they will have to brave dangerous and unknown lands and keep company with all manner of desperate travelers-merchants, priests, and scoundrels alike. For theirs is a world both familiar and distant; a world of living saints and livelier demons, of monsters and madmen. The Brothers Grossbart are about to discover that all legends have their truths, and worse fates than death await those who would take the red road of villainy.

    The nightmare is real. And death is the only cure...

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    / My journey to your depths begins tonight / To serve immortal till the stars turn right."These lines from a poem by Ann K. Schwader are the coda for this fine collection of tales about H.P. Lovecraft's Innsmouth--that decadent, smugly rotting New England town where half-human creatures with forbidding batrachian faces follow the arcane practices of the Esoteric Order of Dagon. In his erudite and witty introduction, Robert M. Price calls Innsmouth "the most effective, most evocative ... example of Lovecraft's full-blown alien civilizations." The Innsmouth Cycle includes 13 stories and 3 poems, including the three tales by Lord Dunsany, Robert W. Chambers, and Irvin S. Cobb that inspired Lovecraft's "The Shadow over Innsmouth." This collection is planned as the first of a pair, the second half of which will be Tales of Innsmouth, containing (according to Price) all new works of "fishy fiction."A fun detail: this book is "respectfully dedicated to Ben Chapman, the Creature from the Black Lagoon." --Fiona Webster

    Major authors like Stephen King, Peter Straub, and F. Paul Wilson were asked to choose and introduce the 15 classic stories that frightened and inspired them. The results, of course, are chilling.Stories chosen and introduced by:Stephen King Peter StraubF. Paul WilsonJoyce Carol OatesDennis Etchison Rick HautalaRichard Christian MathesonHarlan EllisonStories written by:Robert BlochRichard MathesonM.R. JamesNathaniel HawthorneH.P. LovecraftEdgar Allan PoeContents:ix · Introduction · Mike Baker & Martin H. Greenberg · in 1 · Introduction to “Sweets to the Sweet” by Robert Bloch · Stephen King · is 1 · Sweets to the Sweet · Robert Bloch · ss Weird Tales Mar ’47 11 · Introduction to “The Father-Thing” by Philip K. Dick · Ed Gorman · is 11 · The Father-Thing · Philip K. Dick · ss F&SF Dec ’54 26 · Introduction to “The Distributor” by Richard Matheson · F. Paul Wilson · is 27 · The Distributor · Richard Matheson · ss Playboy Mar ’58 47 · Introduction to “A Warning to the Curious” by M. R. James · Ramsey Campbell · is 48 · A Warning to the Curious · M. R. James · ss The London Mercury Aug ’25 68 · Introduction to “Opening the Door” by Arthur Machen · Peter Atkins · is 70 · Opening the Door · Arthur Machen · ss When Churchyards Yawn, ed. Cynthia Asquith, London: Hutchinson, 1931 85 · Introduction to “The Colour Out of Space” by H. P. Lovecraft · Richard Laymon · is 89 · The Colour Out of Space · H. P. Lovecraft · nv Amazing Sep ’27 124 · Introduction to “The Inner Room” by Robert Aickman · Peter Straub · is 125 · The Inner Room · Robert Aickman · nv The Second Fontana Book of Great Ghost Stories, ed. Robert Aickman, Fontana, 1966 162 · Introduction to “Young Goodman Brown” by Nathaniel Hawthorne · Rick Hautala · is 163 · Young Goodman Brown · Nathaniel Hawthorne · ss New England Magazine Apr, 1835 179 · Introduction to “The Rats in the Walls” by H. P. Lovecraft · Michael Slade · is 180 · The Rats in the Walls · H. P. Lovecraft · ss Weird Tales Mar ’24 204 · Introduction to “The Dog Park” by Dennis Etchison · Richard Christian Matheson · is 205 · The Dog Park · Dennis Etchison · ss Dark Voices 5, ed. David Sutton & Stephen Jones, London: Pan, 1993 219 · Introduction to “The Animal Fair” by Robert Bloch · Joe R. Lansdale · is 219 · The Animal Fair · Robert Bloch · ss Playboy May ’71 236 · Introduction to “The Pattern” by Ramsey Campbell · Poppy Z. Brite · is 236 · The Pattern · Ramsey Campbell · nv Superhorror, ed. Ramsey Campbell, W.H. Allen, 1976 258 · Introduction to “The Tell-Tale Heart” by Edgar Allan Poe · Joyce Carol Oates · is 259 · The Tell-Tale Heart · Edgar Allan Poe · ss The Pioneer Jan, 1843 266 · Introduction to “An Occurrence at Owl Creek Bridge” by Ambrose Bierce · Dennis Etchison · is 267 · An Occurrence at Owl Creek Bridge · Ambrose Bierce · ss San Francisco Examiner Jul 13, 1890 279 · Introduction to “The Human Chair” by Edogawa Rampo · Harlan Ellison · is 281 · The Human Chair [1925] · Edogawa Rampo · ss Japanese Tales of Mystery and Imagination, Tuttle, 1956 299 · About the Authors · Misc. Material · bg

    Moore offers up ten autumnal tales of the darker things that lurk just around the corner of Indian Summer. A man learns of a town's obsession with scarecrows and tries to find the answers as to why they are so important. Children move through familiar streets and find that Halloween makes everything different. Tis' the season when ghosts are real, witches soar through the night, and things in the Beldam Woods are not always what they seem. Sometimes it's the monsters that wear the masks.

    But when they run into a beast unlike any they've ever imagined, it becomes a savage fight for survival. They will burn in the day... but the night holds even darker terrors in store. A tale of friendship, holidays, relationships, sacrifice and growth, where one painfully vulnerable young man must come of age or perish at the hands of a monster like none you will have seen before. A fast-paced, grisly, tongue-in-cheek retelling of a legend as old as time, by the author of The Evil And The Pure.

    Klein's highly acclaimed first novel The Ceremonies - which Stephen King called "the most exciting novel in my field to come along since Straub's Ghost Story - established him in the top rank of horror writers. Now, with the four novellas gathered here, Klein proves himself to be a master of this classic shorter form.The collection opens with "Children of the Kingdom", a beautifully crafted chiller that gradually reveals the horrors that lurk behind the shadows of the city. In "Petey", George and Phyllis and the die-hards at their housewarming think that their new rural retreat is quite a steal - unaware that foreclosure, in a particularly monstrous form, is heading their way.In the insidiously terrifying "Black Man with a Horn", a homage to Lovecraft, a chance encounter with a missionary priest over the Atlantic lures a traveller into a web of ancient mystery and fiendish retribution. And in "Nadelman's God", the protagonist discovers, degree by shocking degree, that the demons of our imaginations are not always imaginary.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    Authors include John Bruni, Garry Bushell, Ramsey Campbell, Randy Chandler, Tim Curran, Ralph Greco, Jr., C.J. Henderson, Z.F. Kilgore,Sean Logan, Graham Masterton, Angel Leigh McCoy, C. Dennis Moore, Stefan Pearson, Brian Rosenberger, and Jeffrey Thomas.Witness the history of a sexually rapacious zombie . . . A starving soldier descends into insatiable ghoulism . . . A concentration camp SS guard gets a taste of his own medicine . . . Recycling takes on a whole new grisly meaning when a man obsessed with going green discovers a regenerative serum . . . A man buys his alcoholic mother a bottle of tequila-with the wrong kind of worm . . . An occult detective moves to a town in the Pine Barrens and discovers its sinister past-and his own . . . A tenant gets revenge on a self-centered landlord-with irritating results . . . A fisherman discovers his rival's secret of always getting the biggest catch . . . and much more!The fisherman / Brian Rosenberger --Fungoid / Randy Chandler --Tenant's rights / Sean Logan --Again / Ramsey Campbell --Maggots / Tim Curran --Going green / Stefan Pearson --Coquettrice / Angel Leigh McCoy --The fear in the waiting / C.J. Henderson --The worm / John Bruni --Sepsis / Graham Masterton --What you wish for / Garry Bushell --The devil lives in Jersey / Z.F. Kilgore --Rat king / Jeffrey Thomas --The caterpillar / C. Dennis Moore --"Poor Brother Ed" or the man who visited / Ralph Greco, Jr.