But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet as their love grows, they discover that the world around them is changing - and they cannot escape the curse for ever...

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.

    I know what you’re thinking: druggie, junkie, wreckhead, trashbag. But I’m not sticking needles in my arm or sleeping on the streets, or stealing to feed the habit. I’m not one of those.Carla has just moved to London and starts at yet another new school; she is desperate to fit in. Though she makes a couple of friends, she soon meets the charismatic, good-looking Finn and their whirlwind romance begins. Carla, an A student and gifted artist, lets her schoolwork slip as she enters Finn's world – a world of partying and drugs. Friends tells her that Finn is no good – even his brother, Isaac. But Isaac has an ulterior motive, doesn't he? Is either brother right for Carla?

    She's embarrassed by her German father, never knowing what he may or may not have done during the war.In 1995 Leeds, Eliza is a young woman in love - with her life as a dance student, and with her boyfriend Cosmo. But Eliza is living a lie, running away from a past of which she was always ashamed. But when her mother dies and she is called home, she can no longer deny her roots, even if it will cost her everything.And woven throughout the novel is Ernst's story - Ernst is one of two brothers growing up in Nazi Germany. One rallied for the Fuhrer, one held back. One dedicated his life to the Nazi regime, one did not.When Eliza learns a long-buried family secret, it will completely change how she views her past and her future.By exploring identity, memory, and history, Saskia Sarginson deftly shows that it is the people we think we know the best who sometimes surprise us the most.

    Their uneventful but always interesting everyday life is the main subject of a novel that evokes the charmingly contented and timeless while managing to be both funny and profound about human relations.

    Fourteen-year-old Adam Lisinski has a lot going for him in Monument, Colorado. He's hoping to be a starter on his high school football team, even though he's only a sophomore. He has a part-time job at Eugene's Gas Stop where he works with his best friend, Simon Kinoro. He'd like to see his girlfriend, Phoebe Brandt, more if he could, but he makes do with time alone at Monument Lake after her ballet lessons. He and his mother, Helen, have a close relationship, but Adam knows she worries. And then Beatrice Cyr comes to town. From the second she steps out of his neighbour Marv Walker's truck, Adam is mesmerized. He neglects everything that matters to him and he's desperate to be around her, even if he's confused about what she wants or where she comes from. He begins to find himself alone with Beatrice--in the change room at Modern You, the clothing store on Second Street, at the Chapel Hill Cinema, in Marv's truck--and Adam is soon lying to everyone he cares about. And when Beatrice convinces Helen to quit her job to partner in an ambitious real estate venture, the stakes get higher until Adam is forced to make an impossible choice.Riveting, emotionally complex, and sparkling with moments of compassion and humour, The Empress of Idaho is a story about loyalty, friendship, and the vulnerability and confusion of adolescence. It's a poignant, unforgettable portrait of a boy's difficult coming-of-age.

    Xiaolu’s first novel in English is an utterly original journey of self-discovery.

    Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praise Song for the Widow was a recipient of the Before Columbus Foundation American Book Award. "Astonishingly moving." --Anne Tyler, The New York Times Book Review

    While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food.Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories.Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.

    From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.Told against the picturesque yet haunting backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.

    The compelling and heart-rending new novel from the Sunday Times Top Ten bestselling author of Behind Closed Doors.Jenna and Jack Moore have moved their family to Wales for a fresh start. For vivacious, happy-go-lucky fifteen-year-old Paige the future is full of promise.But suddenly everything changes. Paige becomes more and more withdrawn. The closeness she once shared with her mother a distant memory.It then becomes clear that Jack has secrets too. Preoccupied with her younger children, her husband’s fidelity and their fledgling publishing company, Jenna doesn’t realise the extent of her eldest daughter’s unhappiness until the unthinkable happens.And the nightmare is only just beginning…

    Her mum was finally getting her life back on track. Tessa had started seeing Nick. She was making new friends. She'd even begun to paint again.Now, Tessa and Nick are trapped in the car after a corner taken too fast. Injured, stranded in the wilderness, at the mercy of the elements, the question becomes one of survival.But Tessa isn't sure she wants to be found. Not after what she saw. Not after what she remembered.

    But after being hospitalized for depression, her mother sees it as the only option. Now, living with an estranged aunt she barely remembers and dealing with her "troubles" in a foreign country, she feels more lost than ever.Everything in Canada is cold and confusing. No one says hello, no one walks anywhere, and bus trips are never-ending and loud. She just wants to be home home, in Trinidad, where her only friend is going to school and Sunday church service like she used to do.But this new home also brings unexpected surprises: the chance at a family that loves unconditionally, the possibility of new friends, and the promise of a hopeful future. Though she doesn't see it yet, Canada is a place where she can feel at home--if she can only find the courage to be honest with herself.

    She knows she just has to stick it out at school for one more year and then she’ll be free. Instead, she runs away from her fancy boarding school back to her sleepy hometown to read and dream.But there are no free rides. When Addie’s grandad gets her a job at the local historical society, she soon finds out that it’s dusty and dull, just like her new life. Things change when she starts hanging out with Jarrod, a boy who seems full of possibilities. But it turns out he’s as stuck as she is. And Addie realises that when you want something in life, you’ve actually got to do something about it.A heartfelt tale about love, friendship and finding your own way.

    The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montreal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.