In this book, she has written a few poems, where she has described herself in some complex and in simple words. Most of the poems are about her black and white memories and few are on generic topics. In this book, the reader will see her describing a relationship between mother nature and human nature in a poetic way.

    The poem explores the actual world of history transformed into the mythical world of poetry, where what we remember about the past may be more real than history tells us.

    Sink asks and answers hard questions about grief, lineage, death and all manner of inheritance. What is one left with when they come from a family that has nothing to its name but loss? Throughout, Dallagiacomo weighs the cost of what it is to be alive and a woman in a landscape that makes being alive and a woman uninviting. Sink approaches grief and depression not as a tourist, but instead with the power and nuance of someone who has survived and made the most of their survival.

    Love can be shit. Whatever has happened to you, whatever will happen to you, whatever might happen to you, whatever hasn't happened to you, well . . . you're not alone. Andre Jordan's drawings and prose are culled from a life of heartache and unrequited love. Simple, sad, clever, and darkly hilarious, they tell of both dismal places and hopeful realizations.

    Calling poets away from civilization, back towards the wilderness, Lasky brazenly urges artists away from conceptual programs, resurrecting imagination and faith-in-the-uncertain as saviors from mediocrity.

    This is a short collection of poetry from the pen and mind of Nyles Adams, most of which originally appeared in other Alexandria House works.Read, absorb and snap your fingers if you are so inclined.

    Scattered among the paintings are young children, men and women, and babies, speaking through Toon Tellegen's yearning language. Like dozens of confessions poured from the page, the writing presents a glittering kaleidoscope of wishes, from imagined feats of heroism to reciprocated human love.

    The Little Book of Forest Bathing is all about finding strength, peace, and beauty in your surroundings. Drawing on recent research, Forest Bathing maps out the mental, physical, and spiritual benefits of immersing yourself in natural surroundings. It then goes on to provide a how-to guide to forest bathing, with methods ranging from hiking to traditional meditation to literal tree hugging. Interspersed in these informational tidbits are brilliant photos, lush illustrations, sensual typography, poem excerpts, and forest-related quotes. Forest Bathing is perfect for anyone aspiring to slow down, be more mindful, and connect with something greater.

    Felski argues that critique is a sensibility best captured by Paul Ricoeur’s phrase “the hermeneutics of suspicion.” She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls “postcritical reading”: rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible. By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world.

    While many of the poems utilize nature and spirituality as sophisticated metaphors, others are beautifully simplistic and elegant. This collection of poems exquisitely illustrates the difficulty and intensity of facing one's demons, shame, and secrecy. They offer a provocative glimpse inside the mind of an individual struggling with grief, trauma, depression, and stigma. Despite the dark imagery some of the poems conjure, they often transcend these painful shadows into messages of hope, inspiration, and healing. They have a distinctive ability to evoke tears as well as courage and valor during life's obstacles.

    

    There, she finds herself caught up in the drama of that ancient house and the unusual members of the Stacy family. When Caroline Verlaine's sister, the archaeologist Roma, disappears, Caroline is forced down to Lovat Stacy in an attempt to discover what has happened. She finds herself caught up in the drama of the ancient house and with the unusual members of the Stacy family. But it is Napier Stacy, recently returned from years of banishment for apparently killing his brother, who she is especially drawn to. Napier is haunted by the tragedy, and Caroline becomes determined that he should put his past behind him and not allow, what she insists was an accident, to cloud his life for ever. At the same time, she becomes equally determined to solve the mystery of her own sister's disappearance. Why has Roma vanished? Was it an accident or has she been murdered? As the tension mounts Caroline soon realizes that this quest to uncover the truth is a dangerous one and is marking her out as the next victim. /////// 2) The Secret Woman (1970) - To all appearances, Anna Brett was a quiet, capable young woman whose only ambition was to carry on the profitable antiques business bequeathed her by a spinster aunt. And so she was - until the memory of a cherished moment with a blue-eyed stranger suddenly returned to haunt her with savage intensity. It was then Anna discovered the secret woman who waited within her - impetuous, daring . . . and dangerous.

    Arghh, I wanted to scream, run away and tell every well-meaning person to go and do one!Whilst this book doesn’t advocate throwing all advice down the kitchen sink, it will empower you to do things your way as you navigate the big C roller coaster. Deborah James, campaigner and co-presenter of the top-charting podcast You, Me and the Big C, will take you through every twist and turn, reminding you that it’s okay to feel one hundred different things in the space of a minute and showing you how you can still live your life and BE YOURSELF with cancer. Taking you from diagnosis (welcome to the club you never wanted to join), to coping with family and friends (can everyone just fuck off sometimes?!), looking good and feeling better (drink the wine), and celebrating milestones along the way (drink more wine!), this inspiring cancer coach in a book will transform your outlook and encourage you to shout #FUCKYOUCANCER as loudly as you can!

    The caller is a girl who says she has been kidnapped and will die if Aashna doesn't help her. Before Aashna can get details about the girl and her whereabouts, the phone gets cut off. Who was she and why did her voice sound eerily familiar? Will Aashna be able to help her?Maanvi's life has always been about making everyone around realize that she is worthy too. From her test grades to her body type, everyone always had a piece of advice to give or some judgement to pass. How does Maanvi get affected by these? Does she manage to prove her worth to the world?These and six other stories in this collection covering a range of genres including romance, mystery, horror, thriller and much more. Delve in for a delightful reading journey!

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.