Penniless and stranded, she found only one way to get home: charge four hapless American Colonials to find them titled husbands in London. At the ship, she realized their mothers expected each to wed the Marquess of Andover, but how hard could it be to seek an introduction? Meanwhile, Captain Grant St. Benedict was anything but friendly. Why? Because her girls set fire to the rigging? Grant had never met a woman more irritating, or more desirable, than the Lady Patience Kendall. But however dangerous his interest, he couldn't resist teaching the delicious distraction that independence was nothing to passion.

    Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa–introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is a star UK stage actress–-so good, in fact, that perhaps she never stops acting.It seems that noting can ruffle her satin feathers, until a quiet stranger challenges Julia's very sense of self. As a result, she will endure rejection for the first time, her capacity as a mother will be affronted, and her ability to put on whatever face she desired for her public will prove limited. In Theatre, Maugham subtly exposes the tensions and triumphs that occur when acting and reality blend together, and–for Julia–ultimately reverse.

    A lonely child, he found solace in Old Joe's simple wisdom and folk charms. The magic was lost, however, when Joe disappeared without warning one fall. Years later, Jay's life is stalled with regret and ennui. His bestselling novel, Jackapple Joe, was published ten years earlier and he has written nothing since. Impulsively, he decides to leave his urban life in London and, sight unseen, purchases a farmhouse in the remote French village of Lansquenet. There, in that strange and yet strangely familiar place, Jay hopes to re-create the magic of those golden childhood summers. And while the spirit of Joe is calling to him, it is actually a similarly haunted, reclusive woman who will ultimately help Jay find himself again.

    His friend Maggie sits with him every day; she holds his hand and she listens to the story of his life, to his regrets and to his secrets. And then he tells her about the children he has never met and never will. He talks of them wistfully. His legacy, he calls them. Lydia, Dean and Robyn don't know each other. Yet. And they are all facing difficult changes. Lydia is still wearing the scars from her traumatic childhood and although she is wealthy and successful, her life is lonely and disjointed. Dean is a young man, burdened with unexpected responsibility, whose life is going nowhere. And Robyn wants to be a doctor, just like her father - a man she's never met. But is her whole life built on an illusion? Three people leading three very different lives. All lost. All looking for something. But when they slowly find their way into each other's lives, everything starts to change ...

    But the apparently pleasant town is not all it seems. Sylvia falls in love with an older man - but it's her connection to his precocious young daughter and her neighbours' son which will change her life and put them, the library and her job under threat.How does the library alter the young children's lives and how do the children fare as a result of the books Sylvia introduces them to?

    . . . Rowena BuxtonSir Philip Buxton raised three girls into beautiful and capable young women in a bohemian household that defied Edwardian tradition. Eldest sister Rowena was taught to value people, not wealth or status. But everything she believes will be tested when Sir Philip dies, and the girls must live under their uncle’s guardianship at the vast family estate, Summerset Abbey. Standing up for a beloved family member sequestered to the “underclass” in this privileged new world, and drawn into the Cunning Coterie, an exclusive social circle of aristocratic “rebels,” Rowena must decide where her true passions—and loyalties—lie. Victoria BuxtonFrail in body but filled with an audacious spirit, Victoria secretly dreams of attending university to become a botanist like her father. But this most unladylike wish is not her only secret—Victoria has stumbled upon a family scandal that, if revealed, has the potential to change lives forever. . . . Prudence TatePrudence was lovingly brought up alongside Victoria and Rowena, and their bond is as strong as blood. But by birth she is a governess’s daughter, and to the lord of Summerset Abbey, that makes her a commoner who must take her true place in society—as lady’s maid to her beloved “sisters.” But Pru doesn’t belong in the downstairs world of the household staff any more than she belongs upstairs with the Buxton girls. And when a young lord catches her eye, she begins to wonder if she’ll ever truly carve out a place for herself at Summerset Abbey.

    Cate is sent to Devon with Rachel's colleague Jack to value the contents of Endsleigh, the grand Georgian home of a former socialite. But inside, its once elegant interiors are now worn with age and dust. Then Cate discovers hidden in the back of one of the bookshelves, an old shoebox containing an exquisite pair of silk dancing shoes from the 1930's along with a mysterious collection of objects - a diamond brooch, a photograph of a handsome young sailor, a dance card, and a beautiful pearl and emerald bracelet from Tiffany's. Unable to solve the questions in her own life, Cate quickly becomes engaged in solving the mystery of the shoe box and begins to unravel the story of Baby Blythe; bright, beautiful and reckless, she was the most famous debutante of her generation. The clues in the box reveal a tale of a dark, addictive love, a tale that will lead Cate to uncover some secrets of her own. A timeless novel from the bestselling author of Elegance.

    There are no warders. Satellite technology is used to keep the convicts under watch. New arrivals are dumped by helicopter and must learn to survive as best they can. To Sert, one afternoon in July, is brought Anthony John Routledge, sentenced for a sex-murder he did not commit. Routledge knows he is here for ever. And he knows he must quickly forget the rules of civilized life. But not all the islanders are savages. Under the charismatic leadership of one man a community has evolved. A community with harsh and unyielding rules, peopled by resourceful men for whom the hopeless dream of escape may not be so hopeless after all ...

    Two young nurses meet at a train station with a common purpose: to join the war effort. Scarlet longs for the chance to find her missing fiancé, Thomas, and to prove to her family—and to herself—that she’s stronger than everybody thinks. Nursing is in Ellie’s blood, but her humble background is vastly different from Scarlet’s privileged upbringing. Though Ellie puts on a brave face, she’s just as nervous as Scarlet about what awaits them in France.In Normandy, the two friends soon encounter the seemingly unflappable Lucy. Scarlet and Ellie are in awe of her courage and competence, but the experienced nurse is well aware of the dangers of the job they’ve chosen—and even she is terrified they won’t make it home alive.Pushed to their limits by the brutality of a world at war, Scarlet, Ellie and Lucy will need to rely on each other—and the power of their friendship—to survive.

    The kids writhe about in the V05 shampoo they just spilt, laughing as the last of their clean clothes bite the dust, and I'm thinking: "Survive driving round England with two under 4s, staying at a different hotel each night and visiting four or five attractions a day and sometimes a restaurant in the evening. Sleep all in the same room, go to bed at 7 p.m. after having had no evening to yourself, wake up at 7 a.m. and do it all again the next day with the prospect of another 140 nights of the same—then come and tell me about survival in your khaki ****ing shorts, Ray." They were bored, broke, burned out, and turning 40. So when Ben and his wife Dinah were approached to write a guidebook about family travel, they embraced the open road, ignoring friends' warnings: "One of you will come back chopped up in a bin bag in the roof box." Featuring deadly puff adders, Billie Piper's pajamas, and a friend of Hitler's, it's a story about love, death, falling out, moving on, and growing up, and 8,000 misguided miles in a Vauxhall Astra.

    Even when his estranged father dies, Eric can’t help but dream about the luxuries he’ll spend his inheritance on. Unfortunately, Eric’s late father, had other ideas.Life quickly becomes a chaotic kaleidoscope of grumpy pensioners, wellington boots and vintage automobiles as Eric is forced to juggle his hectic career and family life in London, with regular visits to the small riverside town of Burlam. Plagued by heavy machinery mishaps, missed deadlines and drug raids, it’s not long before his job, his marriage and his sanity are hanging in the balance. Will he get his hands on his father’s treasured Aston Martin before he loses all three?Peas, Carrots and an Aston Martin is the first book in the delightfully funny new series from the award-winning author of The Afterlife of Walter Augustus. This quintessentially British novel will have you laughing and crying until the very end.

    So why do the rich Fanshawes of Markyate Manor seem so anxious to employ her? And where exactly does her mistress, Lady Katherine, ride out to at night? SHADOW ON THE HIGHWAY is based on the life and legend of Lady Katherine Fanshawe, the highwaywoman, sometimes known as The Wicked Lady. A tale of adventure and budding romance set in the turbulent English Civil War, this is a novel to delight teens and adults alike. Includes historical notes from the author. SHADOW ON THE HIGHWAY is the stand-alone first part of The Highway Trilogy.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

     In the wake of her husband's tragic death, Lee is pregnant and one million dollars in debt to a dangerous loan shark willing to do anything to collect. Out of money and options, Lee seeks refuge in the small Oregon town where her mother's dilapidated home sits vacant, as desperate for a fresh start as Lee herself.With a baby on the way and a living to make, Lee opens a restaurant and begins to rebuild her life. But just as she catches her breath, and the eye of a local musician offering a second chance at love, she finds herself right back in the clutches of the debt collector with more to lose than ever.