Using fragments as a narrative mode to highlight the terror of ellipses, Potted Meat explores the fear, power, and vulnerability of storytelling, and in doing so, investigates the peculiar tensions of the body: How we seek to escape or remain embodied during repeated trauma.

    Racism and White Feminism are paramount to why women of color do NOT attend, participate, thrive or stay in white spaces. White spaces are toxic breeding grounds for racial interpersonal violence under the guise of “feminism” and women’s empowerment. White Spaces Missing Faces boldly objects the illusion of inclusion and exposes the unrepentant truth about the Weapons of Whiteness used by white women to silence, marginalize, violate and oppress women of color. White Spaces Missing Faces unearths the covert roots of racial antipathy between white women and women of color and provides radical solutions for relationship reconciliation, reparation and restoration. White Spaces Missing Faces teaches you how to lay down your Weapons of Whiteness to stop assaulting women of color while creating, cultivating and sustaining an environment where they stay, thrive and flourish by denouncing your own racism and becoming an anti-racist Accomplice.

    "Alabanza" means "praise" in Spanish, and Espada praises the people Whitman called "them the others are down upon": the African slaves who brought their music to Puerto Rico; a prison inmate provoking brawls so he could write poetry in solitary confinement; a janitor and his solitary strike; Espada's own father, who was jailed in Mississippi for refusing to go to the back of the bus. The poet bears witness to death and rebirth at the ruins of a famine village in Ireland, a town plaza in México welcoming a march of Zapatista rebels, and the courtroom where he worked as a tenant lawyer. The title poem pays homage to the immigrant food-service workers who lost their lives in the attack on the World Trade Center. From the earliest out-of-print work to the seventeen new poems included here, Espada celebrates the American political imagination and the resilience of human dignity. Alabanza is the epic vision of a writer who, in the words of Russell Banks, "is one of the handful of American poets who are forging a new American language, one that tells the unwritten history of the continent, speaks truth to power, and sings songs of selves we can no longer silence." An American Library Association Notable Book of 2003 and a 2003 New York Public Library Book to Remember."To read this work is to be struck breathless, and surely, to come away changed."—Barbara Kingsolver "Martín Espada is the Pablo Neruda of North American authors. If it was up to me, I'd select him as the Poet Laureate of the United States."—Sandra Cisneros "With these new and selected poems, you can grasp how powerful a poet Espada is—his range, his compassion, his astonishing images, his sense of history, his knowledge of the lives on the underbelly of cities, his bright anger, his tenderness, his humor. "—Marge Piercy "Espada's poems are not just clarion calls to the heart and conscience, but also wonderfully crafted gems."—Julia Alvarez "A passionate, readable poetry that makes [Espada] arguably the most important 'minority' U.S. poet since Langston Hughes."—Booklist"Neruda is dead, but if Alabanza is any clue, his ghost lives through a poet named Martín Espada."—San Francisco Chronicle

    Uncertain about the problem from Timothy's cryptic texts, Mitch Turner slips into his suit and heads over to visit Timothy, unable to imagine any reason why Timothy would be calling for help at such a late hour. Mitch arrives to find the police at Timothy's apartment and learns that Timothy's roommate was murdered. Mitch immediately retrieves Timothy from the police before they can get him to say anything more and while in the process has a run-in with his ex-girlfriend who is now a detective. Mitch takes Timothy back to his office to debrief, but not long afterward, the police show up and arrest Timothy for the murder of his roommate. There are no witnesses. There are no other suspects. The police consider it an open and shut case, but the only thing that keeps Mitch from arranging a plea bargain is his belief that his client did not do it. The deeper Mitch digs, the more he learns that his client has secrets that he wants to be kept quiet at any cost, even at the expense of going to jail for something he did not do. Mitch soon learns he must work at odds with his client to provide the best legal representation possible, going around Timothy as he fights to keep his client out of jail. If you like legal thrillers, this novel is for you. Mitch Turner is a fast-talking lawyer who takes risks where others might not. Fans of John Grisham, Michael Connelly, and Scott Turrow will enjoy this story. Pick up your copy today! Sneak Peek: I sent the message and tried to figure out what my next step ought to be. I had intentionally not asked for details but I needed to know what I was walking into. The communications should be privileged, but I wasn’t going to trust to that, especially not in the heat of the moment. If the fool had thought to encrypt his phone this might have been easier. My instruction to password protect his phone had been done more to protect me than him. If it wasn’t encrypted it was already too late. From now on I was going to require every employee to encrypt their phone. Of course, I expected this would be the first and last time I would ever have an employee call me for criminal defense work. “Ok. What next?” Timothy sent as a text. “Our communications should be privileged,” I texted back, “assuming you want me to be your attorney. Are you retaining my services as your attorney?” The message came back instantly. “Yes.” “In a typical situation I would have you pay a retainer and sign an agreement, but we do not have time. We will go over the details later. I am assuming you are willing to pay. Correct?” While this might have seemed a little self-serving, I just wanted to make sure that I had evidence to back me up if I needed to prove an attorney-client relationship had formed. What I had already done should have been sufficient, but I liked to be thorough. “I will pay whatever I can. My dad can wire you the retainer.” “Please be succinct in response to my next question. Assume the cops will read it so admit nothing.” I waited. “What are we dealing with here?” I sent a moment later. It was a minute or two before Cooper replied. “My roommate is dead on his bed. Somebody blew out his brains.”

    A naval officer is arrested and attorney Dana McAuliffe is assigned to defend him. A conspiracy soon brews from the case--with Dana as an unwitting pawn.

    Yet, so many of us sit idly on the sidelines, opting out of raising our hands to do, learn, and engage in ways that could make a difference. Why?White American women are no monolith. Yet, as Women’s March national organizer Jenna Arnold has learned over the past few years criss-crossing the US in conversations with white women about their identity and role in the country, we do possess common characteristics—ones that get in the way of us becoming more engaged as citizens. We're so focused on checking off our to-do lists, or so afraid of getting it wrong, or so busy trying to avoid conflict, that we are actively avoiding the urgent conversations we need to have. We are confused about how we got here and unsure how to do better. Raising Our Hands is the reckoning cry for white women. It asks us to step up and join the new frontlines of the fight against complacency—in our homes, in our behaviors, and in our own minds.Consider Raising Our Hands your starting place, your “Intro to Being a White Woman in Today’s World” freshman-year class. In these pages, Arnold peels back the history that’s been kept out of textbooks and the cultural norms that are holding us back, so we can finally start really listening to marginalized voices and doing our part to promote progress.The American white woman is a powerful force—an essential participant—to mobilize alongside the rest of humanity on behalf of the world, and we can no longer make excuses for why we don’t have time or don’t know enough. Raising Our Hands provides the tools we need to be the full, productive participant the world has been waiting for.

    Bambara's characteristic vigor, sensibility and winning irony. The stories range from the timid and bumbling confusion of a novice community worker in "The Apprentice" to the love-versus-politics crisis of an organizers wife, to the dark and bright notes of the title story about the passengers on a refugee ship from a war-torn Asian nation.Young girls, weary men, lovers, frauds and revolutionaries -- Toni Cade Bambara handles them all the expertise, passion and huge talent. As the Chicago Daily News said, "Ms. Bambara grabs you by the throat...she dazzles, she charms."

     What began as a grassroots fundraiser, "UNeducation, Vol 1: A Residential School Graphic Novel" is now used in school curriculum, university syllabus', treatment/corrections centre resources, healing initiatives, government agencies and educational trainings worldwide. Now available to the public, in softcover and ebook form, for the first time. Gain a full and proper education about a dark episode in North American history. The highly anticipated next chapter in the series, "UNeducation, Vol 2: The Side of Society You Don't See On TV" is coming soon.

    She encouraged people to own up and share their racist behaviors, big and small. She was looking for truth, and she got it. Thousands of people participated in the challenge, and over 90,000 people downloaded the Me and White Supremacy Workbook.The updated and expanded Me and White Supremacy takes the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources.Awareness leads to action, and action leads to change. The numbers show that readers are ready to do this work - let's give it to them.

    One essay discusses the historical events that surround Angelou's life: the civil rights, black power, and black arts movements as well as the emergence of black women's literature. Another provides a survey of the major pieces of criticism on Caged Bird, paying special attention to the book's early reception and how it fits in the autobiographical genre and the history of slave narratives, as well as issues of race, gender, aesthetics, and identity. The third essay discusses the struggle for black identity through readings of both Caged Bird and James Baldwin's If Beale Street Could Talk.

    Is this label accurate? What do South Africans think they know about rape? South Africa has a complex relationship with rape. Pumla Dineo Gqola unpacks this relationship by paying attention to patterns and trends of rape, asking what we can learn from famous cases and why South Africa is losing the battle against rape. Gqola looks at the 2006 rape trial of Jacob Zuma and what transpired in the trial itself, as well as trying to make sense of public responses to it. She interrogates feminist responses to the Anene Booysen case, amongst other high profile cases of gender-based violence. Rape: A South African Nightmare is a necessary book for various reasons. While volumes exist on rape in South Africa, much of this writing exists either in academic journals, activist publications or analysis pages of select print media. This is a conclusive book on rape in South Africa, illuminating aspects of South Africa's rape problem in South Africa, illuminating aspects of South Africa's rape problem and contributing to shifting the conversation forward. It is indebted to insights from available research, activism, the author's own immersion in Rape Crisis, the 1 in 9 Campaign and feminist scholarship. Analytically rigorous, it is intended for a general readership.

    The problem of racism stretches back as far humanity’s origin in the book of Genesis. Brother pitted against brother, tribe against tribe––people have warred against one another, fueled by contempt for racial differences. Yet the gospel is a message of reconciliation. The kingdom of God is us reconciled to one another. Editors Russell Moore and Andrew T. Walker of the Ethics and Religious Liberty Commission (ERLC) assemble leading voices to frame the issues with a gospel-centered perspective. The Gospel for Life series gives every believer a biblically-saturated understanding of the most urgent issues facing our culture today, because the gospel is for all of life.

    A lawyer with secrets must prove it was justified.Attorney Nate Shepherd left a big firm to go out on his own. He sees nothing but opportunity when an out-of-town lawyer wants to hire him as local counsel on a high-profile murder case. Though his family worries that the case hits too close to home, Nate joins the defense team.When circumstances force him to take on a bigger role, Nate ignores his family’s fears and throws himself into his client’s defense. But as he digs deeper, every aspect of the case raises memories of a terrible event that Nate has tried his best to bury.Battling an aggressive prosecutor in court and a dogged reporter outside it, Nate fights to prove that his client’s brutal, bloody slaying of an evil victim was right. But when Nate’s own story is exposed, it threatens his client’s freedom … and Nate’s carefully constructed life.Can Nate fend off his own demons long enough to save his client?Lethal Defense is the first book in the gripping Nate Shepherd Legal Thriller series. If you like razor-sharp dialogue, iron-willed characters, and slippery moral quandaries, then you’ll love Michael Stagg’s fierce courtroom drama.Buy Lethal Defense and step into the courtroom today!

    Slower this time, taking in the details of everyone's faces. I began to play the game I'd played my whole life: spot the black person. Of course, I wish it didn't matter what I looked like or where I came from, but it was obvious that no one there looked like me.'Alexandra is 25, mixed-race and from Essex. As a trainee criminal barrister, she finds herself navigating a world and a set of rules designed by a privileged few. This is her story.We follow Alexandra through a criminal justice system still divided by race and class. We hear about the life-changing events that motivated her to practice criminal law, beginning with the murder of a close family friend and her own experiences of knife crime. She shows us how it feels to defend someone who hates the colour of your skin or someone you suspect is guilty, and the heart-breaking cases of youth justice she has worked on. We see what it's like for the teenagers coerced into county line drug deals and the damage that can be caused when we criminalise teenagers.Her story is unique in a profession still dominated by a privileged section of society with little first-hand experience of the devastating impact of violent crime.

    An exclusive race against time ebook short thriller. **Contains an extract from Steve Cavanagh's brilliant debut novel, THE DEFENCE** Eddie Flynn, con-man turned criminal lawyer, has an impossible choice.He has damning evidence against a corrupt NYPD detective who stands accused of killing a suspect.But if he uses this evidence in court, both he and his client - the dead man's widow - will be in mortal danger.Should he risk their lives to win the case? Or keep quiet and let a murderer go free.