But that didn't stop her from wanting one.Georgann Rea didn't bake cookies or go to PTA meetings; she wore a mink coat and always had a lit Dunhill plugged into her cigarette holder. She had slept with too many men, and some women, and she didn't like dogs or children. Georgann had the ice queen beauty of a Hitchcock heroine and the cold heart to match.In this evocative, darkly humorous memoir, Wendy deftly charts the highs and lows of growing up with her younger sister in the shadow of an unstable, fabulously neglectful mother. Georgann, a real-life Holly Golightly who constantly reinvents herself as she trades up from trailer-park to penthouse, suffers multiple nervous breakdowns and suicide attempts, while Wendy tries to hide the cracks in their fractured family from the rest of the world.Chanel Bonfire depicts a childhood blazed through the refined aeries of The Dakota and the swinging townhouses of London, while the girls' beautiful but damned mother desperately searches for glamour and fulfillment. Ultimately, they must choose between living their own lives and being their mother's warden.

    Ass. B*tch.The daughter of a hitman, I take sh*t from no one, even if it's a guy that's six-foot-five and looks like the hulk.Only the biggest and strongest man can handle me, but little did I know he was under my nose my entire life.CarterPrideful. Patriotic. Protector.I take no prisoners. You mess with me, my family or my city, you're going down. I'm as hard as stone, as sharp as steel.But when it comes to my childhood friend Andrea, I might've just met my match.  Sexy and stubborn to boot, there's only one type of man that can handle a woman like her and do her body JUSTICE.

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    We come to know and love this girl, called Small Bird by her family, through the events of her colorful childhood and her marriage to Tutankhaten, a boy of royal birth. Her efforts to save the kingdom from conniving priests and soldiers were gallant and dramatic.While the fate of the Queen is unknown, in her story Lucile Morrison ventures to suppose a satisfying ending to the romance. An extraordinarily accurate, vivid picture of domestic and court life which will enrich any study of the culture of ancient Egypt.Illustrations by Franz Geritz, done in the style of ancient Egypt, help set the mood of Ankhsen­amon's story as the clock is turned back more than three thousand years. Color frontispiece and newly recolored map end pages.

    Unfortunately, being the head cheerleader, on the honor roll and most popular girl in school isn't perfect enough to save Dianna from her from her father's belt, which is the only parenting tool he thinks he needs. With the start of 10th grade and his angry punishments increasing in frequency and intensity, she isn't sure she'll make it to 11th. That is, until she meets Laurie Burns. Laurie is the biggest nerd in school, wears ugly clothes and annoys everyone around her with her know-it-all attitude. She also has a warm, caring heart and opens up her life, and her family, to Dianna in a moment of crisis. Can this weird, unusual girl and her equally unusual family be the key to finally finding the love and security she needs?

    Mona is a Millennial perfectionist who fails upwards in the midst of the 2008 economic crisis.Despite her potential, and her top- of-her-class college degree, Mona finds herself unemployed, living with her parents, and adrift in life and love. Mona’s the sort who says exactly the right thing at absolutely the wrong moments, seeing the world through a cynic’s eyes. In the financial and social malaise of the early 2000s, Mona walks a knife’s edge as she faces down unemployment, underemployment, the complexities of adult relationships, and the downward spiral of her parents’ shattering marriage. The more Mona craves perfection and order, the more she is forced to see that it is never attainable. Mona’s journey asks the question: When we find what gives our life meaning, will we be ready for it?

    Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

    The intensity of it scared even me, and nothing ever scared me. She made me feel for the first time in my life. For a man like me, that was terrifying, but it was also fucking exhilarating. Soon, my want turned into need, and then obsession. From there, it developed into full-blown addiction. She became all that I thought of. If I was a better, less selfish man, I would have forced myself to stay away from her. We were from two different worlds; one light, one dark. I knew the darkness of my world would inevitably swallow her whole. But I couldn’t let her go. I wouldn’t even lie and say I’d tried. I hadn’t. Every fiber of my being screamed that Eve was mine. She was meant for me. I could live without her, but I didn’t want to. I was rational enough to know that she wasn’t ready for me, though. She was too naive, too innocent, too young. I’d break her. So, in silence I’d suffered. Watching, wanting, waiting, needing only her. She was always right within my reach but never close enough to touch. Until… I took her.

    It’s late 2016 when Ariel discovers that her mother Mona’s animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes—but that it’s also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six long years, knows she has to return to her childhood home—especially since her own past may have played a role in the attack on the sanctuary. Ariel expects tension, maybe even fury, but she doesn’t anticipate that her first love, a ranch hand named Gideon, will still be working at the Bright Side. Back in Lawrence, Ariel’s charming but hapless fiancé, Dex, grows paranoid about her sudden departure. After uncovering Mona’s address, he sets out to confront Ariel, but instead finds her grappling with the life she’s abandoned. Amid the reparations with her mother, it’s clear that Ariel is questioning the meaning of her life in Lawrence, and whether she belongs with Dex or with someone else, somewhere else. Acclaimed writer Pam Houston says that “Mandelbaum is wise beyond her years and twice as talented,” and The Bright Side Sanctuary for Animals poignantly explores the unique love and tension between mothers and daughters, and humans and animals alike. Perceptive and funny, moving and eloquent, and ultimately buoyant, Mandelbaum offers a panoramic view of family and forgiveness, and of the meaning of home. Her debut reminds us that love provides refuge, and underscores our similarities as human beings, no matter how alone or far apart we may feel.