He has cult status and commands a respect that few, even in the violent world he moves in, can equal. To him, violence is simply an accepted part of his profession. He doesn't exaggerate it, he can't excuse it and he refuses to apologize for it. His name may mean nothing to you—he's no actor, no showman, no wannabe celebrity. He does, however, live by a merciless code, and though he may not have cloven hooves and a tail, if he goes after someone, all hell comes with him.

    Michael Sweet, in this – his first autobiography – chronicles his life as the founding member, songwriter, singer, and guitarist of the pioneering Christian rock band Stryper. The first Christian rock band to see chart-topping success on MTV, Stryper went on to see over 10 million albums and has sold out arenas all over the world. Sweet gives and honest an moving account of the unexpected highs and lows throughout his tumultuous path to success. It’s especially fitting to find the intensely personal nature of these musical expressions supplementing the vastly thorough and revealing subject matter of the book Honestly, titled ever so poignantly after the chart-topping Stryper song of the same name. Not only does Sweet delve further into his rarely discussed youth, but offers a full array of rock n’ roll antidotes, plus several surprises from his family and faith journeys.

    For more than a year and a half she ventured into the world as Ned, with an ever-present five o'clock shadow, a crew cut, wire-rim glasses, and her own size 11 1/2 shoes—a perfect disguise that enabled her to observe the world of men as an insider. The result is a sympathetic, shrewd, and thrilling tour de force of immersion journalism that's destined to challenge preconceptions and attract enormous attention. With her buddies on the bowling league she enjoyed the rough and rewarding embrace of male camaraderie undetectable to an outsider. A stint in a high-octane sales job taught her the gut-wrenching pressures endured by men who would do anything to succeed. She frequented sex clubs, dated women hungry for love but bitter about men, and infiltrated all-male communities as hermetically sealed as a men's therapy group, and even a monastery. Narrated in her utterly captivating prose style and with exquisite insight, humor, empathy, nuance, and at great personal cost, Norah uses her intimate firsthand experience to explore the many remarkable mysteries of gender identity as well as who men are apart from and in relation to women. Far from becoming bitter or outraged, Vincent ended her journey astounded—and exhausted—by the rigid codes and rituals of masculinity. Having gone where no woman (who wasn't an aspiring or actual transsexual) has gone for any significant length of time, let alone eighteen months, Norah Vincent's surprising account is an enthralling reading experience and a revelatory piece of anecdotally based gender analysis that is sure to spark fierce and fascinating conversation.

    From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.

    The specter of success in the music business had become a monster about to ruin his marriage and turn him into the sort of father who never saw his children. Something had to change, or something was going to break beyond repair. A chance conversation with a neighbor led him to apply, somewhat halfheartedly, for a job at the county prison. Although he hated the thought of a "real job," a regular salary of $40,000 with benefits and paid time off seemed like a small fortune. "Amazingly, I somehow got hired. So, in an effort to do the right thing and put my family first, I left the madness of the music industry and entered the insanity of the U. S. prison system." In this gripping nonfiction account, Robert Reilly provides a look inside America's prison system unlike any other, and the way it affects not only the prisoners themselves, but also the corrections officers and their families.

    It showcases the expansive breadth of McKee's voice by bringing together unpublished material alongside both her celebrated and lesser-known articles.Released in time for the anniversary of her death, it reveals the sheer scope of McKee's intellectual, political, and radically humane engagement with the world - and lets her spirit live on in her own words.

    Giving birth to his son Samson clarified his gender identity and allowed him to project a more masculine self. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is a visual memoir-in-lyric-essays, an archive of Belc’s queerness. By engaging directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—Belc creates a new kind of life record, one that addresses his own ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own.The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

    At the age of five, Jazz transitioned to life as a girl, with the support of her parents. A year later, her parents allowed her to share her incredible journey in her first Barbara Walters interview, aired at a time when the public was much less knowledgeable or accepting of the transgender community. This groundbreaking interview was followed over the years by other high-profile interviews, a documentary, the launch of her YouTube channel, a picture book, and her own reality TV series—I Am Jazz—making her one of the most recognizable activists for transgender teens, children, and adults. In her remarkable memoir, Jazz reflects on these very public experiences and how they have helped shape the mainstream attitude toward the transgender community. But it hasn't all been easy. Jazz has faced many challenges, bullying, discrimination, and rejection, yet she perseveres as she educates others about her life as a transgender teen. Through it all, her family has been beside her on this journey, standing together against those who don't understand the true meaning of tolerance and unconditional love. Now Jazz must learn to navigate the physical, social, and emotional upheavals of adolescence—particularly high school—complicated by the unique challenges of being a transgender teen. Making the journey from girl to woman is never easy—especially when you began your life in a boy's body.

    When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead.Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life. An award-winning actor and history-making LGBTQ and HIV/AIDS activist, Alexandra shares not only her own ever-evolving story but also the parallel ways in which queer identity has dramatically changed since the Stonewall riots of 1969. She weaves a true coming-of-age story of richly imaginative lies, of friends being swept away by a plague that decimated the community, of her determination to establish a career that would break boundaries, and of the recognition of her own power.A celebration of endless possibilities, Alexandra’s bracing memoir is a fight-to-the-death revolution against all expectations.

    Born and raised in Czechoslovakia, Martina Navratilova knew by the age of ten that she wanted to be a Wimbledon champion -- and a U.S. citizen. She would attain her goals and so much more -- but not before her incredible life unfolded in ways not even she could have dared imagine.MARTINA is more than the thrilling story of an unparalleled career in the tough, sexy world of women's tennis. It is a startling tale of love (with famed novelist Rita Mae Brown), tragedy (her father "disappeared" when Martina was eight, and only later did she learn the true cause of his death), and personal as well as professional triumph. It includes fascinating, intimate portraits of the greats of women's tennis -- King, Evert, Casals, Austin -- plus revealing glimpses of her working relationship with basketball star Nancy Lieberman.Emotion. Grit. Intensity. Integrity. Martina's shown them all from Flushing Meadows to Wimbledon, from Dallas to Paris to Sydney to Prague. Here they are again, in an autobiography only a champion could write."Fascinating and unexpectedly candid." --The San Francisco Chronicle

    She fought the stereotype. Then she fought the greatest force of all-- fire.When the San Francisco Fire Department broke their all-male rule to hire women, Caroline Paul never thought she'd be chosen. She had already enrolled in film school. And Caroline, a strikingly beautiful Stanford graduate, didn't fit anyone's idea of a fireman. Except her own.Even though she loved testing her limits on white water rivers or Alpine mountains, plunging into a flame-engulfed building would be different than anything she had ever done. Now, in hard-edged prose as crackling as a four-alarm fire, she tells her amazing story. From her fight to match her colleagues physically and mentally, to her silent determination to face her fears, she tells of infernos, heroism, and heartbreaking tragedy. And with a will forged by fire, she reveals one woman's realization of a dream burning in her soul.

    Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before.Abused and ostracized by her mother, humiliated by her father’s sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living.‘I’ve sharpened a knife for you,’ her mother told her the first time she noticed angry red wounds on her daughter’s arms. And when Zoe didn’t kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life.One day at school Zoe showed her teacher the livid bruises that were the result of her mother’s latest physical assault and within days she was taken into care.Zoe had been at Denver House for just three weeks when an older girl asked if she’d like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill.For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her – she was worthless. Before long, she realised that the only way to survive in the unit was to go to the ‘parties’ the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country.No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.

    A christian mother comes to terms with her son being gay through a personal journey that starts with the Church and ends at the Pride Parade.

    By night, I am Glamrou, an empowered, fearless and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to. Growing up in a strict Iraqi Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jerry Springer: The Opera. And that was just the beginning. This is the story of how I got from there to here: about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity; about my two-year scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work); about discovering the transformative powers of drag while at university (and how I very nearly lost my mind after I left); and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way. Most of all, this is a book about my mother. It’s the journey of how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

    Seven men, all from the town’s Pakistani heritage community, were jailed for selling vulnerable young girls for sex. The convictions made national news, but for one girl the chilling headlines were all too real.      Holly Archer was just fourteen when her life changed forever after becoming embroiled in a frightening web of exploitation and abuse. Enduring countless violent rapes and death threats, she was forced to sleep with several men a night. As her abusers’ grip tightened, she fell into despair, twice becoming pregnant. Hours after her last GCSE exam, she took an overdose in a desperate attempt to end the nightmare that had become her life.      Her escape eventually came when, old enough to leave home, she fled to Birmingham. She moved house every six months, fearing her abusers would hunt her down. She eventually found the strength to return to Telford shortly after giving birth to a daughter, around the same time the police launched an investigation into the exploitation of young girls in the town. She underwent hours of rigorous police interviews but in the end decided she could not face her abusers in court.      Nonetheless, seven men were convicted of sex offences and jailed as a result of the investigation. Holly slowly began to pick up the pieces of her life and was given a job with a rape prevention charity. Having survived her ordeal, she now tells her full, shocking story for the first time.