For Allison Dennis, all it takes is 180 seconds…After a life spent bouncing from one foster home to the next, Allison is determined to keep others at arm’s length. Adopted at sixteen, she knows better than to believe in the permanence of anything. But as she begins her third year in college, she finds it increasingly difficult to disappear into the white noise pouring from her earbuds.One unsuspecting afternoon, Allison is roped into a social experiment just off campus. Suddenly, she finds herself in front of a crowd, forced to interact with a complete stranger for 180 seconds. Neither she, nor Esben Baylor, the dreamy social media star seated opposite her, is prepared for the outcome.When time is called, the intensity of the experience overwhelms Allison and Esben in a way that unnerves and electrifies them both. With a push from her oldest friend, Allison embarks on a journey to find out if what she and Esben shared is the real thing—and if she can finally trust in herself, in others, and in love.

    This pocket-sized book presents the most essential poems in his dispensary: those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.

    fin-na /ˈfinə/ contraction: (1) going to; intending to. rooted in African American Vernacular English. (2) eye dialect spelling of "fixing to." (3) Black possibility; Black futurity; Blackness as tomorrow.A lyrical and sharp celebration, these poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy. In three key parts, Finna explores the mythos and erasure of names in the American narrative; asks how gendered language can provoke violence; and finally, through the celebration and examination of the Black vernacular, expands the notions of possibility, giving us a new language of hope.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    Attached was her name, her email address… and a secret she desperately wanted to be free of. Weeks later, on a beach in France, Lucas Moreau discovered the balloon and immediately emailed the attached address, sparking an intense friendship between the two teens. Now, fourteen years later, Emmie is hiding the fact that she’s desperately in love with Lucas. She has pinned all her hopes on him and waits patiently for him to finally admit that she’s the one for him. So dedicated to her love for Lucas, Emmie has all but neglected her life outside of this relationship—she’s given up the search for her absentee father, no longer tries to build bridges with her distant mother, and lives as a lodger to an old lady she barely knows after being laid off. And when Lucas tells Emmie he has a big question to ask her, she’s convinced this is the moment he’ll reveal his feelings for her. But nothing in life ever quite goes as planned, does it? Filled with heart and humor, Dear Emmie Blue “beautifully captures the heartache and frustrations of carrying our teenaged selves with us wherever we go” (Anstey Harris, author of Goodbye Paris) that is perfect for fans of Eleanor Oliphant Is Completely Fine and Evvie Drake Starts Over.

    After unceremoniously dumping everything in her bag in front of the most attractive man she's ever seen in real life, she arrives at her hotel only to realize she's grabbed the wrong suitcase from the airport. Her only consolation? The irresistibly appealing contents of the case: a copy of her favorite book; piano music; and a rugged, heavy knit fisherman sweater only a Ryan Gosling lookalike could pull off. The owner of this suitcase is Laura's dream man--she's sure of it. Now, all she has to do is find him.The mix-up seems written in the stars. After all, what are the odds that she'd find The One on the same remote island where her mom and dad had first fallen in love, especially as she sets out to write an article about their epic romance? Commissioning surly cab driver Ted to ferry her around seems like her best bet in both tracking down the mystery suitcase owner and retracing her parents' footsteps. And if beneath Ted's gruffness lies a wit that makes their cab rides strangely entertaining, so much the better. But as Laura's long-lost luggage soulmate proves difficult to find--and as she realizes that the love story she's held on a pedestal all her life might not have been that perfect--she'll have to rethink her whole outlook on love to discover what she really wants.

    She survived to become a vital part of the balance of power between rival countries Ixia and Sitia.Now she uses her magic to keep the peace in both lands—and protect her relationship with Valek.Suddenly, though, dissent is rising. And Valek’s job—and his life—are in danger.As Yelena tries to uncover her enemies, she faces a new challenge: her magic is blocked.And now she must find a way to keep not only herself but all that she holds dear alive.A CHRONICLES OF IXIA NOVEL

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    At the end of the aisle is Rob - the man she's about to marry. Next to Rob is Ben - best man and the best friend any two people ever had.And that's the problem.Because if it wasn't Rob waiting for her at the altar, there's a strong chance it would be Ben. Loyal and sensitive Ben has always kept his feelings to himself, but if he turned round and told Maddy she was making a mistake, would she listen? And would he be right?Best friends since childhood, Maddy, Ben and Rob thought their bond was unbreakable. But love changes everything. Maddy has a choice to make but will she choose wisely? Her heart, and the hearts of the two best men she knows, depend on it...

    In addition to the title poem, this selecion includes "The Love Song of J. Alfred Prufrock", "Gerontion", "Ash Wednesday", and other poems from Mr. Eliot's early and middle work. "In ten years' time," wrote Edmund Wilson in Axel0s Castle (1931), "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948 Mr. Eliot was awarded the Nobel Prize "for his work as trail-blazing pioneer of modern poetry".

    Rob and Renee's life together - they wed after graduate school, both became music journalists, and were married only five years when Renee died suddenly on Mother's Day, 1997 - is shared through the window of the mix tapes they obsessively compiled. There are mixes to court each other, mixes for road trips, mixes for doing the dishes, mixes for sleeping - and, eventually, mixes to mourn Rob's greatest loss. The tunes were among the great musical output of the early 1990s - Pearl Jam, Nirvana, Pavement, Yo La Tengo, REM, Weezer - as well as classics by The Rolling Stones, The Beatles, Aretha Franklin and more. Mixing the skilful, tragic punch of Dave Eggers and the romantic honesty of Nick Hornby, LOVE IS A MIX TAPE is a story of lost love and the kick-you-in-the-gut energy of great pop music.

    Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.Praise for Aja Monet:“[Monet] is the true definition of an artist.”—Harry Belafonte“In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.”—Carrie Mae WeemsOf Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.

    Two, she's only ever been good at one thing – her job helping business start-ups.So when she’s sacked and put on gardening leave, Jasmine realises that she has nothing else to fill her life. Insomnia keeps her staring out of her bedroom window, and she finds herself watching the antics of her neighbour, shock jock Matt, with more than a casual eye. Matt is also taking a forced leave of absence from work, after one of his controversial chat shows went too far…Jasmine has every reason to dislike Matt, and the feeling appears to be mutual. But not everything is as it seems, and soon Jasmine and Matt are forced to think again…

    In a world that teaches us to cling to what we love at all costs, there is an undeniable art to moving on – and it’s one that we are constantly relearning. In this series of honest and poignant essays, Heidi Priebe explores the harsh reality of what it means to let go of the people and situations we love most - often before we are ready to – and how to embrace what comes next.