With the recent renaissance of interest in Yiddish, and in keeping with a language that embodies the variety and vibrancy of life itself, The New Joys of Yiddish brings Leo Rosten’s masterful work up to date. Revised for the first time by Lawrence Bush, in close consultation with Rosten’s daughters, it retains the spirit of the original—with its wonderful jokes, tidbits of cultural history, Talmudic and biblical references—and is enhanced by hundreds of new entries and thoughtful commentary on how Yiddish has evolved over the years, as well as clever illustrations by R. O. Blechman. Did you know that cockamamy, bluffer, maven, and aha! are all Yiddish words? If you did, you’re a gaon, possessing a lot of seykhl.

    The child of parents who were each the sole survivors of their respective families, for Esther the Holocaust loomed in the backdrop of daily life, felt but never discussed. The result was a childhood marked by painful silences and continued tragedy. Even as she built a successful career, married, and raised three children, Esther always felt herself searching.So when Esther's mother casually mentions an astonishing revelation--that her father had a previous wife and daughter, both killed in the Holocaust--Esther resolves to find out who they were, and how her father survived. Armed with only a black-and-white photo and a hand-drawn map, she travels to Ukraine, determined to find the shtetl where her father hid during the war. What she finds reshapes her identity and gives her the opportunity to finally mourn.I Want You to Know We're Still Here is the poignant and deeply moving story not only of Esther's journey but of four generations living in the shadow of the Holocaust. They are four generations of survivors, storytellers, and memory keepers, determined not just to keep the past alive but to imbue the present with life and more life.

    Englander’s wondrous and much-heralded collection of stories won the 2000 Pen/Malamud Award and was translated into more than a dozen languages. From its unforgettable opening scene in the darkness of a forgotten cemetery in Buenos Aires, The Ministry of Special Cases casts a powerful spell. In the heart of Argentina’s Dirty War, Kaddish Poznan struggles with a son who won’t accept him; strives for a wife who forever saves him; and spends his nights protecting the good name of a community that denies his existence--and denies a checkered history that only Kaddish holds dear. When the nightmare of the disappeared children brings the Poznan family to its knees, they are thrust into the unyielding corridors of the Ministry of Special Cases, the refuge of last resort. Nathan Englander’s first novel is a timeless story of fathers and sons. In a world turned upside down, where the past and the future, the nature of truth itself, all take shape according to a corrupt government’s whims, one man--one spectacularly hopeless man--fights to overcome his history and his name, and, if for only once in his life, to put things right. Here again are all the marvelous qualities for which Englander’s first book was immediately beloved: his exuberant wit and invention, his cosmic sense of the absurd, his genius for balancing joyfulness and despair. Through the devastation of a single family, Englander captures, indelibly, the grief of a nation. The Ministry of Special Cases, like Englander’s stories before it, is a celebration of our humanity, in all its weakness, and--despite that--hope.

    Five years later, Josef rescues a young girl, Mila, after her parents are killed while running to meet the Rebbe they hoped would save them. Josef helps Mila reach Zalman Stern, a leader in the Satmar community, in whose home Mila is raised as a sister to Zalman’s daughter, Atara. As the two girls mature, Mila’s faith intensifies, while her beloved sister Atara discovers a world of books and learning that she cannot ignore. With the rise of communism in central Europe, the family moves to Paris, to the Marais, where Zalman tries to raise his children apart from the city in which they live.      When the two  girls come of age, Mila marries within the faith, while Atara continues to question fundamentalist doctrine. The different choices the two sisters makes force them apart until a dangerous secret threatens to banish them from the only community they’ve ever known.      A beautifully crafted, emotionally gripping story of what happens when unwavering love, unyielding law, and centuries of tradition collide, I Am Forbidden announces the arrival of an extraordinarily gifted new voice and opens a startling window on a world long closed to most of us, until now.

    Intended to gather intelligence and carry out sabotage and assassinations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence in the balance during the War of Independence, our spies went undercover in Beirut, where they spent the next two years operating out of a kiosk, collecting intelligence, and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. While performing their dangerous work these men were often unsure to whom they were reporting, and sometimes even who they’d become. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end the Arab Section would emerge, improbably, as the nucleus of the Mossad, Israel’s vaunted intelligence agency.Spies of No Country is about the slippery identities of these young spies, but it’s also about Israel’s own complicated and fascinating identity. Israel sees itself and presents itself as a Western nation, when in fact more than half the country has Middle Eastern roots and traditions, like the spies of this story. And, according to Friedman, that goes a long way toward explaining the life and politics of the country, and why it often baffles the West. For anyone interested in real-life spies and the paradoxes of the Middle East, Spies of No Country is an intimate story with global significance.

    Seekers learn ancient spiritual practices to overcome the destructive characters such as anger, jealousy, malice, laziness, stinginess, greed, cowardice, and more. Through this training: one’s ego is subdued, the heart is filled with light, and dark thoughts and tendencies are eradicated. In this new state, one learns the hidden secrets reserved for very few about their true self, the life of this world and all creation, and existence in the Eternal Reality, where one is blessed beyond imagination.

    The most adventurous among them took to the high seas as freewheeling outlaws. In ships bearing names such as the Prophet Samuel, Queen Esther, and Shield of Abraham, they attacked and plundered the Spanish fleet while forming alliances with other European powers to ensure the safety of Jews living in hiding. JEWISH PIRATES OF THE CARIBBEAN is the entertaining saga of a hidden chapter in Jewish history and of the cruelty, terror, and greed that flourished during the Age of Discovery. Readers will meet such daring figures as “the Great Jewish Pirate” Sinan, Barbarossa’s second-in-command; the pirate rabbi Samuel Palache, who founded Holland's Jewish community; Abraham Cohen Henriques, an arms dealer who used his cunning and economic muscle to find safe havens for other Jews; and his pirate brother Moses, who is credited with the capture of the Spanish silver fleet in 1628--the largest heist in pirate history.Filled with high-sea adventures—including encounters with Captain Morgan and other legendary pirates—and detailed portraits of cities stacked high with plunder, such as Port Royal, Jamaica, JEWISH PIRATES OF THE CARIBBEAN captures a gritty and glorious era of history from an unusual and eye-opening perspective.

    It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit after Shabbat services on his way to bring tobacco to his dying grandfather, long before Oscar and his father arrived at the port of Haifa to join the Zionist state only to find themselves first hosed down with DDT then left unemployed on the margins of society. In that time, Arabness was a mark of diverse cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Massoud Hayoun, the Jewish Arab journalist that Oscar raised in Los Angeles, finds his voice by telling his family’s story.To reclaim a cosmopolitan, nuanced Arab identity is, for Hayoun, part of the larger project to recall a world before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that until now could be witnessed only in the films his family treasured but that are now nearly lost amid the flood of culture.When We Were Arabs, a stunning debut that showcases the gorgeous prose of writer Massoud Hayoun, tells the stories of Oscar and Daida, bringing their worlds alive in vivid poetic prose, and in so doing shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines between us over which we do battle.

    Petersburg, pulled a revolver from underneath her shawl, and shot General Fedor Trepov point blank.  “Revenge!,” she cried, for the governor's brutal treatment of a political prisoner. Her trial for murder later that year became Russia's "trial of the century," closely followed by people all across Europe and America. On the day of the trial, huge crowds packed the courtroom.  The cream of Russian society, attired in the finery of the day, arrived to witness the theatrical testimony and deliberations in the case of the young angel of vengeance.  After the trial, Vera became a celebrated martyr for all social classes in Russia and became the public face of a burgeoning revolutionary fervor. Dostoyevsky (who attended the trial), Turgenev, Engels, and even Oscar Wilde all wrote about her extraordinary case. Her astonishing acquittal was celebrated across Europe, crowds filled the streets and the decision marked the changing face of Russia. After fleeing to Switzerland, Vera Zasulich became Russia's most famous "terroristka," inspiring a whole generation of Russian and European revolutionaries to embrace violence and martyrdom.  Her influence led to a series of acts that collectively became part of “the age of assassinations.” In the now-forgotten story of Russia's most notorious terrorist, Ana Siljak captures Vera's extraordinary life story--from privileged child of nobility to revolutionary conspirator, from assassin to martyr to socialist icon and saint-- while colorfully evoking the drama of one of the world’s most closely watched trials and a Russia where political celebrities held sway.

    It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption, achieved through loving forgiveness and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes, and a substantial introduction based on the most recent scholarship in the field.

    They would establish a British colony, find gold, and discover a water route to Asia. But what awaited them was far different - fire, hunger, sickness, death, even cannibalism. Here, from the noted historian Marshall W. Fishwick, is the dramatic story of Jamestown and the struggle of its leader, Captain John Smith, who, with the help of Pocahontas, daughter of the Algonquian chief Powhatan, succeeded against all odds.

    The barn was then set on fire. Anyone attempting to escape, or found in hiding, was quickly killed.The story soon spread that the massacre was organised and executed by Nazi paramilitary forces. It seemed to fit. Similar atrocities had taken place in nearby villages – although none of this scale. But the truth was very different. Over the course of the twentieth century fragments of the real story began to surface. It emerged that the perpetrators of the act were in fact the Polish villagers, who, on one afternoon, turned on and killed their Jewish neighbours. But why?Part history, part memoir, part detective story, The Crime and the Silence is an award-winning journalist’s account of the events of July 1941: the true story of the massacre, a portrait of a town coming to terms with its dark past, and a vital contribution to Holocaust literature.

    Many were moved to reflect on or analyze their feelings toward their lives as Jews. The saying ?two Jews, three opinions? well reflects the Jewish community's broad range of views on any topic. I Am Jewish captures this richness of interpretation and inspires Jewish people of all backgrounds to reflect upon and take pride in their identity. Contributions, ranging from major essays to a paragraph or a sentence, come from adults as well as young people in the form of personal feelings, statements of theology, life stories and historical reflections. Despite the diversity, common denominators shine through clearly and distinctly.

    . . a marvelous source for the social history of Russian peasant society in the years before the revolution. . . . The translation is superb." —Steven Hoch" . . . one of the best ethnographic portraits that we have of the Russian village. . . . a highly readable text that is an excellent introduction to the world of the Russian peasantry." —Samuel C. RamerVillage Life in Late Tsarist Russia provides a unique firsthand portrait of peasant family life as recorded by Olga Semyonova Tian-Shanskaia, an ethnographer and painter who spent four years at the turn of the twentieth century observing the life and customs of villagers in a central Russian province. Unusual in its awareness of the rapid changes in the Russian village in the late nineteenth century and in its concentration on the treatment of women and children, Semyonova's ethnography vividly describes courting rituals, marriage and sexual practices, childbirth, infanticide, child-rearing practices, the lives of women, food and drink, work habits, and the household economy. In contrast to a tradition of rosy, romanticized descriptions of peasant communities by Russian upper-class observers, Semyonova gives an unvarnished account of the harsh living conditions and often brutal relationships within peasant families.

    Thousands of Jewish families are forced to flee poverty and anti-Semitism in Eastern Europe. Fate takes two families to the magical continent of South America, which opens its generous arms to them. Many surprises await the immigrants in the New World. In this exciting story of their lives from their early teens in the “shtetl” to leisurely musings of middle age, we see the hardships immigrants face in the long journey to America, the complex process of adaptation to an unfamiliar environment and the phenomenal development of their businesses. Parallel to the story of the main characters, another story emerges: that of the birth of a typical Jewish community within a Christian city. Translated from the original Spanish book, La Descendencia, The Heritage is peppered with reflections on religion and historical events of the time regarding the Jews and the state of Israel. Throughout the narrative, the author captivates us with a fascinating story of overcoming, human conflicts and addresses issues of assimilation and identity. Though not an autobiographical novel, it could be the story of the parents or grandparents of any Jew from Central or South America. The author preferred to use a fictional provincial capital of Latin American so that the reader can recognize the history of his or her own Jewish community, as all Jewish communities in Latin America came into being in an almost identical manner.