The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    Merwin’s new book of poems. “I have only what I remember,” Merwin admits, and his memories are focused and profound—the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and “our long evenings and astonishment.” In “Photographer,” Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by “someone who understood.” In “Empty Lot,” Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can’t help but ask: How shall we mine our lives?somewhere the Perseids are fallingtoward us already at a speed that wouldburn us alive if we could believe itbut in the stillness after the rain endsnothing is to be heard but the drops falling

    Defying the conventions of the time, they were truly innovative. Featuring meditations on everyday life, love, nature, and society, the genius of her creativity is hard to ignore.Short, yet keenly observed, her poems pack a powerful punch. This carefully chosen selection covers a range of her most loved verses and brings you face to face with the private world of one of America's greatest poets.

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    In this stunningly inventive collection—a finalist for the 2001 National Book Award in poetry—Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.

    The title poem confronts a human ritual of marriage from the standpoint of a wedding photographer. Within the tedium and alienation of the ceremony, the speaker grapples with a strange human hopefulness. In this vein, Stone explores our everyday patterns and customs, and in doing so, exposes them for their complexities. Drawing on the neurological, scientific, psychological, and even supernatural, this collection confronts the difficulties of love and family. Stone rankles with a desire to understand, but the questions she asks are never answered simply. These poems stroll along the abyss, pointing towards the absurdity of our choices. They recede into the imaginative in order to understand and translate the distressing nature of reality. It is a bittersweet question this book raises: Why we are like this? There is no easy answer. So while we look down at our hands, perplexed, Someone Else’s Wedding Vows raises a glass to the future.

    Why couldn't Ryley have bacne, chronic case of nose bleeds, genetic baldness, or uncontrollable gingivitis? Oh no, he had to be perfect in every way. And, that body... Nuff said. It was all I could do to convince my knees not to weaken at the sight of him. Forming coherent words when he spoke my name was dang near impossible. Perhaps if his frontal lobe was a teensy weensy smaller, I might have been able to convince myself that he wasn't so intellectually stimulating. But, he was stimulating,in more ways than one; there was no denying that; no matter how badly I tried to hate him, I couldn't. That made what I was about to do so delightfully horrible that even the wicked Queen of Hearts would be impressed--Alice Mae.

    Through one-two page passages in this 218-page curative book, the author takes her readers on a journey from hardship to a haven, from hurting to healing, and from suffering to feeling at ease.This book is for anyone who is on the path to self-discovery and would like to mend their broken pieces gently, easily and softly. It is tender to the heart, kind to the soul and food for the mind, but it aims to alleviate all the pain and unease that people all over the world are experiencing.There are pieces about love and all the different shades of heartbreak. There are pieces about mental health and acceptance. There are pieces about relationships shared with family, friends and lovers. There are pieces about growth and discovery. There are pieces about grief and sadness.The purpose of this book is to allow each reader to learn more about themselves and become hopeful on their healing journey. Many passages included in this book are already appreciated and loved dearly by readers all over the world.This book is a balm for the scars within everyone's hearts, and it is the answer to all the questions that we have ever asked ourselves.

    Subjects are revisited–the pain of childhood, adolescent sexual stirrings, the fulfillment of marriage, the wonder of children–but each recasting penetrates ever more deeply, enriched by new perceptions and conceits.Strike Sparks is a testament to this remarkable poet’s continuing and amazing growth.From the Hardcover edition.

    In 2015, Rudy Francisco decided to take on the challenge. After the task was completed, he published the poems in the form of a chapbook and chose to call it "No Gravity."

    The book reproduces A Part Song, a profoundly moving document of grieving and loss, and one of the most widely admired long poems of recent years. Elsewhere these poems become a space for contemplation of the natural world and of physical law, and for the deep consideration of what it is to invoke those who are absent. But finally, they extend our sense of what the act of human speech can mean - and especially what is drawn forth from us when we address our dead. Lyric, intimate, acidly witty, unflinchingly brave, Say Something Back is a deeply moving book by one of our finest poets, and one destined to introduce Riley's name to a wide new readership.

    This revised and expanded edition contains over 50 pages of all-new material.Organized in four sections – Inception, Longing, Chaos, and Epiphany – K.Y. Robinson's debut poetry collection explores what it is to want in spite of trauma, shame, injustice, and mental illness. It is one survivor's powerful testimony, and a love letter "to those who lie awake burning."

    George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    But on the brink of fame and fortune, there comes instead a knock on the door in the middle of the night: the flamboyant ex-Catholic is swept to America’s most notorious prison, administered a Qur’an and locked away indefinitely to discover his link to a terrorist plot.Now, in his six-by-eight-foot cell, Boy prepares for the tribunal of his life with this intimate confession. From borrowed mattress to converted toothpick factory loft, from custom suit commissions to high-end retail, we are immersed in a wonderland of soirees, runways, and hipster romance in twenty-first-century Gotham.  Boy is equally at home (if sometimes comically misinformed) invoking Dostoevsky and Diane von Furstenberg, the Marcos tyranny and Marc Jacobs, the vicissitudes of memory and the indignity of the walking sandwich board. But behind the scrim of his wit and chutzpah is his present nightmare of detainment in the sun-baked place he calls No Man’s Land. The more Boy’s faith in American justice is usurped by the Kafkaesque demands of his interrogator, the more ardently he clings to the chimerical hope and humanity of his adoptive country.Funny, wise and beguiling, From the Memoirs of a Non-Enemy Combatant gives us a tale so eerily evocative that it, and its hero, are poised to become an indelible part of the reader’s imagination and the literature of our strange times.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.