Love, politics and other things you shouldn't talk about at dinnerCharlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it's Christmas. Second of all, she's in love.The thing is, her fiance, Francis Smith, is not what her family expected - he's unemployed, he's an experimental composer ... and he's white! Bringing him and his conservative parents to meet her family on their ancestral land is a bold move. Will he stand up to the scrutiny? Or will this romance descend into farce?Love is never just black and white. It's complicated by class, politics, ambition, and too much wine over dinner. But for Charlotte and Francis, it's mostly complicated by family. Secrets are revealed, prejudices outed and old rivalries get sorted through. What can't be solved through diplomacy can surely be solved by a good old-fashioned dance-off. They're just that kind of family.

    In Little Boat, Valentine continues her exploration of spiritual life, confronting the realities of aging and death in the serene and dreamlike voice so beloved by her many readers. Infusing even the most melancholy subjects with warmth and humanity, Little Boat explores such subjects as grief, ordinary objects, illness, and memory, carrying the reader into disparate worlds, rendering the complexity of our common experience through startling images. The poet's extraordinary juxtapositions blur the boundaries of the material world and the invisible, the given and the assumed, the present and the sometimes recently absent. Readers will find Valentine's quiet epiphanies on rich display here, as this much-heralded poet quietly merges the sorrowful and the sublime.

    It stars Aminata as the main character with Jumba as her uncle who are the main antagonist and protagonist. It all talks about women emancipation and change in society due to modernisation.

    A few pages later, a couple fight for the custody of their daughter until she's cut in two. In Pieces is a beautiful book of visual poetry, in which all common metaphors are explained through images only.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    Heralded as "The best new musical of the season," by the Wall Street Journal, and "Sumptuous. Gorgeous. As good as it gets," by The New York Times, this show is the breakout hit of 2019, and is positioned to be a longtime Broadway favorite with its poignant social commentary, to the tune of spellbinding music and lyrics.   In this book, Anais Mitchell takes readers inside her more than decade's-long process of building the musical from the ground up--detailing her inspiration, breaking down the lyrics, and offering thoughtful annotations of Hadestown. Fans of the musical will love this deeply thoughtful, revealing, and open look at how the songs from “the underground” evolved and became what they are today.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Ron Rash the poet is back and giving us poems that are both the river stones and the water making them shine. If allowed only two words for this wonderful poet, they would have to be clear and lithe.

    Beauty isn't fair;" So, in part, states an epigraph for this stunning new collection, his thirteenth, by the Pulitzer Prize winner for Poetry (2000). First traversing betrayal and loss, Stephen Dunn then moves to speak of new love, with its attendant pleasures and questioning. The title poem, perhaps emblematic of the book as a whole, is evocative of beauty's often surprising manifestations even in the light of tragedy; as on that terrible day "when those silver planes came out of the perfect blue." Because beauty jars us, makes us look twice, it is as startling as a good poem, and as insistent. Fortunately, it is never too late to search for the right words for what we've seen, felt, endured. With quiet authority Dunn enacts what it feels like to be a particular man at a particular juncture of his life; struggling not to deny, but to name, then rename.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Includes: Accident Waiting to Happen * Bride's Lament * Cold Feets * I Am Aldolpho * I Remember Love * Show Off * Toledo Surprise * and more.

    The scope of his genius is indicated in this volume by the inclusion of the period’s most scintillating comedy – The Importance of Being Earnest; its most notorious novel – The Picture of Dorian Gray; and its most haunting elegy – The Ballad of Reading Gaol; together with a selection of his most acclaimed essays and stories. This expanded new edition now includes the complete version of De Profundis and Wilde’s teasing parable about Shakespeare, The Portrait of Mr. W.H.Introduction by Terry Eagleton