Set mainly amid Indian reservations and uranium mills, these twelve stories create a kaleidoscopic view of family, myth, love, landscape, and loss in a place where infinite skies and endless roads suggest a world of possibility, yet dreams are deceiving, like an oasis, just beyond reach. Whether it’s a young woman pushed quite literally to the edge on a desolate mountain pass, an orphaned brother and sister trying to patch together an existence one stitch at a time, a cop who suspects his kleptomaniac wife is stealing from other people — materially and emotionally — or a wily roadside hypnotist whose alleged power is both wonderful and strange, Ann Cummins’s characters want to transcend the circumstances of their lives, to believe in the eventuality of change. Again and again, Ann Cummins generates imagery of white-hot intensity and pushes the limits of both the human spirit and the short story form. Gritty, seductive, and always daring, this unforgettable collection puts forth a haunting new vision of hope and heartache in contemporary America and confirms the arrival of an important new voice.

    Henry Prize Stories 2012 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. These remarkable stories explore the boundaries of the imagination in settings as various as an army training camp in China, the salt mines of Detroit, a divided Balkan town, and the eye of a hurricane. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

    But what if she meets the woodsman of her dreams instead? Read all about it in this exclusive Ever After High short story by Newbery Honor author Shannon Hale.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    As with her acclaimed novels Nobody Is Ever Missing and The Answers, she gives life to a group of subtly complex, instantly memorable characters whose searches for love, struggles with grief, and tentative journeys into the minutiae of the human condition are simultaneously gripping and devastating. The characters in Certain American States are continually coming to terms with their place in the world, and how to adapt to that place, before change inevitably returns. A woman leaves her dead husband’s clothing on the street, only for it to reappear on the body of a stranger; a man reads his ex-wife’s short story and neurotically contemplates whether it is about him; a young woman whose Texan mother insists on moving to New York City with her has her daily attempts to get over a family tragedy interrupted by a mute stranger showing her incoherent messages on his phone. These are stories of breakups, abandonment, and strained family ties; dead brothers and distant surrogate fathers; loneliness, happenstance, starting over, and learning to let go. Lacey’s elegiac and inspired prose is at its full power in this collection, further establishing her as one of the singular literary voices of her generation.

    She will always be owned by a warlock. She will never have freedom. She will always do what her warlock wishes, regardless of how inane, frivolous, or cruel it is. And if she doesn’t follow the rules, she will be tarnished. Spelled to be bald, inked, and barren for the rest of her life—worth less than the shadow she casts.Then her ownership is won by a barbarian from another country. With the uncertainty that comes from belonging to a new warlock, Serena questions if being tarnished is really worse than being owned by a barbarian, and tempts fate by breaking the rules. When he looks the other way instead of punishing her, she discovers a new world. The more she ventures into the forbidden, the more she learns of love and a freedom just out of reach. Serena longs for both. But in a society where women are only ever property, hoping for more could be deadly.

    Her warm heart breaks, her left ovary twinges, and Margie finds herself smitten with sympathy. This is how Margie falls in love with her Latin professor, a lonely widower and single father who trembles visibly in class. This is how Margie joins a band of ragtag student activists called H.E.A.R.T. (Humans Encouraging Animal Rights Today) in liberating lovebirds from their pet-store cages. And this is how Margie becomes involved in a plan so dangerous, so reckless, and so illegal, that she must flee her California college town, cut off contact with her dear old dad, and start fresh in a place unlike anywhere she has ever been. Introducing one of the most unforgettable heroines in recent fiction, The Lovebird is a novel about a girl who can't abandon a lost cause, who loves animals, and who must travel to the loneliest place on earth to figure out where she really belongs.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    Her work has been acclaimed as "amazing . . . terrific and original" (Washington Post). In this collection of nine works of short fiction, she uses her piercing insight to plumb the depth of the female experience and the human soul.A husband’s wife transforms into a vulpine in "Mrs. Fox," winner of the BBC Short Story Prize. In "Case Study 2, " A social worker struggles with a foster child raised in a commune. A new mother runs into an old lover in "Luxury Hour." In incandescent prose, full of rich observations and striking clarity, Hall has composed nine wholly original pieces—works of fiction that will resonate long after the final page is turned.

    These pieces encompass the pre- and postwar Irish American family life she circles in the early Temporary Shelter series, as well as a wealth of new fiction that brings her contemporary characters into middle age; it is their turn to face bodily decline, mortality, and the more complex anxieties of modern life. Gordon captures the sharp scent of feelings as they shift, the shape of particular lives in their hope and incomprehensibility. In The Neighborhood, a seven-year-old who has lost her father finds birthday parties, with their noisy games and spun-sugar roses on fancy cakes, her greatest trial. City Life explores the dark side of Manhattan apartment living. Intertextuality proposes a dream meeting between Proust's characters and the author's aging grandmother. Throughout, Gordon's surprising path to the center of a story is as much a part of the tale as the self-understanding her characters achieve in the process: What were they all, any of them, feeling?one narrator ventures. This was the sort of question no one in my family would ask. Feelings were for others: the weak, the idle. We were people who got on with things. With their powerful insights into how we make do, both socially and privately, these stories are a treasure of American fiction. Each is a joy to read and a chance to savor Gordon's clear vision: her ability to reveal at every turn what we need and what we wish for, and her willingness, always, to address what comes of such precious wishes.

    With every good deed done, and helping hand offered, we are making the world a better place. The dedicated women selected as this year's recipients of Harlequin's More Than Words award have changed many lives for the better, through their compassionate hearts and unshakable commitment. To celebrate their accomplishments, bestselling authors have written stories inspired by these real-life heroines.In this book, Jillian Hart honors the work of Mary Byberg, a committed volunteer for Nellie's Shelter for Women and Children in Toronto, Ontario.We hope More Than Words inspires you look inside your heart and to get in touch with the heroine inside of you.

    It’s nothing that a stiff drink won’t cure. After all, bad news only hurts optimists.But when the mysterious leader of the rebels cherry-picks him to acquire certain information for her, Len is forced to go on an investigative mission where he uncovers millennia-old secrets and unwittingly triggers a chain of disturbing events that will determine the future of humankind.Author Kevin Gaughen’s dynamic debut novel, Interest, creates a seamless alternate reality behind real-world political tensions while keeping pace with its page-turning plot. Interest is as riveting as it is thought-provoking.Who really runs the world we live in? The further Len digs, the darker the answers appear to be…

    He's a strange man with an even stranger habit of digging through people's garbage. But when she sets out to prove the "Trash Collector" is behind these thefts, she discovers more than the culprit. She discovers some things can't easily be discarded. A heart-warming story of tolerance, grief, and the persistence of memory.

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    A mixture of horror, crime, fantasy, science fiction, magical realism, and the grotesque—all with a literary bent—these stories represent the future of genre-bending fiction from some of our brightest and most original voices.