At age seventeen, Esofi's journey to Ieflaria is not for the wedding she always expected but instead to offer condolences on the death of her would-be husband.But Ieflaria is desperately in need of help from Rhodia for their dragon problem, so Esofi is offered a new betrothal to Prince Albion's younger sister, the new Crown Princess Adale. But Adale has no plans of taking the throne, leaving Esofi with more to battle than fire-breathing beasts.

    Poppy Jenkins makes everyone smile. She’s the heart of Wells, a beautiful village in mid-Wales, leaving light and laughter in her wake. She has a doting family, an errant dog and a little sister with a nose for mischief. But she’s the only gay in the village and it’s a long time since she kissed a girl: the chance of romance in sleepy Wells is rarer than a barking sheep. If she doesn’t think too hard, life is cosy, until a smart sports car barrels into town with the last woman Poppy wants to see behind the wheel. Beautiful Rosalyn Thorn was once Poppy’s high school BFF even though she was trouble. Then one day she abandoned Wells and Poppy without explanation. Now the highflier is back and bound to cause fresh havoc in the village and with Poppy’s heart; folk are not happy. Wells needs to wake up to the 21st century and Rosalyn can help, but old prejudices die hard. If they can be friends it could be the chance to make everyone’s happy ever after. Couldn’t it?

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    In 2010, at seventeen, Lucy Sutcliffe began an online friendship with Kaelyn, a young veterinary student from Michigan. Within months, they began a long distance relationship, finally meeting in the summer of 2011. Lucy's video montage of their first week spent together in Saint Kitts, which she posted to the couple's YouTube channel, was the first in a series of films documenting their long-distance relationship. Funny, tender and candid, the films attracted them a vast online following. Now, for the first time, Lucy's writing about the incredible personal journey she's been on; from never quite wanting the fairy-tale of Prince Charming to realising she was gay at the age of 14, through three years of self-denial to finally coming out to friends and family, to meeting her American girlfriend Kaelyn.

    He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

    Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    She was all warmth and sparking light. When I was with her, my skin sighed that the center of the world was precisely here.Anna is afraid she must be unlovable—until she meets Flynn. Together, the girls swim, eat banana cake, laugh, and love. Some days Flynn is unreachable; other days she's at Anna's door—but when Anna discovers Flynn's secret, she wonders if she knows her at all. This beautifully crafted novel explores the tension between the tender moments that pull people together and the secrets that push them apart.

    Snarky. Rebellious. And gender fluid. Some days Riley identifies as a boy, and others as a girl. The thing is…Riley isn’t exactly out yet. And between starting a new school and having a congressman father running for reelection in uber-conservative Orange County, the pressure—media and otherwise—is building up in Riley’s so-called “normal” life.On the advice of a therapist, Riley starts an anonymous blog to vent those pent-up feelings and tell the truth of what it’s REALLY like to be a gender fluid teenager. But just as Riley’s starting to settle in at school—even developing feelings for a mysterious outcast—the blog goes viral, and an unnamed commenter discovers Riley’s real identity, threatening exposure. Riley must make a choice: walk away from what the blog has created—a lifeline, new friends, a cause to believe in—or stand up, come out, and risk everything.

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.

    The woman cares nothing for Rowan's company, but nor does she seem perturbed by the powers that burn within her.Rowan soon learns that the scope of their journey is more than a desperate grasp at adventure. She breaks away from the weighty judgement of her village, but has no choice but to abandon her Kingdom altogether. Sir Ightham's past leads them through Kastelir, a country draped in the shadow of its long-dead Queen—a woman who was all tusks and claws and great, spiralling horns.Hiding her necromancy is no longer Rowan's greatest challenge, and what leads them across Kingdoms and through mountains is a heavier burden than she ever could've imagined.

    And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    And some new friends.But brittle, beautiful, and just a little bit too sassy for her own good sometimes, she no longer makes friends easily. And she has no clue where to start on the whole finding a life front, either. Not after a confidence-shattering year dogged by bad break-ups, friends who have become strangers, and her constant failure to meet her parents sky-high expectations.When Robbie and Mia walk into Claire’s work they seem the least likely people to help her find a life. But despite Claire’s initial attempts to alienate them, an unexpected new friendship develops.And it’s the warm, brilliant Mia who seems to get Claire like no one has before. Soon, Claire begins to question her feelings for her new friend.The sequel, The Sum of These Things, will be released in late 2015. Paperback available July 15.Length: approx. 140,000Themes: Australia, lesbian, Melbourne, young adult, new adult

    Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? The latest powerful, original novel from Hannah Moskowitz is the story about living in and outside communities and stereotypes, and defining your own identity.