In the same style as the best-selling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible.

    To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of the covering demand provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity–a desire that brings us together rather than driving us apart. Yoshino’s argument draws deeply on his personal experiences as a gay Asian American. He follows the Romantics in his belief that if a human life is described with enough particularity, the universal will speak through it. The result is a work that combines one of the most moving memoirs written in years with a landmark manifesto on the civil rights of the future. “This brilliantly argued and engaging book does two things at once, and it does them both astonishingly well. First, it's a finely grained memoir of young man’s struggles to come to terms with his sexuality, and second, it's a powerful argument for a whole new way of thinking about civil rights and how our society deals with difference. This book challenges us all to confront our own unacknowledged biases, and it demands that we take seriously the idea that there are many different ways to be human. Kenji Yoshino is the face and the voice of the new civil rights.” -Barbara Ehrenreich, author of Nickel and Dimed“Kenji Yoshino has not only given us an important, compelling new way to understand civil rights law, a major accomplishment in itself, but with great bravery and honesty, he has forged his argument from the cauldron of his own experience. In clear, lyrical prose, Covering quite literally brings the law to life. The result is a book about our public and private selves as convincing to the spirit as it is to the mind.” -Adam Haslett, author of You Are Not A Stranger Here“Kenji Yoshino's work is often moving and always clarifying. Covering elaborates an original, arresting account of identity and authenticity in American culture.”-Anthony Appiah, author of The Ethics of Identity and Laurance S. Rockefeller University Professor Of Philosophy at Princeton University“This stunning book introduces three faces of the remarkable Kenji Yoshino: a writer of poetic beauty; a soul of rare reflectivity and decency; and a brilliant lawyer and scholar, passionately committed to uncovering human rights. Like W.E.B. DuBois's The Souls of Black Folk and Betty Friedan's The Feminine Mystique, this book fearlessly blends gripping narrative with insightful analysis to further the cause of human emancipation. And like those classics, it should explode into America's consciousness.”-Harold Hongju Koh Dean, Yale Law School and former Assistant Secretary of State for Human Rights“Covering is a magnificent work - so eloquently and powerfully written I literally could not put it down. Sweeping in breadth, brilliantly argued, and filled with insight, humor, and erudition, it offers a fundamentally new perspective on civil rights and discrimination law. This extraordinary book is many things at once: an intensely moving personal memoir; a breathtaking historical and cultural synthesis of assimilation and American equality law; an explosive new paradigm for transcending the morass of identity politics; and in parts, pure poetry. No one interested in civil rights, sexuality, discrimination - or simply human flourishing - can afford to miss it.” -Amy Chua, author of World on Fire“In this stunning, original book, Kenji Yoshino demonstrates that the struggle for gay rights is not only a struggle to liberate gays---it is a struggle to free all of us, straight and gay, male and female, white and black, from the pressures and temptations to cover vital aspects of ourselves and deprive ourselves and others of our full humanity. Yoshino is both poet and lawyer, and by joining an exquisitely observed personal memoir with a historical analysis of civil rights, he shows why gay rights is so controversial at present, why “covering” is the issue of contention, and why the “covering demand,” universal in application, is the civil rights issue of our time. This is a beautifully written, brilliant and hopeful book, offering a new understanding of what is at stake in our fight for human rights.” -Carol Gilligan, author of In a Different Voice

    In North Carolina, he lived for several years with the Cherokee, studying their language, culture, and mythology. His research resulted in this comprehensive volume, comprising 126 Cherokee myths, including sacred stories, animal myths, local legends, wonder stories, historical traditions, and miscellaneous myths and legends.Among the myths included are these:How the World Was Made; Origin of Strawberries; Why the Deer's Teeth Are Blunt; How the Turkey Got His Beard; The Rattlesnake's Vengeance; The Ice Man; The First Fire; Why the Possum's Tail Is Bare; The Bride from the South; The Water Cannibals; The Haunted Whirlpool; The War Medicine, and many more.In addition to his clear retelling of the myths themselves, the author provides extensive background information on Cherokee history, notes on the myths, parallels between Cherokee and other myths, and further important information. Anyone interested in mythology or Native American legend and lore will welcome this treasury of authentic tales presented in the context of Cherokee history, life, and culture.

    As Elizabeth Varon shows, disunion connoted the dissolution of the republic--the failure of the founders' effort to establish a stable and lasting representative government. For many Americans in both the North and the South, disunion was a nightmare, a cataclysm that would plunge the nation into the kind of fear and misery that seemed to pervade the rest of the world. For many others, however, disunion was seen as the main instrument by which they could achieve their partisan and sectional goals. Varon blends political history with intellectual, cultural, and gender history to examine the ongoing debates over disunion that long preceded the secession crisis of 1860-61.

    W. Shultz, and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. In all his fine Indian stories the author nowhere has produced a more Interesting narrative than this. In It he tells the true story of Hugh Monroe, who came to the Blackfoot country when he was 16. He took part in buffalo hunts, accompanied war parties, saw parts of the United States no white man had ever seen before and helped make peace between the Crows and Blackfeet. "Rising Wolf" is to be highly recommended. This Indian story is a true one—which is so different. The author says that he was intimately acquainted with Hugh Munroe, or Rising Wolf, and that this story of his first experiences upon the Saskatchewan-Missouri River plains is put down just as it was told to him by the lodge fires of long ago. Rising Wolf was a white man among the Blackfoot Indians, and, as the author says, he had more adventures than most of the early men in the West. He died at ninety-eight and his body lies in Two Medicine Valley, "in full sight of that great sky-piercing height of red rock on the north side of Two Medicine Lake, which we named Rising Wolf Mountain." The book is sure to engage the undivertable attention of those whose appetite for real adventure is never wholly satisfied. In his famous book "My Life as an Indian", Schultz describes Rising Wolf as "Early Hudson Bay man, typical trapper, trader, and interpreter of the romantic days of the early fur-trading period." "Rising Wolf" is a thrilling account of life among the Indians in the early part of the last century, by a white boy who "went West" in- those early days and was adopted into the Blackfeet tribe. A stirring story for those who love true stories of guns, buffaloes, Indians, and combats with wild beasts and wild men. Contents I. With the Hudson's Bay Company II. The Sun-Glass III. Hunting with Red Crow IV. A Fight with the River People V. Buffalo Hunting VI. Camping on Arrow River VII. The Crows attack the Blackfeet VIII. In the Yellow River Country IX. The Coming of Cold Maker X. Making Peace with the Crows

    In this candid and deeply moving memoir, a quintessential American tale of hardship and grit, Clarence Thomas recounts his astonishing journey for the first time.

    This ideology, Professor Lipset observes, defines the limits of political debate in the United States and shapes our society.American Exceptionalism explains why socialism has never taken hold in the United States, why Americans are resistant to absolute quotas as a way to integrate blacks and other minorities, and why American religion and foreign policy have a moralistic, crusading streak.

    It's concise but thorough, crisply written, meticulous, and very readable. It should find a wide audience."-Larry McMurtry, author of Sin Killer and the Pulitzer Prize--winning Lonesome Dove"This book is about the King Ranch, but it is about much more than that. A compelling chronicle of war, peace, love, betrayal, birth, and death in the region where the Texas-Mexico border blurs in the haze of the Wild Horse Desert, it is also an intriguing detective story with links to the present-and a first-rate read."-H.W. Brands, author of The Age of Gold and the bestselling Pulitzer Prize finalist The First American

    Perhaps no Indian ever saw so much of American expansion or fought harder to prevent that expansion from driving his people to exile and death.He knew Zebulon Pike, William Clark, Henry Schoolcraft, George Catlin, Winfield Scott, and such figures in American government as President Andrew Jackson and Secretary of State Lewis Cass. He knew Chicago when it was a cluster of log houses around a fort, and he was in St. Louis the day the American flag went up and the French flag came down.He saw crowds gather to cheer him in Philadelphia, Baltimore, and New York - and to stone the driver of his carriage in Albany - during a fantastic tour sponsored by the government.And at last he dies in 1838, bitter in the knowledge that he had led men, women, and children of his tribe to slaughter on the banks of the Mississippi.After his capture at the end of the Black Hawk War, he was imprisoned for a time and then released to live in the territory that is now Iowa. He dictated his autobiography to a government interpreter, Antoine LeClaire, and the story was put into written form by J. B. Patterson, a young Illinois newspaperman. Since its first appearance in 1833, the autobiography has become known as an American classic.

    It is the local Indian agent, or the parish priest, or, perhaps, a Mounted Police officer.” So began the school experience of many Indigenous children in Canada for more than a hundred years, and so begins the history of residential schools prepared by the Truth & Reconciliation Commission of Canada (TRC). Between 2008 and 2015, the TRC provided opportunities for individuals, families, and communities to share their experiences of residential schools and released several reports based on 7000 survivor statements and five million documents from government, churches, and schools, as well as a solid grounding in secondary sources.A Knock on the Door, published in collaboration with the National Research Centre for Truth & Reconciliation, gathers material from the several reports the TRC has produced to present the essential history and legacy of residential schools in a concise and accessible package that includes new materials to help inform and contextualize the journey to reconciliation that Canadians are now embarked upon.Survivor and former National Chief of the Assembly First Nations, Phil Fontaine, provides a Foreword, and an Afterword introduces the holdings and opportunities of the National Centre for Truth & Reconciliation, home to the archive of recordings, and documents collected by the TRC.As Aimée Craft writes in the Afterword, knowing the historical backdrop of residential schooling and its legacy is essential to the work of reconciliation. In the past, agents of the Canadian state knocked on the doors of Indigenous families to take the children to school. Now, the Survivors have shared their truths and knocked back. It is time for Canadians to open the door to mutual understanding, respect, and reconciliation.

    Starting in 1821 with just a handful of men, the Rangers' first purpose was to keep settlers safe from the feared and gruesome Karankawa Indians, a cannibalistic tribe that wandered the Texas territory. As the influx of settlers grew, the attacks increased and it became clear that a much larger, better trained force was necessary. From their tumultuous beginning to their decades of fighting outlaws, Comanche, Mexican soldados and banditos, as well as Union soldiers, the Texas Rangers became one of the fiercest law enforcement groups in America.  In a land as spread-out and sparsely populated as the west itself, the Rangers had unique law-enforcement responsibilities and challenges. The story of the Texas Rangers is as controversial as it is heroic. Often accused of vigilante-style racism and murder, they enforced the law with a heavy hand. But above all they were perhaps the defining force for the stabilization and the creation of Texas. From Stephen Austin in the early days through the Civil War, the first eighty years of the Texas Rangers is nothing less then phenomenal, and the efforts put forth in those days set the foundation for the Texas Rangers that keep Texas safe today.

    As a young child he suffered a horrific leg and back injury that left him an invalid. Educated, inquisitive, perceptive, and exceptionally witty, the 12-year-old began keeping a journal in 1860--just before secession and Civil War tore the country and his world apart. He continued to write even as his health deteriorated until both the war and his life ended in 1865. His unique view of a waning age is published here for the first time in A Son of Georgia: The Civil War Journals of LeRoy Wiley Gresham, 1860-1865. The precocious youngster who read Shakespeare and Dickens, loved math, and played chess took in the world from his bed and inside a small wagon pulled around town by a slave his own age. Thirsting for news, LeRoy immersed himself in newspapers, letters, books, and adult conversation, following the course of the war closely as he recorded its impact on his family, his community, and the new Southern Confederacy. LeRoy's older brother Thomas served with Lee's army in Virginia, as did many uncles and neighbors. The wealthy slaveholding family had a deep stake in its outcome. Little escaped LeRoy's pen. His journals brim with both practical and philosophical observations on everything from the course of the war, politics, and family matters, to Macon's social activities, food, weather, and his beloved pets. The young scribe often voiced concern about "Houston," the family's plantation outside town. He recorded his interactions and relationships with "servants" and "valets" Howard, Eaveline, "Mammy Dinah" and others as he pondered the fate of human bondage and his family's fortunes. LeRoy's declining health is a consistent thread coursing through his fascinating journals. "I feel more discouraged [and] less hopeful about getting well than I ever did before," he wrote on March 17, 1863. "I am weaker and more helpless than I ever was." Morphine and other "remedies" eased his suffering. Bedsores developed; nagging coughs often consumed him. Alternating between bouts of euphoria and despondency, he would often write, "Saw off my leg." Edited and annotated with meticulous care by Janet Croon, A Son of Georgia: The Civil War Journals of LeRoy Wiley Gresham, 1860-1865 captures the spirit and the character of a young privileged white teenager witnessing the demise of his world even as his own body is slowly failing him. Just as Anne Frank has come down to us as the adolescent voice of World War II, LeRoy Gresham will now be remembered as a young voice of the Civil War South.

    After the War of 1812, President Andrew Jackson and his successors led the country to its manifest destiny across the continent. But that expansion unleashed new regional hostilities that led inexorably to Civil War. The earliest victims were the Cherokees and other tribes of the southeast who had lived and prospered for centuries on land that became Alabama, Mississippi, and Georgia. Jackson, who had first gained fame as an Indian fighter, decreed that the Cherokees be forcibly removed from their rich cotton fields to make way for an exploding white population. His policy set off angry debates in Congress and protests from such celebrated Northern writers as Ralph Waldo Emerson. Southern slave owners saw that defense of the Cherokees as linked to a growing abolitionist movement. They understood that the protests would not end with protecting a few Indian tribes. Langguth tells the dramatic story of the desperate fate of the Cherokees as they were driven out of Georgia at bayonet point by U.S. Army forces led by General Winfield Scott. At the center of the story are the American statesmen of the day—Henry Clay, John Quincy Adams, John C. Calhoun—and those Cherokee leaders who tried to save their people—Major Ridge, John Ridge, Elias Boudinot, and John Ross. Driven West presents wrenching firsthand accounts of the forced march across the Mississippi along a path of misery and death that the Cherokees called the Trail of Tears. Survivors reached the distant Oklahoma territory that Jackson had marked out for them, only to find that the bloodiest days of their ordeal still awaited them. In time, the fierce national collision set off by Jackson’s Indian policy would encompass the Mexican War, the bloody frontier wars over the expansion of slavery, the doctrines of nullification and secession, and, finally, the Civil War itself. In his masterly narrative of this saga, Langguth captures the idealism and betrayals of headstrong leaders as they steered a raw and vibrant nation in the rush to its destiny.

    Drew Faust offers a compelling picture of the more than half-million women who belonged to the slaveholding families of the Confederacy during this period of acute crisis, when every part of these women's lives became vexed and uncertain.

    There, thanks to moderate climate, sheltering mountain ranges, lush forests, crystal-pure waterways teeming with wildlife, and the absence of predatory neighbors, the local tribes had prospered in their remote paradise for some 10,000 years.All that suddenly ended in the middle of the nineteenth century when a proud, retired young U.S. Army major, an engineer with high political ambitions, was appointed the first governor of newly acquired, 100,000-square-mile Washington Territory. Isaac Ingalls Stevens’s primary task was to persuade the natives that their only hope for survival was to sign treaties handing over their ancestral lands to the American government in exchange for protection from oncoming whites eager to turn the wilderness into crop-land. But one tribal chief at Puget Sound, Leschi of the Nisqually nation, insisted that his people be dealt with fairly and not coerced into surrendering virtually their entire sacred homeland without just compensation. The Bitter Waters of Medicine Creek is the emblematic story of this confrontation between the headstrong American governor and the defiant leader of the Nisquallies and their brethren who resisted him and, in doing so, stirred up the gross abuse of power and the licensing of injustice on our last frontier.Here is Richard Kluger’s poignant rendering of the tragic relationship between the red and white races, told in graphic detail. Our social literature abounds with accounts of how racist degradation was visited on the far more numerous black and Hispanic Americans. Yet the nation’s self-righteous, methodical dispossession of the Indians has been largely dismissed by whites as the sad but inevitable price of social and technological progress. Through the experience of a single tribe, The Bitter Waters of Medicine Creek seeks to clarify the historical record. It also tells, in a hopeful epilogue, the latest chapter of the Nisqually tribe’s struggle to endure amid the mounting pressures of twenty-first-century modernity.