The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    Through the Battle of Solferino, to the entombment of the last Hapsburg emperor, Roth's intelligent compassionate narrative illuminates the crumbling of a way of life.

    Dream Story tells how through a simple sexual admission a husband and wife are driven apart into rival worlds of erotic intrigue and revenge.

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    The guest of honor, an actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the narrator, who begins a silent but frenzied, sometimes maniacal, and often ambivalent tirade against these former friends, most of whom were brought together by the woman whom they had buried that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing a culmination to the evening for which the narrator had not even thought to hope."Mr. Bernhard's portrait of a society in dissolution has a Scandinavian darkness reminiscent of Ibsen and Strindberg, but it is filtered through with a minimalist prose. . . . Woodcutters offers an unusually strange, intense, engrossing literary experience."—Mark Anderson, New York Times Book Review"Musical, dramatic and set in Vienna, Woodcutters. . . .resembles a Strauss operetta with a libretto by Beckett."—Joseph Costes, Chicago Tribune"Thomas Bernhard, the great pessimist-rhapsodist of German literature . . . never compromises, never makes peace with life. . . . Only in the pure, fierce isolation of his art can he get justice."—Michael Feingold, Village Voice"In typical Bernhardian fashion the narrator is moved by hatred and affection for a society that he believes destroys the very artistic genius it purports to glorify. A superb translation."—Library Journal

    The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

    The Confusions of Young Törless, published in 1906 while he was a student, uncovers the bullying, snobbery, and vicious homoerotic violence at an elite boys academy. Unsparingly honest in its depiction of the author's tangled feelings about his mother, other women, and male bonding, it also vividly illustrates the crisis of a whole society, where the breakdown of traditional values and the cult of pitiless masculine strength were soon to lead to the cataclysm of the First World War and the rise of fascism. More than a century later, Musil's first novel still retains its shocking, prophetic power.

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    Hermann, the manager of a paper mill, has decided that sexual gratification begins at home. Which means Gerti - his wife and property. Gerti is not asked how she feels about the use Hermann puts her to. She is a receptacle into which Hermann pours his juices, nastily, briefly, brutally. The long-suffering and battered Gerti thinks she has found her saviour and love in Michael, a student who rescues her after a day of vigorous use by her husband. But Michael is on his way up the Austrian political ladder, and he is, after all, a man.

    In a secluded woodland castle an old General prepares to receive a rare visitor, a man who was once his closest friend but who he has not seen in forty-one years. Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions. They will exhume the memory of their friendship and that of the General’s beautiful, long-dead wife. And they will return to the time the three of them last sat together following a hunt in the nearby forest--a hunt in which no game was taken but during which something was lost forever. Embers is a classic of modern European literature, a work whose poignant evocation of the past also seems like a prophetic glimpse into the moral abyss of the present

    As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor.In its immensity of scope, richness of detail, and fullness of humanity, buddenbrooks surpasses all other modern family chronicles. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"