The disembodied yet interconnected characters include Sara, a 19-year-old chambermaid who has recently died at the hotel; her bereaved sister, Clare, who visits the scene of Sara's death; Penny, an advertising copywriter who is staying in the room opposite; Lise, the Global's depressed receptionist; and the homeless Else who begs on the street outside. Smith's ambitious prose explores all facets of language and its uses. Sara takes us through the moment of her exit from the world and beyond; in her desperate, fading grip on words and senses she gropes to impart the meaning of her death in what she terms "the lift for dishes"--then comes a flash of clarity: "That's the name for it, the name for it; that's it; dumb waiter dumb waiter dumb waiter." Blended with hers are other voices: Penny's bland journalese and Else's obsession with metaphysical poetry. Hotel World is not an easy read: disturbing and witty by turns, with its stream-of-consciousness narrators reminiscent of Virgina Woolf's The Waves, its deceptively rambling language is underpinned by a formal construction. Exploring the "big themes" of love, death and millennial capitalism, it takes as its starting point Muriel Spark's Momento Mori ("Remember you must die") and counteracts this axiom with a resolute "Remember you must live". Ali Smith's novel is a daring, compelling, and frankly spooky read. --Catherine Taylor

    Set in the wilds of Africa, Larger Than Life introduces Alice, the unforgettable character at the center of Picoult’s anticipated new novel, Leaving Time.   A researcher studying memory in elephants, Alice is fascinated by the bonds between mother and calf—the mother’s powerful protective instincts and her newborn’s unwavering loyalty. Living on a game reserve in Botswana, Alice is able to view the animals in their natural habitat—while following an important rule: She must only observe and never interfere. Then she finds an orphaned young elephant in the bush and cannot bear to leave the helpless baby behind. Thinking back on her own childhood, and on her shifting relationship with her mother, Alice risks her career to care for the calf. Yet what she comes to understand is the depth of a parent’s love.

    His moving and personal meditation on fatherhood is split into two stylistically separate sections. In the first, Auster reflects on the memories of his father who was a distant, undemonstrative, and cold man who died an untimely death. As he sifts through his Father’s things, Auster uncovers a sixty-year-old murder mystery that sheds light on his father’s elusive character. In the second section, the perspective shifts and Auster begins to reflect on his own identity as a father by adopting the voice of a narrator, “A.” Through a mosaic of images, coincidences, and associations “A,” contemplates his separation from his son, his dying grandfather, turning the story into a self-conscious reflection on the process of writing.

    I laughed out loud in public in response to the quirky plot twists. An Unsafe Pair of Hands by Chris Dolley is a masterful addition to the British mystery genre." -- Barth Siemens Peter Shand is the 'safe pair of hands' - a high-flying police administrator seconded to a quiet rural CID team to gain the operational experience he needs for promotion. On his second day he's thrust into a high-profile murder case. A woman's body is discovered in an old stone circle - with another woman buried alive beneath her. The pressure on Shand is enormous. The media is clamoring for answers, but everything about the case is baffling. Then a local journalist singles out Shand as the reason for the lack of progress, and goads him at a press conference. Shand responds by inventing a lead, and keeps on lying - to the press, his boss, his team - telling himself that he'll solve the case before anyone finds out. And then another murder occurs. And had there been a third? Shand begins to doubt his ability. He's desperate, increasingly unpredictable, pursued by an amorous psychic, and somehow gaining a reputation for arresting livestock. Which will break first? The case, or Shand? Chris Dolley is a New York Times bestselling author. REVIEWS "This mystery is so much fun. The humor is delightful and the plot is complex enough to keep you turning pages to the end... This is by far one of the best summer reads of 2011." -- Jensview "One of the best I've read in years." -- Laura Belgrave "I loved this book." -- Bookworm "This is a very good read. You will want to be sure to have a day off or a quiet weekend ahead of you, because this book is very hard to put down once you get started reading it." -- Kathleen Kempa "I literally struggled to put the book down, only doing so hours after I should have been asleep." -- Aeries

    The most famous writer in Russia takes his last breath in a stationmaster's cottage, miles from Moscow. A young woman who is about to marry a rich aristocrat instead begins a torrid relationship with a construction worker. A father, finally free of his daughter's demands, embarks on a long swim from his Canadian lakeside retreat. A middle-aged woman cares for her injured mother at Christmas. And in the grandest house of all, Danni the Polish housekeeper catches the eye of an enigmatic visitor, Daphne du Maurier. Rose Tremain awakens the senses in this magnificent and diverse collection of short stories. In her precise yet sensuous style, she lays bare the soul of her characters - the admirable, the embarrassing, the unfulfilled, the sexy, and the adorable - to uncover a dazzling range of human emotions and desires.

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    There you have six gripping cases. There's one more, a surprise. They have one thing in common - the astonishing deductive powers of Miss Marple.The titles are: 1. Sanctuary, 2. Strange Jest, 3. Tape-Measure Murder, 4. The Case of the Caretaker, 5. The Case of the Perfect Maid, 6. Miss Marple Tells a Story, 7. The Dressmaker's Doll, 8. In a Glass Darkly, and 9. Greenshaw's Folly. The two non-Marple mysteries are #7 and #8 - both are Agatha Christie standalone short stories.Librarian's note: this entry is for the collection of short stories, "Miss Marple's Final Cases." Entries for the individual titles can be found elsewhere on Goodreads. The entries for each of the 20 Miss Marple short stories can be found by searching Goodreads for: "a Miss Marple Short Story." And for Christie's short stories which don't feature one of her leading characters: "an Agatha Christie Standalone Short Story."

    A selection of confused teenagers. A play doomed for disaster. A distinctly below average teacher. Being a successful teacher is difficult, especially when you are not overly keen on doing any actual work.Still, the narrator of Thrift is undeterred as he lies and cheats his way through the Christmas term, hoping that he can save his career, and perhaps even earn himself a thoroughly undeserved promotion.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    We read every chapter, summarize and analyze it for your convenience. This is an Instaread Summary of 'Me Before You' by JoJo Moyes. Below is a preview of the earlier sections of the summary: Chapter 1 Louisa ‘Lou’ Clark, a member of a working class family in a small English village, has just lost her job. Although both Lou’s father, Bernard, and her sister, Treena, work, neither makes enough money to help the family make ends meet without Lou’s income. For this reason, it is decided that Lou should apply for a new job at the Job Centre as soon as possible. The next day Lou goes to the gym to see her boyfriend, Patrick. He sees Lou’s lost job as an opportunity for her to improve herself and find something better. The counselor at the Job Centre suggests Lou apply as a care assistant for a man in a wheelchair. She is not interested in this job, but she is running out of options. She agrees to go for the interview. Chapter 2 Lou usually wears odd, eccentric clothes. For the job interview, Josie, her mother, insists she wear a business suit. Lou goes to Granta House, an elegant and expensive home next to the local tourist attraction, Stortfold Castle. She is interviewed by Camilla Traynor. Camilla is Will Traynor’s mother. Will became a quadriplegic after being hit by a motorcycle. He already has a nurse named Nathan to take care of his personal and medical needs. Camilla wants to hire someone to be a companion for Will and to stay with him during the day when no one else can be there. Lou thinks the interview goes badly. Therefore, she is surprised when Camilla offers her the job with a six-month contract and generous pay. Chapter 3 Lou reports for work at Granta House the following morning. Camilla shows her around the annexe, a space that was once stables but was turned into guest quarters. This is where Will lives now that he is confined to a wheelchair. Camilla explains her duties to Lou. She makes it clear that Lou is not to leave Will alone and unattended for more than 15 minutes at any one time. Camilla introduces Lou to Will and Nathan, Will’s nurse. Nathan explains Will’s medications to Lou and tells her she is there to cheer Will. Nathan leaves, and Lou and Will are left to get to know each other. It does not go well. Will is sullen, quiet, and talks very little. She keeps herself busy with cleaning and household chores to fill in the time. Lou is unhappy about the first day at her new job. She talks to her sister Treena about it. Treena asks her to stick with the job because she has decided to quit her job and go back to college. She has received a grant to help pay her tuition, but will have to quit her job. Lou feels this puts more pressure on her to earn an income.

    Behind the locked doors of the Sistine Chapel, one hundred and eighteen cardinals from all over the globe will cast their votes in the world’s most secretive election. They are holy men. But they have ambition. And they have rivals. Over the next seventy-two hours one of them will become the most powerful spiritual figure on earth.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.