An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.

    Both are in every obvious respect what is generally termed masculine. There is no suggestion of the effeminate – nothing that could evoke the characterization of gay. Their backgrounds and personalities are thoroughly American, and they live and work in a completely normal man's social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them.Tim, the older the two, has already recognized and resolved the problem of his sexual deviation. Phillip has not. A product of rural American mores and attitudes, he has a fierce contempt for "queers" and at the same time a deep and secret dread that the germ of homosexuality maybe buried somewhere within himself. One or two incidences in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family's bank and other interests, and to become a responsible and civic-minded leader in his community.As the story opens, he has almost reached the refuge and security he has carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love. There are other well-drawn characters in this drama – Phillip's exceptional family; his fiancée and her mother; Tim's fascinating wife; Lt. Bruner, the blackmailer; Stuff, the hard-boiled sailor who worshipped Philip. QUATREFOIL is a deeply moral novel. Two men of integrity and intellect are confronted with the knowledge that they are deviants from the normal pattern of our society – that most people in that society would abhor and persecute them if they openly avowed their difference. Both men avidly desire to live within the social conventions and to attain the ends that motivate all men – a home, a family, respecting in their community, an opportunity to do honest and satisfying work, to realize their ambitions.This is their problem and QUATREFOIL is their story. It will evoke some disturbing thoughts.

    But when a sudden motor 'accident' leaves her disfigured and incapable of speech, she goes from being the beautiful centre of attention to being an invisible monster, so hideous that no one will acknowledge she exists.Enter Brandy Alexander, Queen Supreme, one operation away from being a real woman, who will teach her that reinventing yourself means erasing your past and making up something better, and that salvation hides in the last place you'll ever want to look.The narrator must exact revenge upon Evie, her best friend and fellow model; kidnap Manus, her two-timing ex-boyfriend; and hit the road with Brandy in search of a brand-new past, present and future.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    The novel opens as Arthur and Betty Bayson, arriving at her mother's home for their annual Christmas Eve dinner, stumble on the murdered bodies of Betty's mother and sister, as well as that of the household's current boarder.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    The complete text of Faulkner's third novel, published for the first time in 1973, appeared with his reluctant consent in a much cut version in 1929 as SARTORIS.

    The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.

    Virtuosic and exquisitely compressed, these stories show Salter at his best.The collection received the 1989 PEN/Faulkner Award.

    Here, he visits her, erratically, and not always happily. All is soon inexorably overturned when a rich interloper comes between the couple with an indecent proposal-a thousand dollars for a night.

    

    In six stories and the novella, Bounty, Saunders introduces readers to people struggling to survive in an increasingly haywire world.

    Together here in one volume, these works are now available to a new generation of readers.In Epitaph for a Tramp, Fannin isn't called out to investigate a murder — it happens on his doorstop. In the sweltering heat of a New York August night, he answers the buzzer at his door to find his promiscuous ex-wife dying from a knife wound. To find her killer, Fannin plies his trade with classic hard-boiled aplomb. In the second novel, Epitaph for a Dead Beat, Fannin finds himself knee-deep in murder among the beatniks and bohemians of the early 1960s, where blood seems to flow as readily as cheap Chianti.Intricately plotted and rife with wisecracks, David Markson offers suspenseful and literary crime novels.

    With its showcase homes, elegant lawns, and other trappings of wealth, Linden Hills is not unlike other affluent black communities. But residence in this community is indisputable evidence of "making it." Although no one knows what the precise qualifications are, everyone knows that only certain people get to live there—and that they want to be among them.Once people get to Linden Hills, the quest continues, more subtle, but equally fierce: the goal is a house on Tupelo Drive, the epitome of achievement and visible success. No one notices that the property on Tupelo Drive goes back on sale quickly; no one questions why there are always vacancies at Linden Hills.In a resonant novel that takes as its model Dante's Inferno, Gloria Naylor reveals the truth about the American dream—that the price of success may very well be a journey down to the lowest circle of hell.

    Many people knew things about Sebastian Knight as a distinguished novelist, but probably fewer than a dozen knew of the two love affairs that so profoundly influenced his career, the second one in such a disastrous way. After Knight's death, his half brother sets out to penetrate the enigma of his life, starting with a few scanty clues in the novelist's private papers. His search proves to be a story of mystery and intrigue as any of his subject's own novels, as baffling, and, in the end, as uniquely rewarding.