You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    In Fortune Smiles - his first book since Orphan Master - he continues to give voice to characters rarely heard from, while offering something we all seek from fiction: a new way of looking at our world.In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. "George Orwell Was a Friend of Mine" follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. "Nirvana," which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In "Hurricanes Anonymous" - first included in the Best American Short Stories anthology - a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America's greatest writers and an indispensable guide to our new century.

    In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three Gorges Dam and the seedkeeper who guards the history of a village soon to be submerged. And in 'Afterworld,' the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.The stories in Memory Wall show us how we figure the world, and show Anthony Doerr to be one of the masters of the form.

    She traveled everywhere with two boxes: the first with red sequins for the dress she wore as a magician’s assistant, the second with green sequins for her mermaid tail. She'd grown up on wild stories told by wild circus people. Books, she hadn’t had books until she’d found Daniel Watson and stopped moving.The first time Daniel saw her, Paulina was floating in a glass tank, suspended in water that sparkled like it was made from night sky. She has settled down now, living in a house on a cliff on Long Island Sound with Daniel and their young family: six-year-old Simon and his baby sister, Enola. But if you steal the magician’s assistant from a carnival, how can you know if she’ll disappear?

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    Of the twenty-two stories collected here—some written recently, others decades ago—all but two have never before been published. Bradbury has crafted tales that are strange and scary, nostalgic and bittersweet, and humorous and touching, set in the not-so-distant past and an unknowable future: a group of senators drinks too much and gambles away the United States, a newly-wed couple buys an old house and finds their fledgling relationship tested, two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night, and a lonely woman takes a last chance on love. The final piece is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling.A timeless collection from one of America's greatest storytellers, The Cat's Pajamas is a panoramic view of Ray Bradbury's rich and remarkable imagination.(from back cover)

    Comprised of a surprising mix of newly minted professionals, ex-prisoners, intellectuals, musicians, and faithful Party workers, the community is vibrant and resilient and life in Magadan thrives even under the cover of near-perpetual snow. By blending history and fable, each of Melnik's stories transports us somewhere completely new: a married Magadan woman considers a proposition from an Italian footballer in '70s Moscow; an ailing young girl visits a witch doctor’s house where nothing is as it seems; a middle-aged dance teacher is entranced by a new student’s raw talent; a former Soviet boss tells his granddaughter the story of a thorny friendship; and a woman in 1958 jumps into a marriage with an army officer far too soon.Weaving in and out of the last half of the twentieth century, Snow in May is an inventive, gorgeously rendered, and touching portrait of lives lived on the periphery where, despite their isolation—and perhaps because of it—the most seemingly insignificant moments can be beautiful, haunting, and effervescent.

    Think Clark Gable with larceny in his heart and a price on his head. A price put there by the German Gestapo. But Blacky's always got an angle, and this time it s as audacious as they come. He'll hide in plain sight, impersonating the crowned head of a Balkan kingdom. He'll become The Iron Duke.Can he pull it off? Win the love of a country...and of a beautiful woman? All Blacky has to do is risk everything and, for once in his life, find a way to do the right thing. Get in on the deception as the audio version of The Iron Duke puts you in the middle of the royal con game. "Filled with realistic sound effects...and a classic film noir atmosphere, this inspired and well-polished entertainment will immerse listeners." —Publishers WeeklyHubbard and Gable were fast friends and fellow adventurers. While Hubbard was writing for Columbia Pictures in 1937, the studio often called upon him to doctor scripts for Gable—giving him a unique knowledge of the man and inspiration for characters like Blacky Lee.*An AudioFile Award Winner

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    2.) The scariest things imaginable are not those that can kill you, but those you can live through. And probably the most prominent: 3.) The most horrible possibility is not what could happen to you, but what you could become – I became a killer.” ~Hope Wellman Brief Description:Hope Wellman has a childhood full of horrific memories, a bone chilling recurring nightmare, and a persistent paranoid sense of being followed that she would rather keep repressed. Is evil reaching from beyond the grave to capture the tattered remnants of her soul once and for all, is it only a machination of her disturbed mind, or is there something happening more sinister than even she can imagine? Attending the funeral of her abuser is the first step in putting her life back together as she is about to turn twenty-one. She struggles with the fact she never told anyone what happened to her, and that the grave they are mourning over is empty. She'd find it a lot easier to move on and believe in the future if he were in the box, ready to be covered with dirt. She fears the last thread of her sanity has snapped when she sees Lucas everywhere she turns, and can't escape a recurring nightmare. Is her tormentor alive, or is she imagining it? Is her dream triggered by past fears or is it a prediction of the future?From the Author: I am a survivor of abuse. It changed me. I closed myself off. It changed the way I saw myself. It changed the way I thought others saw me. It changed my outlook on the whole world. It changed the way I let people treat me, and had a snowball effect on my life. I married an abusive man. I divorced an abusive man. I finally broke the cycle. Most of all, I wanted to express how important it is to encourage the discussion of abuse. In my book, as in my life, silence is the enemy. Three Rules was written as fiction in order to make it an enjoyable read, but, much of the thought processes, feelings and reactions are real. However, there are no gory detailed scenes. It was written with sincere respect and sensitivity for the reader while trying to convey the honest and realistic feelings of an abuse survivor. ~ Marie

    . . not even in His house.Liz’s best friend rode off on the back of a motorcycle when she was 16 years old. Her body parts washed up on the shores of a Virginia beach community days later, prompting Liz’s parents to sequester her away to Richmond, far away from the vicious murder. Now on her own, Liz returns to take back that part of her life and make peace with the events of her 16th summer.John Williams’ heart broke when, after being questioned in the grisly murder, Liz’s parents spirited her away for good, leaving him grieving for his forsaken love. With the guidance of his father, the community preacher, John moves on with a clear understanding of his life’s mission.When another body turns up, savagely hacked-up on the side of the road, safety becomes elusive, even in the small community church where the answers are hidden. Liz and John have to face the truth that the killer is still out there. Watching. Waiting for them.

    While her friends are marrying, having children, and embarking on successful careers, Holly is raising her three younger sisters and working part time at the village art gallery. Her life feels incomplete, but family is more important to her than anything. Then a film crew’s arrival galvanizes the community, and Holly becomes fast friends with Fletcher Hays, the movie’s love-shy American writer. The production of an Emma film isn’t the only drama in town, though. Their father makes a choice that threatens everything she gave up her dreams for. Holly’s sisters endure growing pains. And Fletcher plans to return to America as soon as filming is over, ruining any chance of their relationship blossoming further. After years of sacrificing for others, Holly must find the courage to take a risk on a future she never dared to expect.

    In “A Love Picture,” a middle-aged woman, already no stranger to loss, consults a World War II newsreel to determine the fate of her son. The harrowing but transcendent “The End of Days” imagines life in another pandemic as artist Egon Schiele and his wife, both stricken with the Spanish flu, spend their final days together. And in the poignant title story, an elderly writer takes stock of what remains after losing his life partner.“A master of fine detail” (Anne Enright), MacLaverty captures the joys and sorrows of everyday existence with “extraordinary emotional precision” (Colm Tóibín). Blank Pages elegantly probes MacLaverty’s signature themes—domestic love, Catholicism, the Troubles, aging—with compassion and insight, reminding us again why he is regarded as one of the greatest living Irish writers.

    A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."