But she's breaking up with her boyfriend, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much beside the point.By turns tough and lyrical, fabulous and down-to-earth, War for the Oaks is a fantasy novel that's as much about this world as about the other one. It's about real love and loyalty, about real music and musicians, about false glamour and true art. It will change the way you hear and see your own daily life.

    The men grow horns, and obey females until they "choose". She inherits her gran’s Calgary junk shop with fey mailboxes and the Monkey's Paw. Leprechaun Joe can help sell yo-yos. Tabloid reporter Graham bats very blue eyes and beds her. But when dragons fly overhead can even the Aunties save the day?

    Robert Cargill—part Neil Gaiman, part Guillermo Del Toro, part William S. Burroughs—that charts the lives of two boys from their star-crossed childhood in the realm of magic and mystery to their anguished adulthoodsThere is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.

    He writes letters to his brother and to others, including a friend still in jail, to whom he progressively reveals the intriguing pieces of a strange and fantastic narrative. When he meets a real estate agent who tells him he is, to his utter surprise, the heir to a huge old house in town, long empty, he moves in. He is immediately confronted by an array of supernatural creatures and events, by love and danger. His life is utterly transformed and we read on, because we must know more. We revise our opinions of him, and of others, with each letter, piecing together more of the story as we go. We learn things about magic, and another world, and about the sorcerer Mr. Black, who originally inhabited the house. And then knowing what we now know only in the end, perhaps we read it again.

    It is the day on which he returns to life. Two years after his untimely death, Matthew Swift finds himself breathing once again, lying in bed in his London home. Except that it's no longer his bed, or his home. And the last time this sorcerer was seen alive, an unknown assailant had gouged a hole so deep in his chest that his death was irrefutable...despite his body never being found. He doesn't have long to mull over his resurrection though, or the changes that have been wrought upon him. His only concern now is vengeance. Vengeance upon his monstrous killer and vengeance upon the one who brought him back.

    Now, after his death, his sons have taken up his work. But what they discover is beyond what they could have expected. For the Wood is a realm where myths gain flesh and blood, tapping primal fears and desires subdued through the millennia. A realm where love and beauty haunt your dreams -- and may drive you insane. Mythago Wood won the World Fantasy Award on its first publication in 1984, and secured Robert Holdstock's reputation as one of the major fantasy writers of our time. Now it returns to print in America for the first time in nearly a decade.

    Theo Vilmos' life is about to take a real turn for the worse.He is drawn from his home in Northern California into the parallel world of Faerie, for, unknown to him, he is a pivotal figure in a war between certain of Faerie's powerful lords and the rest of the strange creatures who live in this exotic realm.

    . . until now. This extraordinary new novel from one of the most brilliant talents in contemporary fiction is a standout literary thriller in which one man stumbles upon the discovery Einstein himself tried to keep hidden.When twelve-year-old Daphne Marrity takes a videotape labeled Pee-wee's Big Adventure from her grandmother's house, neither she nor her college-professor father, Frank Marrity, has any idea that the theft has drawn the attention of both the Israeli Secret Service and an ancient European cabal of occultists—or that within hours they'll be visited by her long-lost grandfather, who is also desperate to get that tape.And when Daphne's teddy bear is stolen, a blind assassin nearly kills Frank, and a phantom begins to speak to her from a switched-off television set, Daphne and her father find themselves caught in the middle of a murderous power struggle that originated long ago in Israel and Germany but now crashes through Los Angeles and out to the Mojave Desert. To survive, they must quickly learn the rules of a dangerous magical chess game and use all their cleverness and courage—as well as their love and loyalty to each other—to escape a fate more profound than death.A pulse-pounding epic adventure that blurs the lines between espionage and the supernatural; good and evil; past, present and future, Three Days to Never is an exhilarating masterwork of speculative suspense from the always remarkable imagination of the incomparable Tim Powers.

    The new Thanatos is superbly competent, ends pain when he ends lives. But Satan is forging a trap for Luna, the woman Death loves.

    . . save one. In the 1950s, random acts of possession begin to occur. Ordinary men, women, and children are the targets of entities that seem to spring from the depths of the collective unconscious, pop-cultural avatars some call demons. There’s the Truth, implacable avenger of falsehood. The Captain, brave and self-sacrificing soldier. The Little Angel, whose kiss brings death, whether desired or not. And a string of others, ranging from the bizarre to the benign to the horrific.As a boy, Del Pierce is possessed by the Hellion, an entity whose mischief-making can be deadly. With the help of Del’s family and a caring psychiatrist, the demon is exorcised . . . or is it? Years later, following a car accident, the Hellion is back, trapped inside Del’s head and clamoring to get out.Del’s quest for help leads him to Valis, an entity possessing the science fiction writer formerly known as Philip K. Dick; to Mother Mariette, a nun who inspires decidedly unchaste feelings; and to the Human League, a secret society devoted to the extermination of demons. All believe that Del holds the key to the plague of possession–and its solution. But for Del, the cure may be worse than the disease.

    Heather and Morag just want to start the first radical fairy punk rock band, but first they’ll have make a match between two highly unlikely sweethearts, start a street brawl between rival gangs of Italian, Chinese, and African fairies, help the ghost of a dead rocker track down his lost guitar, reclaim a rare triple-bloomed Welsh poppy from a bag lady with delusions of grandeur, disrupt a local community performance of A Midsummer Night’s Dream, and somehow manage to stay sober enough to save all of New York from an invasion of evil Cornish fairies.If they can stop feuding with each other, that is.

    A dark magic will be unleashed by the Untainted...Unless a new hero can be found. Neverwhere's faster, smarter brother has arrived.Sixty-One Nails follows Niall Petersen, from a suspected heart attack on the London Underground, into the hidden world of the Feyre, an uncanny place of legend that lurks just beyond the surface of everyday life. The Untainted, the darkest of the Seven Courts, have made their play for power, and unless Niall can recreate the ritual of the Sixty-One Nails, their dark dominion will enslave all of the Feyre, and all of humankind too.

    Her mentor, the acclaimed poet Davis Cooper, has mysteriously died in the canyons east of Tucson, bequeathing her his estate and the mystery of his life--and death.Maggie is astonish by the power of this harsh but beautiful land and captivated by the uncommon people who call it home--especially Fox, a man unlike any she has ever known, who understands the desert's special power.As she reads Cooper's letters and learns the secrets of his life, Maggie comes face-to-face with the wild, ancient spirits of the desert--and discovers the hidden power at its heart, a power that will take her on a journey like no other.

    See also "Monster."Cryptozoologist, noun: Any person who thinks hunting for cryptids is a good idea. See also "idiot."Ghoulies. Ghosties. Long-legged beasties. Things that go bump in the night... The Price family has spent generations studying the monsters of the world, working to protect them from humanity—and humanity from them. Enter Verity Price. Despite being trained from birth as a cryptozoologist, she'd rather dance a tango than tangle with a demon, and is spending a year in Manhattan while she pursues her career in professional ballroom dance. Sounds pretty simple, right? It would be, if it weren't for the talking mice, the telepathic mathematicians, the asbestos supermodels, and the trained monster-hunter sent by the Price family's old enemies, the Covenant of St. George. When a Price girl meets a Covenant boy, high stakes, high heels, and a lot of collateral damage are almost guaranteed. To complicate matters further, local cryptids are disappearing, strange lizard-men are appearing in the sewers, and someone's spreading rumors about a dragon sleeping underneath the city...

    But one of the lessons that history teaches is that paradise is coveted and fought over. Successive waves of invaders have claimed—or tried to claim—those vineyards, rivers, olive groves, and hills.In Guy Gavriel Kay’s new novel, Ysabel, this duality—of exquisite beauty and violent history—is explored in a work that marks a departure from Kay’s historical fantasies set in various analogues of the past.Ysabel takes place in the world of today: in a modern springtime, in and around the celebrated city of Aix-en-Provence near Marseilles. Dangerous, mythic figures from the Celtic and Roman conflicts of the past erupt into the present, claiming and changing lives.The protagonist is Ned Marriner, the fifteen year-old son of a well-known photographer. Ned has accompanied his father, Edward Marriner, and a team of assistants to Provence for a six week “shoot.”