Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Most days she's able to keep it all together and glide through life. But then, in one unalterable moment, everything changes.After school pickup one day, she stops her car to wave a teenage boy across the street…just as another car comes hurtling down the road and slams into him. Meg can't help but blame herself for her role in this horrific disaster. Full of remorse, she throws herself into helping the boy's family as he rehabs from his injuries. But the more Meg tries to absolve herself, the more she alienates her own family—and the more she finds herself being drawn to the boy's father, Andrew.Soon Meg's picture-perfect life is unravelling before her eyes. As the painful secrets she's been burying bubble dangerously close to the surface, she will have to decide: Can she forgive herself, or will she risk losing everything she holds dear to her heart?

    Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    He is excited and afraid; he wants to recapture the love he knew with his parents before they died and become a doctor like his father. But in his new home of celebrities, crooks, untrustworthiness, and excessively wealthy deviants, lust and want thwart his search for selfless caring love, and in his quest to become a doctor, he discovers the altruism of health care and scientific discovery riddled with profit motivation and deficient moral standards. A finalist in the 2012 William Faulkner-William Wisdom Creative Writing Competition.

    He has come to love the quiet routine of his job as a care assistant at a nursing home, where he has forged a close relationship with its most ill-tempered resident, Dr Paulsen. But when Oscar is lured into the chapel at King’s College by the ethereal sound of an organ, he meets and falls in love with Iris Bellwether, a beautiful and enigmatic medical student. He follows her into a world of scholarship, wealth, and privilege, and soon becomes embroiled in the machinations of her older brother, Eden. A charismatic but troubled musical prodigy, Eden persuades his sister and their close-knit circle of friends into a series of disturbing experiments. He believes that music — with his unique talent to guide it — has the power to cure, and will stop at nothing to prove himself right. As the line between genius and madness blurs, Oscar fears the danger that could await them all.

    As she was taken from me I knew I might never see my daughter again. 38 years later… ‘You were adopted’. Three short words and Sabina’s life fractures. There would forever be a Before those words, and an After. Pregnant with her own child, Sabina can’t understand how a mother could abandon her daughter, or why her parents have kept the past a secret. Determined to find the woman who gave her away, what she discovers will change everything, not just for Sabina, but for the women who have loved her all these years. From the bestselling author of Me Without You comes another touching, beautifully told story about the pain of separation and the enduring strength of love.

    Here Lauren and her older brother, Alex, thought they were safe.But one morning, six-year-old Lauren and eight-year-old Alex awoke after a night spent in their tree house to discover their mother’s body and their beloved father arrested for the murder.Years later, Lauren is surrounded by uncertainty. Her one constant is Alex, always her protector, still trying to understand the unraveling of his idyllic childhood. But Lauren feels even more alone when Alex reveals that he’s been in contact over the years with their imprisoned father—and that he believes he and his sister have yet to learn the full story of their mother’s death.Then Alex disappears. As Lauren is forced to peek under the floorboards of her carefully constructed memories, she comes to question the version of her history that she has clung to so fiercely. Lauren’s search for the truth about what happened on that fateful night so many years ago is a riveting tale that will keep readers feverishly turning pages.

    Instead, she finds herself in charge of the town’s celebration. After a mysterious young man arrives, townspeople suspect he is the reason that one set of plans after another disintegrate until little is left of their traditions. Yet Angela warms to Gabe because she suspects they share a secret—his real reason for coming to town. Even when all they have to work with is a garish supply of blue Christmas decorations, Gabe helps Angela discover the hidden beauty of hope.  Christmas in Gold After eighty years, change is nothing new for Astrid. By the time she was twenty, she survived the destructive Nazi regime, caring for her family under brutal circumstances, moving to America, and losing her husband. At forty she was widowed again and left to build a new life with her children. Now, when she faces a move into an assisted living community and meets a young woman on the brink of despair, she resolves to stir up hope through tragedy one more time.

    This tale describes the turbulent childhood of the author in 1970s Las Vegas.Born into an ongoing cycle of alcoholism and abandonment amidst fallen adults, Marlayna develops a powerful sense of self-preservation in contrast to the quirky people entrusted with her care. Her story explores the personalities of the bizarre characters who populate her life as she moves from home to home, parent to parent, family to family, ultimately becoming homeless at the age of fourteen. Out of the resources of her remarkable childhood emerges an inner strength that will charm and captivate readers and remain in their consciousness long after the last page of her story has been turned.

    Days later, lost and floundering in a dreary motel room without plan or destination, it is a long ago song playing on the radio that gently tugs Stevie back through the dust of remembrance. 1957 - The last summer spent at the ancient house overlooking the North Atlantic. A season which had unfolded with abundant promise, but then spiraled horribly out of control - torn apart by a shattering tragedy that leaves a family impossibly broken ... "This is a coming-of-age story at its best." "It was as if I could smell the sea air as the words unfolded from the page and danced around me. It was really breathtaking." "An impressive and detailed story of love, loss, and betrayal ... " "An amazingly accurate account of how many lives can be affected by one single moment in time, and how long the repercussions can last." "The imagery and character depths capture the reader by both hands with the author not letting go, even at the very end." "I recommend this book for anyone who appreciates the beauty of the written word and a story well-told."

    Jobs are hard to find, men come and go. But when a set of unexpected circumstances strands them in Fat River, a small rural town in upstate New York, life takes a turn. Fat River becomes the first place they call home. The modest economic security they gain gives them peace and space for friends. The people of Fat River—Hank and Dotty Hanson, the elderly owners of the local hardware store being driven out of business by the new Walmart; Mel, the flawed, but kindhearted owner of the town diner where Rita finds work; and the cross-dressing Peter Pam, the novel’s voice of warmth and reason—become family. Into this quirky utopia comes Vick Ward, a smooth-talking broker who entices Rita with a subprime mortgage and urges her to buy the ramshackle house she and her daughter have been renting. Tough and quick-witted, thirteen-year-old Ruthie—whose sardonic voice and plain-spoken observations infuse All We Had with disarming honesty and humor—never minded her hardscrabble existence as long as her mother was by her side. Through it all, the two have always been the center of one another’s lives. But when financial crisis hits, their luck takes a different turn. All We Had offers an unflinching look at the devastating choices a mother must make to survive and is an achingly funny, heart wrenching tale about love and loss, told with humor and razor sharp vision

    And when Samuel's unscrupulous brother takes over the family business, Molly must head out on her own, leaving her old life behind. It's a dangerous journey, but somehow she must find a way to make a living, keep her family together, and fend off some over-eager suitors.

    She knew how. Mildred could breathe the word no to a second cup of ice cream. Could resist drinking too much champagne. But when it came right down to a friend needing a favor, she might say no first, but if someone really needed her—really needed her! —she always said yes. That’s how Mildred ended up with strangers camped out in her spare bedroom, helping her friend Fran to start a new business at the antique emporium, and walking around the empty church with a dust rag in her hand even though she hated to dust. She couldn’t say no to dust for long either. The only real no Mildred had said in recent history was to a man who loved her. Hugh wasn’t the first man to pursue her. But he was the most recent. And she had been flattered but not interested—not in the way he wanted her to be interested. Hugh didn’t give up right away. He lodged himself near her at church. Found her in the church kitchen after a fellowship supper to aid in the clean-up. And finally, her would-be lover had just asked her outright. That was the moment when Mildred had to say no. Until then Millie had been artfully dodging him. Only her best friend Fran understood. Fran said when Mildred finally felt the regretful effects of that no, “We’re all of us such fools.” But they aren’t fools. Mildred Budge and her friends are just people trying to live inside the faith released from heaven through the One who didn’t say no. This is the first novel in the series about Mildred Budge and her friends—just ordinary people trying to live out an extraordinary hope available to anyone who realizes what kind of help he or she really needs. That hope has a name, and Mildred Budge knows it. Need hope? Need a friend. Mildred Budge is a very good friend. If you like spending time with people who are just ordinary but extraordinarily hopeful, then you’ll love this story. Get a copy of this first novel in the series and find out for yourself what church ladies really think. About the author: Daphne Simpkins is an Alabama writer who writes about a variety of subjects and often on the secret lives of church ladies. Befriend her on Facebook, Twitter, or Linkedin.com.

    Reprint.