But after he purchased it, Ben Holiday learned that there were a few details the ad had failed to mention. The kingdom was in ruin. The task of proving his right to be King seemed hopeless. But Ben Holiday was stubborn...The Black Unicorn:A year had passed since Ben Holiday bought the Magic Kingdom from the wizard Meeks, who had set a series of pitfalls against him. But Ben had been troubled by dreams of disaster to his former partner, Miles Bennett. Unknown to Ben, the dreams had been a trap by Meeks.Wizard at Large:It all began when the half-able wizard Questor Thews announced that finally he could restore the Court Scribe Abernathy to human form. All went well - until the wizard breathed the magic dust of his spell and suddenly sneezed. Then, where Abernathy had stood, there was only a bottle containing a particularly evil imp.The Tangle Box:Horris Kew, conjurer, confidence-man, and trickster, had returned to Landover from Ben's own world. Alas, he had been sent by the Gorse, a sorcerer of great evil, whom Horris had unwittingly freed from the magic Tangle Box. Now it had returned to enslave those who had once dared to condemn it.Witches’ Brew:The Magic Kingdom of Landover was finally at peace, and Ben and his wife, the sylph Willow, could watch their daughter Mistaya grow. But his idyll was interrupted when Rydall, a king of lands beyond the fairy mist, assembled armies on Landover's border and threatened to invade.Read by Dick Hill.28 audio discs (approximately 31 hr.) : digital ; 4 3/4 in.

    Those treasures include the richness and relevance of Scripture, the reality of faith at work, and intimacy with God.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    Bush have been published so far. Now, finally, there’s a book that sets the record straight against a backdrop of media bias. And it’s not by a conservative idealogue but by an award-winning independent reporter who set out to find the real President Bush behind the two-dimensional public image. Ronald Kessler was granted unique access to the West Wing and interviewed the key players of the Bush administration—from Condoleezza Rice to Karl Rove to the president himself. Kessler also interviewed Bush’s close friends, college roommates, and former aides. His surprising conclusion: George W. Bush isn’t the most articulate or scholarly president in history, but he scores very high on the factors that count most: character and leadership. President Bush has a more clearly defined moral instinct, management style, and self-awareness than any other recent president. And without question, President Bush is the driving force behind his administration, not the pawn of anyone else. In an age when politicians notoriously hem and haw while trying to please everyone, he makes deft decisions very quickly. He is bolstered by his strong Christian faith and the resolve he gained after giving up alcohol. For many swing voters, this election will boil down to a matter of character. Kessler’s unconventional book—filled with news hooks about life in the West Wing—will help them understand the real George W. Bush. And for readers who already support the president, A Matter of Character is the book they’ve been waiting for.

    The marriage of Bette and Boo brings together two of the maddest families in creation in a portrait album of family life’s uncertainties and confusion. Bereaved by miscarriages, undermined by their families, separated by alcoholism, assaulted by disease, and mystified by their priest, Bette and Boo, in their bewildered attempts to provide a semblance of hearth and home, are presented with a poignant compassion that enriches and enlarges the play, and places Christopher Durang squarely in the forefront of American dramatists.

    Culled from 38 plays, here are the best 5,000 examples of Shakespeare's glorious invective, arranged by play, in order of appearance, with helpful act and line numbers for easy reference, along with an index of topical scorn appropriate to particular characters and occasions. Line art.

    G K Chesterton was ideally placed to write this critical biography of the literary works and political views of George Bernard Shaw. He was a personal friend and yet an ardent opponent of Shaw’s progressive socialism. The lightness of tone and the humour of his other works are equally present in his examination of Shaw. The book presents a perceptive and far from dated critique of Shaw’s philosophy and politics and through them the emerging progressive orthodoxy of the 20 century. The book represents an excellent introduction to Shaw’s work and the spirit of the age in which they were created.

    Today, he discovers she was murdered. Tomorrow, he will learn her most guarded secrets, leaving him to wonder: Who was the woman I married? Why was she murdered? And, above all . . . Who murdered her? Revenge is not sweet: It is essential. COLD VENGEANCE: Devastated by the discovery that his wife, Helen, was murdered, Special Agent Pendergast must have retribution. But revenge is not simple. As he stalks his wife's betrayers--a chase that takes him from the wild moors of Scotland to the bustling streets of New York City and the darkest bayous of Louisiana--he is also forced to dig further into Helen's past. And he is stunned to learn that Helen may have been a collaborator in her own murder. Peeling back the layers of deception, Pendergast realizes that the conspiracy is deeper, goes back generations, and is more monstrous than he could have ever imagined--and everything he's believed, everything he's trusted, everything he's understood . . . may be a horrific lie. Nothing is what it seems. TWO GRAVES: For twelve years, he believed she'd died in an accident. Then, he was told she'd been murdered. Now, FBI Special Agent Aloysius Pendergast discovers that his beloved wife, Helen, is alive. And Pendergast must embark on a furious cross-country chase to rescue her. But all this turns out to be mere prologue to a far larger plot: one that unleashes a chillingly--almost supernaturally--adept serial killer on New York City. His pursuit of the murderer will take Pendergast deep into the trackless forests of South America, to a hidden place where the evil that has blighted both his and Helen's lives lies in wait . . . a place where he will learn all too well the truth of the ancient proverb: Before you embark on a journey of revenge, dig two graves.

    Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it's pretty surprising William Shakespeare didn't write Mean Girls. But now fans can treat themselves to the epic drama--and heroic hilarity--of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it's more than ready for an Elizabethan makeover.