Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

    Why didn’t more gay kids join the wrestling team? The other wrestlers.The days of being picked on and beat up were over for Alfonso Flores. Instead of being the scrawny nerd everyone remembered, he returned to high school bigger and buffer. He just wants to be left alone in peace. How does he end up joining the wrestling team?A guy, of course.To get closer to Dallas, he’ll go where no gay boy has gone before: the wrestling team. Even if he doesn’t receive a warm welcoming. For big macho men, wrestlers were pretty self-conscious. Maybe it was a gay guy joining the team. Maybe they understood just how insane their sport was. It was pretty gay.What’s the saying? If you can’t beat ‘em, join ‘em. Alfonso’s going to do both. He’ll try not to get killed in the testosterone filled, macho world of groping other guys for sport all while getting closer to Dallas and dealing with his overprotective father. If he doesn’t survive, at least he got to feel Dallas Archer's muscles. Definitely worth it.This is a humorous, light hearted story about getting out of your comfort zone and getting the guy.

    His grades sucked. Making friends? Out of the question thanks to his nervous breakdowns and unpredictable moods. Still, Vince thought when Maggie Atkins took him in, he might’ve finally found a place to get his life—and his issues—in order.But then Maggie keels over from a heart attack. Vince is homeless, alone, and the inheritance money isn't going to last long. A year ago, Vince watched a girl leap to her death off a bridge, and now he's starting to think she had the right idea.Vince stumbles across a website forum geared toward people considering suicide. There, he meets others with the same debate regarding the pros and cons of death: Casper, battling cancer, would rather off herself than slowly waste away. And there’s quiet, withdrawn Adam, who suspects if he died, his mom wouldn't even notice.As they gravitate toward each other, Vince searches for a reason to live while coping without Maggie's guidance, coming to terms with Casper's imminent death, and falling in love with a boy who doesn't plan on sticking around.

    With each letter, the two begin to develop a friendship that eventually grows into love. But with homophobia, bullying, and devastating family secrets, Jonathan and Kurl struggle to overcome their conflicts and hold onto their relationship...and each other.This rare and special novel celebrates love and life with engaging characters and stunning language, making it perfect for fans of Jandy Nelson, Nina LaCour, and David Levithan.

    Not on this earth but elsewhere . . .Determined to make his mark like those before him, Pharus is hell-bent on being the best choir leader in the school's fifty-year history. First he must gain the respect of his peers, but he's an outsider in a world steeped in rites and rituals, a community that demands he conform.Tarell Alvin McCraney's piercing new play set in an all boys, all black American prep school scores a gospel refrain of the politics of minority and masculinity.Choir Boy premiered at the Theatre Upstairs at the Royal Court, London, in September 2012. It was commissioned by, and is a co-production with Manhattan Theatre Club and was supported by The Andrew W. Mellon Foundation.

    It’s an environment in which he must hide his sexuality, in which every encounter is potentially deadly.2003: James is a young writer, living with his boyfriend. In search of a subject, he begins looking into the Far Right in Britain and its secret gay membership. He becomes particularly fascinated by Nicky Crane, one of the leaders of the neo-Nazi movement who came out in 1992 before dying a year later of AIDS.The two narrative threads of this extraordinarily assured and ambitious first novel follow Tony through the seventies, eighties, and nineties, as the nationalist movement splinters and weakens; and James through a year in which he becomes dangerously immersed in his research. After risky flirtations with individuals on far right websites, he starts receiving threatening phone calls—the first in a series of unexpected events that ultimately cause the lives of these two very different men to unforgettably intersect.Children of the Sun is a work of great imaginative sympathy and range—a novel of unblinking honesty but also of deep feeling, which illuminates the surprisingly thin line that separates aggression from tenderness.

    Closer to home, though, language is failing him. He doesn't know what to say to his wife, Mary, to keep her from leaving him, and he doesn't recognize the deep feelings that his lab assistant, Emma, has for him.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

    The only son of a wealthy London baronet, he’s struggling to escape his father’s suffocating world. But Laurie is losing his fight. At nineteen years of age, bright and imaginative, he’s no match for the brutal Sir William. Laurie wants to be an actor – bad enough as far as Sir William is concerned, but, worse than that, he’s gay.One bitter winter night, he meets a young homeless man huddled in blankets outside the opera house. The two form a bond straight away, and Laurie takes him home, wanting only to offer him food and a warm bed. But Sasha is a passionate Romani immigrant, and his beauty and sweet nature soon overwhelm Laurie’s chaste intentions, leaving him hopelessly in love.Laurie and Sasha reach out desperately to one another from their different worlds, and against all odds begin an affair, hidden in the attics of Laurie’s sumptuous home and on the bleak moorland of a Romani encampment. For Laurie, it’s a delicious sexual awakening, and Sasha returns his affections, opening up to him a whole new world of freedom.But Sasha has secrets, and a murky, violent past. When he vanishes, he leaves Laurie bereft and alone in a city he hardly recognises any more. Now Laurie has to stand on his own two feet and find the strength to rescue his lover – and himself. Note: This is not a historical series. They are titled aristocrats in contemporary society.Word Count: 77,877

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.

    There’s Lila, too: The other woman, the one who stole the rock-solid foundation of his life. And then . . . There’s Jace. Lila’s son. Lila’s smug, regurgitated-fish-scale-blue eyed son. All Cooper wants is to have his family back the way it once was, but there’s something about this boy that promises things will never be the same again. Sedimentary. Resisting the realities of his new life, Cooper and Jace get off to a rocky start. But rocky start or not, after hundreds of shared memories together, they forge something new. A close . . . friendship. Because friendship is all they can have. Although it’s not like they are real brothers. Technically, they’re not even stepbrothers . . . Metamorphic. But how does that friendship evolve under the pressures of life? Under pressures of the heart?

    Other than that his life is pretty normal. But when Caleb starts experiencing mood swings that are out of the ordinary for even a teenager, his life moves beyond “typical.”Caleb is an Atypical, an individual with enhanced abilities. Which sounds pretty cool except Caleb's ability is extreme empathy—he feels the emotions of everyone around him. Being an empath in high school would be hard enough, but Caleb's life becomes even more complicated when he keeps getting pulled into the emotional orbit of one of his classmates, Adam. Adam's feelings are big and all-consuming, but they fit together with Caleb's feelings in a way that he can't quite understand.Caleb's therapist, Dr. Bright, encourages Caleb to explore this connection by befriending Adam. As he and Adam grow closer, Caleb learns more about his ability, himself, his therapist—who seems to know a lot more than she lets on—and just how dangerous being an Atypical can be."What if the X-Men, instead of becoming superheroes, decided to spend some time in therapy?" (Vox on The Bright Sessions)

    But when his estranged childhood best friend Emir Shah shows up to summer training camp, Sebastian realizes the team's success may end up in the hands of the one guy who hates him. Determined to reconnect with Emir for the sake of the Lions, he sets out to regain Emir's trust. But to Sebastian's surprise, sweaty days on the pitch, wandering the town's streets, and bonding on the weekends sparks more than just friendship between them.